For those of you who are interested in paranormal, I wanted to let you know about a website that tracks hotel deaths. You can find it at RoomSpook.com and the site can tell you if a death has occurred in your hotel room. While most people try to avoid staying in a room where there has been a death, such as a suicide, others specifically want to stay in rooms where there might be paranormal activity. You know who you are.
The Hotel Pennsylvania in New York City has recorded the most hotel suicides, currently at 32, in the RoomSpook database. One of the earliest suicides happened on June 15, 1921. On that date Kirk Moore jumped from the hotel to his death. He landed on the 7th avenue sidewalk curb, just missing a taxi cab. He was to stand trial the next day on child molestation charges after being caught inviting children into his car. Moore left a note to his wife that said in part: "Something broke in my head and I feel myself going." He was 28 years old and a graduate of Princeton University.
But wait, there's more! "RoomSpook tracks many undesirable events that, unfortunately, happen in hotels. They include: accidents, accidental deaths, assaults, bed bugs, communicable diseases, deaths by natural causes, murders, rapes, shootings by police, and suicides." This is what the site says about its current markets:
"RoomSpook.com, which allows travelers to search for unwanted “events” for free in their hotel such as bed bugs, deaths and communicable diseases like Covid-19, now has data covering 450,000+ hotel rooms, 1,200+ hotels and 3,940+ events in Anaheim, Brooklyn, Lake Buena Vista, Los Angeles, Las Vegas, New York City, and Orlando. The company is rapidly expanding to other markets."
If you are interested in ghosts, or even ghost stories, this is the site for you. Boo!
Blackwood's Edinburgh Magazine was very popular in its day. Edgar Allan Poe even lampooned some of its over-the-top stories in his How to Write a Blackwood's Article. It should be pointed out, however, that Poe was never published in the British magazine.
The magazine was not afraid to publish scary horror short stories. Its January 1861 article was no exception. That issue brought the world "Horror: A True Tale" by John Berwick Harwood (1828-1899), a British author known for his horror and supernatural tales. Harwood was known in popular English writing circles of his day and even collaborated with Charles Dickens on the short story Picking Up a Pocketbook.
"Horror: A True Tale" was published anonymously in Blackwood's perhaps because of its subject matter. It is, after all, Harwood's most horrific story. Given its story backgrounds and character generation, I am placing it at position 15 in my countdown of the best horror short stories from 1850-1899 in the English language. The top ten are contained in my latest classic horror anthology for which the cover is shown below the story.
Horror: A True Tale
by
John Harwood
I WAS BUT nineteen years of age when the incident occurred which has thrown a shadow over my life: and, ah me! how many and many a weary year has dragged by since then! Young, happy, and beloved I was in those long-departed days. They said that I was beautiful. The mirror now reflects a haggard old woman, with ashen lips and face of deadly pallor. But do not fancy that you are listening to a mere puling lament. It is not the flight of years that has brought me to be this wreck of my former self: had it been so, I could have borne the loss cheerfully, patiently, as the common lot of all; but it was no natural progress of decay which has robbed me of bloom? of youth, of the hopes and joys that belong to youth, snapped the link that bound my heart to another's, and doomed me to a lone old age.
I try to be patient, but my cross has been heavy, and my heart is empty and weary, and I long for the death that comes so slowly to those who pray to die. I will try and relate, exactly as it happened, the event which blighted my life. Though it occurred many years ago, there is no fear that I should have forgotten any of the minutest circumstances: they were stamped on my brain too clearly and burningly, like the brand of a red-hot iron. I see them written in the wrinkles of my brow, in the dead whiteness of my hair, which was a glossy brown once, and has known no gradual change from dark to grey, from grey to white, as with those happy ones who were the companions of my girlhood, and whose honoured age is soothed by the love of children and grand-children. But I must not envy them. I only meant to say that the difficulty of my task has no connection with want of memory--I remember but too well. But as I take the pen, by hand trembles, my head swims, the old rushing faintness and Horror comes over me again, and the well-remembered fear is upon me. Yet I will go on.
This, briefly, is my story: I was a great heiress, I believe, though I cared little for the fact, but so it was. My father had great possessions, and no son to inherit after him. His three daughters, of whom I was the youngest, were to share the broad acres among them. I have said, and truly, that I cared little for this circumstance; and, indeed, I was so rich then in health and youth and love, that I felt myself quite indifferent to all else. The possession of all the treasures of earth could never have made up for what I then had--and lost? as I am about to relate.
Of course, we girls knew that we were heiresses, but I do not think Lucy and Minnie were any the prouder or the happier on that account. I know I was not. Reginald did not court me for my money. Of that I felt assured. He proved it, Heaven be praised! when he shrank from my side after the change. Yes, in all my lonely age, I can still be thankful that he did not keep his word, as some would have done, did not clasp at the altar a hand he had learned to loathe and shudder at, because it was full of gold--much gold! At least, he spared me that. And I know that I was loved, and the knowledge has kept me from going mad through many a weary day and restless night, when my hot eyeballs had not a tear to shed and even to weep was a luxury denied me.
Our house was an old Tudor mansion. My father was very particular in keeping the smallest peculiarities of his home unaltered. Thus the many peaks and gables, the numerous turrets, and the mullioned windows with their quaint lozenge panes set in lead, remained very nearly as they had been three centuries back. Over and above the quaint melancholy of our dwelling, with the deep woods of its park and the sullen waters of the mere, our neighbourhood was thinly peopled and primitive, and the people round us were ignorant, and tenacious of ancient ideas and traditions. Thus it was a superstitious atmosphere that we children were reared in, and we heard, from our infancy, countless tales of horror, some mere fables doubtless, others legends of dark deeds of the olden time exaggerated by credulity and the love of the marvellous. Our mother had died when we were young, and our other parent being, though a kind father, much absorbed in affairs of various kinds, as an active magistrate and landlord, there was no one to check the unwholesome stream of tradition with which our plastic minds were inundated in the company of nurses and servants. As years went on, however, the old ghostly tales partially lost their effects, and our undisciplined minds were turned more towards balls dress, and partners, and other matters airy and trivial, more welcome to our riper age.
It was at a county assembly that Reginald and I first met--met and loved. Yes, I am sure that he loved me with all his heart. It was not as deep a heart as some, I have thought in my grief and anger; but I never doubted its truth and honesty. Reginald's father and mine approved of our growing attachment; and as for myself, I know I was so happy then, that I look back upon those fleeting moments as on some delicious dream. I now come to the change. I have lingered on my childish reminiscences, my bright and happy youth, and now I must tell the rest--the blight and the sorrow. It was Christmas, always a joyful and a hospitable time in the country, especially in such an old hall as our home, where quaint customs and frolics were much clung to, as part and parcel of the very dwelling itself. The hall was full of guests--so full, indeed, that there was great difficulty in providing sleeping accommodation for all. Several narrow and dark chambers in the turrets--mere pigeon-holes, as we irreverently called what had been thought good enough for the stately gentlemen of Elizabeth's reign--were now allotted to bachelor visitors, after having been empty for a century. All the spare rooms in the body and wings of the hall were occupied, of course; and the servants who had been brought down were lodged at the farm and at the keeper's, so great was the demand for space. At last the unexpected arrival of an elderly relative, who had been asked months before, but scarcely expected, caused great commotion.
My aunts went about wringing their hands distractedly. Lady Speldhurst was a personage of some consequence; she was a distant cousin, and had been for years on cool terms with us all, on account of some fancied affront or slight when she had paid her last visit, about the time of my christening. She was seventy years old; she was infirm, rich, and testy; moreover, she was my godmother, though I had forgotten the fact, but it seems that though I had formed no expectations of a legacy in my favour, my aunts had done so for me.
Aunt Margaret was especially eloquent on the subject. "There isn't a room left," she said; "was ever anything so unfortunate? We cannot put Lady Speldhurst into the turrets, and yet where is she to sleep? And Rosa's godmother, too! poor dear child! how dreadful! After all these years of estrangement, and with a hundred thousand in the funds, and no comfortable warm room at her own unlimited disposal--and Christmas, of all times in the year!" What was to be done? My aunts could not resign their own chambers to Lady Speldhurst, because they had already given them up to some of the married guests. My father was the most hospitable of men, but he was rheumatic, gouty, and methodical. His sisters-in-law dared not propose to shift his quarters, and indeed he would have far sooner dined on prison fare than have been translated to a strange bed. The matter ended in my giving up my room. I had a strange reluctance to making the offer, which surprised myself. Was it a boding of evil to come? I cannot say.
We are strangely and wonderfully made. It may have been. At any rate, I do not think it was any selfish unwillingness to make an old and infirm lady comfortable by a trifling sacrifice. I was perfectly healthy and strong. The weather was not cold for the time of year. It was a dark moist Yule--not a snowy one, though snow brooded overhead in the darkling clouds. I did make the offer, which became me, I said with a laugh, as youngest. My sisters laughed too, and made a jest of my evident wish to propitiate my godmother. "She is a fairy godmother, Rosa," said Minnie; "and you know she was affronted at your christening, and went away muttering vengeance. Here she is coming back to see you; I hope she brings golden gifts with her." I thought little of Lady Speldhurst and her possible golden gifts. I cared nothing for the wonderful fortune in the funds that my aunts whispered and nodded about so mysteriously. But, since then, I have wondered whether, had I then shown myself peevish or obstinate, had I refused to give up my room for the expected kinswoman, it would not have altered the whole of my life? But then Lucy or Minnie would have offered in my stead, and been sacrificed--what do I say?--better that the blow should have fallen as it did, than on those dear ones.
The chamber to which I removed was a dim little triangular room in the western wing, and was only to be reached by traversing the picture-gallery, or by mounting a little flight of stone stairs which led directly upwards from the low-browed arch of a door that opened into the garden. There was one more room on the same landing-place, and this was a mere receptacle for broken furniture, shattered toys, and all the lumber that will accumulate in a country-house. The room I was to inhabit for a few nights was a tapestry-hung apartment, with faded green curt ins of some costly stuff, contrasting oddly with a new carpet and the bright fresh hangings of the bed, which had been hurriedly erected.
The furniture was half old, half new, and on the dressing-table stood a very quaint oval mirror, in a frame of black wood--unpolished ebony, I think. I can remember the very pattern of the carpet, the number of chairs, the situation of the bed, the figures on the tapestry. Nay, I can recollect not only the colour of the dress I wore on that fatal evening, but the arrangement of every scrap of lace and ribbon, of every flower, every jewel, with a memory but too perfect. Scarcely had my maid finished spreading out my various articles of attire for the evening (when there was to be a great dinner-party), when the rumble of a carriage announced that Lady Speldhurst had arrived. The short winter's day drew to a close, and a large number of guests were gathered together in the ample drawing-room, around the blaze of the wood fire, after dinner. My father, I recollect, was not with us at first. There were some squires of the old hard-riding, hard-drinking stamp still lingering over their port in the dining-room, and the host, of course, could not leave them. But the ladies and all the younger gentlemen--both those who slept under our roof, and those who would have a dozen miles of fog and mire to encounter on their road home--were all together. Need I say that Reginald was there? He sat near me--my accepted lover, my plighted future husband. We were to be married in the spring. My sisters were not far off; they, too, had found eyes that sparkled and softened in meeting theirs, had found hearts that beat responsive to their own. And, in their cases, no rude frost nipped the blossom ere it became the fruit; there was no canker in their flowerets of young hope, no cloud in their sky. Innocent and loving, they were beloved by men worthy their esteem.
The room, a large and lofty one, with an arched roof, had somewhat of a sombre character from being wainscoted and ceiled with polished black oak of a great age. There were mirrors, and there were pictures on the walls, and handsome furniture, and marble chimney-pieces, and a gay Tournay carpet; but these merely appeared as bright spots on the dark background of the Elizabethan woodwork. Many lights were burning, but the blackness of the walls and roof seemed absolutely to swallow up their rays, like the mouth of a cavern. A hundred candles could not have given that apartment the cheerful lightness of a modern drawing-room. But the gloomy richness of the panels matched well with the ruddy gleam from the enormous wood fire, in which, crackling and glowing, now lay the mighty Yule log. Quite a blood-red lustre poured forth from the fire, and quivered on the walls and the groined roof. We had gathered round the vast antique hearth in a wide circle. The quivering light of the fire and candles fell upon us all, but not equally, for some were in shadow. I remember still how tall and manly and handsome Reginald looked that night, taller by the head than any there, and full of high spirits and gaiety. I, too, was in the highest spirits; never had my bosom felt lighter, and I believe it was my mirth which gradually gained the rest, for I recollect what a blithe, joyous company we seemed. All save one.
Lady Speldhurst, dressed in grey silk and wearing a quaint head-dress, sat in her armchair, facing the fire, very silent, with her hands and her sharp chin propped on a sort of ivory-handled crutch that she walked with (for she was lame), peering at me with half-shut eyes. She was a little spare old woman, with very keen delicate features of the French type. Her grey silk dress, her spotless lace, old-fashioned jewels, and prim neatness of array, were well suited to the intelligence of her face, with its thin lips, and eyes of a piercing black, undimmed by age. Those eyes made me uncomfortable, in spite of my gaiety, as they followed my every movement with curious scrutiny. Still I was very merry and gay; my sisters even wondered at my ever-ready mirth, which was almost wild in its excess. I have heard since then of the Scottish belief that those doomed to some great calamity become fey, and are never so disposed for merriment and laughter as just before the blow falls. If ever mortal was fey, then, I was so on that evening. Still, though I strove to shake it off, the pertinacious observation of old Lady Speldhurst's eyes did make an impression on me of a vaguely disagreeable nature. Others, too, noticed her scrutiny of me, but set it down as a mere eccentricity of a person always reputed whimsical, to say the least of it.
However, this disagreeable sensation lasted but a few moments. After a short pause my aunt took her part in the conversation, and we found ourselves listening to a weird legend which the old lady told exceedingly well. One tale led to another. Every one was called on in turn to contribute to the public entertainment, and story after story, always relating to demonology and witchcraft, succeeded. It was Christmas, the season for such tales; and the old room, with its dusky walls and pictures, and vaulted roof, drinking up the light so greedily, seemed just fitted to give effect to such legendary lore. The huge logs crackled and burnt with glowing warmth; the blood-red glare of the Yule log flashed on the faces of the listeners and narrator, on the portraits, and the holly wreathed about their frames, and the upright old dame in her antiquated dress and trinkets, like one of the originals of the pictures stepped from the canvas to join our circle. It threw a shimmering lustre of an ominously ruddy hue upon the oaken panels.
No wonder that the ghost and goblin stories had a new zest. No wonder that the blood of the more timid grew chilI and curdled, that their flesh crept, and their hearts beat irregularly, and the girls peeped fearfully over their shoulders, and huddled close together like frightened sheep, and half-fancied they beheld some impish and malignant face gibbering at them from the darkling corners of the old room. By degrees my high spirits died out, and I felt the childish tremors, long latent, long forgotten, coming over me. I followed each story with painful interest; I did not ask myself if I believed the dismal tales. I listened, and fear grew upon me--the blind, irrational fear of our nursery days. I am sure most of the other ladies present, young or middle-aged, were affected by the circumstances under which these traditions were heard, no less than by the wild and fantastic character of them. But with them the impression would die out next morning, when the bright sun should shine on the frosted boughs, and the rime on the grass, and the scarlet berries and green spikelets of the holly; and with me--but, ah! what was to happen ere another day dawn? Before we had made an end of this talk, my father and the other squires came in, and we ceased our ghost stories, ashamed to speak of such matters before these newcomers--hard-headed, unimaginative men, who had no sympathy with idle legends. There was now a stir and bustle.
Servants were handing round tea and coffee, and other refreshments. Then there was a little music and singing. I sang a duet with Reginald, who had a fine voice and good musical skill. I remember that my singing was much praised, and indeed I was surprised at the power and pathos of my own voice, doubtless due to my excited nerves and mind. Then I heard some one say to another that I was by far the cleverest of the Squire's daughters, as well as the prettiest. It did not make me vain. I had no rivalry with Lucy and Minnie. But Reginald whispered some soft fond words in my ear, a little before he mounted his horse to set off homewards, which did make me happy and proud. And to think that the next time we met--but I forgave him long ago. Poor Reginald! And now shawls and cloaks were in request, and carriages rolled up to the porch, and the guests gradually departed. At last no one was left but those visitors staying in the house. Then my father, who had been called out to speak with the bailiff of the estate, came back with a look of annoyance on his face. "A strange story I have just been told," said he; "here has been my bailiff to inform me of the loss of four of the choicest ewes out of that little flock of Southdowns I set such store by, and which arrived in the north but two months since. And the poor creatures have been destroyed in so strange a manner, for their carcasses are horribly mangled."
Most of us uttered some expression of pity or surprise, and some suggested that a vicious dog was probably the culprit. "It would seem so," said my father; "it certainly seems the work of a dog; and yet all the men agree that no dog of such habits exists near us, where, indeed, dogs are scarce, excepting the shepherds' collies and the sporting dogs secured in yards. Yet the sheep are gnawed and bitten, for they show the marks of teeth. Something has done this, and has torn their bodies wolfishly; but apparently it has been only to suck the blood, for little or no flesh is gone." "How strange!" cried several voices. Then some of the gentlemen remembered to have heard of cases when dogs addicted to sheep-killing had destroyed whole flocks, as if in sheer wantonness, scarcely deigning to taste a morsel of each slain wether. My father shook his head. "I have heard of such cases, too?" he said; "but in this instance I am tempted to think the malice of some unknown enemy has been at work. The teeth of a dog have been busy no doubt, but the poor sheep have been mutilated in a fantastic manner, as strange as horrible; their hearts, in especial, have been torn out, and left at some paces off, half-gnawed. Also, the men persist that they found the print of a naked human foot in the soft mud of the ditch, and near it--this." And he held up what seemed a broken link of a rusted iron chain.
Many were the ejaculations of wonder and alarm, and many and shrewd the conjectures, but none seemed exactly to suit the bearings of the case. And when my father went on to say that two lambs of the same valuable breed had perished in the same singular manner three days previously, and that they also were found mangled and gore-stained, the amazement reached a higher pitch. Old Lady Speldhurst listened with calm intelligent attention, but joined in none of our exclamations. At length she said to my father, "Try and recollect--have you no enemy among your neighbours?" My father started, and knit his brows. "Not one that I know of," he replied; and indeed he was a popular man and a kind landlord. "The more lucky you," said the old dame, with one of her grim smiles. It was now late, and we retired to rest before long. One by one the guests dropped off. I was the member of the family selected to escort old Lady Speldhurst to her room--the room I had vacated in her favour. I did not much like the office. I felt a remarkable repugnance to my godmother, but my worthy aunts insisted so much that I should ingratiate myself with one who had so much to leave, that I could not but comply. The visitor hobbled up the broad oaken stairs actively enough, propped on my arm and her ivory crutch.
The room never had looked more genial and pretty, with its brisk fire, modern furniture, and the gay French paper on the walls. "A nice room, my dear, and I ought to be much obliged to you for it, since my maid tells me it is yours," said her ladyship; "but I am pretty sure you repent your generosity to me, after all those ghost stories, and tremble to think of a strange bed and chamber, eh?" I made some commonplace reply. The old lady arched her eyebrows. "Where have they put you, child?" she asked; "in some cockloft of the turrets, eh? or in a lumber-room--a regular ghost-trap? I can hear your heart beating with fear this moment. You are not fit to be alone."
I tried to call up my pride, and laugh off the accusation against my courage, all the more, perhaps, because I felt its truth. "Do you want anything more that I can get you, Lady Speldhurst?" I asked, trying to feign a yawn of sleepiness. The old dame's keen eyes were upon me. "I rather like you, my dear," she said, "and I liked your mamma well enough before she treated me so shamefully about the christening dinner. Now, I know you are frightened and fearful, and if an owl should but flap your window tonight, it might drive you into fits. There is a nice little sofa-bed in this dressing-closet--call your maid to arrange it for you, and you can sleep there snugly, under the old witch's protection, and then no goblin dare harm you, and nobody will be a bit the wiser, or quiz you for being afraid."
How little I knew what hung in the balance of my refusal or acceptance of that trivial proffer! Had the veil of the future been lifted for one instant! but that veil is impenetrable to our gaze. Yet, perhaps, she had a glimpse of the dim vista beyond, she who made the offer; for when I declined, with an affected laugh, she said, in a thoughtful, half abstracted manner, "Well, well! we must all take our own way through life. Good night, child--pleasant dreams!"
And I softly closed the door. As I did so, she looked round at me rapidly, with a glance I have never forgotten, half malicious, half sad, as if she had divined the yawning gulf that was to devour my young hopes. It may have been mere eccentricity, the odd phantasy of a crooked mind, the whimsical conduct of a cynical person, triumphant in the power of affrighting youth and beauty. Or, I have since thought, it may have been that this singular guest possessed some such gift as the Highland "second-sight", a gift vague, sad, and useless to the possessor, but still sufficient to convey a dim sense of coming evil and boding doom. And yet, had she really known what was in store for me, what lurked behind the veil of the future, not even that arid heart could have remained impassive to the cry of humanity. She would, she must have snatched me back, even from the edge of the black pit of misery. But, doubtless, she had not the power. Doubtless she had but a shadowy presentiment, at any rate of some harm to happen, and could not see, save darkly, into the viewless void where the wisest stumble. I left her door. As I crossed the landing a bright gleam came from another room, whose door was left ajar; it (the light) fell like a bar of golden sheen across my path. As I approached, the door opened, and my sister Lucy who had been watching for me came out. She was already in a white cashmere wrapper, over which her loosened hair hung darkly and heavily, like tangles of silk. "Rosa, love," she whispered, "Minnie and I can't bear the idea of your sleeping out there, all alone, in that solitary room--the very room, too, nurse Sherrard used to talk about! So, as you know Minnie has given up her room, and come to sleep in mine, still we should so wish you to stop with us tonight at any rate, and I could make up a bed on the sofa for myself, or you--and--" I stopped Lucy's mouth with a kiss. I declined her offer. I would not listen to it. In fact, my pride was up in arms, and I felt I would rather pass the night in the churchyard itself than accept a proposal dictated, I felt sure, by the notion that my nerves were shaken by the ghostly lore we had been raking up, that I was a weak, superstitious creature, unable to pass a night in a strange chamber. So I would not listen to Lucy, but kissed her, bad her good night, and went on my way laughing, to show my light heart. Yet, as I looked back in the dark corridor, and saw the friendly door still ajar, the yellow bar of light still crossing from wall to wall, the sweet kind face still peering after me from amid its clustering curls, I felt a thrill of sympathy, a wish to return, a yearning after human love and companionship. False shame was strongest, and conquered. I waved a gay adieu. I turned the corner, and, peeping over my shoulder, I saw the door close; the bar of yellow light was there no longer in the darkness of the passage. I thought, at that instant, that I heard a heavy sigh. I looked sharply round.
No one was there. No door was open, yet I fancied, and fancied with a wonderful vividness, that I did hear an actual sigh breathed not far off, and plainly distinguishable from the groan of the sycamore branches, as the wind tossed them to and fro in the outer blackness. If ever a mortal's good angel had cause to sigh for sorrow, not sin, mine had cause to mourn that night. But imagination plays us strange tricks, and my nervous system was not over-composed, or very fitted for judicial analysis. I had to go through the picture-gallery. I had never entered this apartment by candle-light before, and I was struck by the gloomy array of the tall portraits, gazing moodily from the canvas on the lozenge-paned or painted windows, which rattled to the blast as it swept howling by. Many of the faces looked stern, and very different from their daylight expression.
In others, a furtive flickering smile seemed to mock me, as my candle illumined them; and in all, the eyes, as usual with artistic portraits, seemed to follow my motions with a scrutiny and an interest the more marked for the apathetic immovability of the other features. I felt ill at ease under this stony gaze, though conscious how absurd were my apprehensions, and I called up a smile and an air of mirth, more as if acting a part under the eyes of human beings, than of their mere shadows on the wall. I even laughed as I confronted them. No echo had my short-lived laughter but from the hollow armour and arching roof, and I continued on my way in silence. I have spoken of the armour. Indeed, there was a fine collection of plate and mail, for my father was an enthusiastic antiquary, In especial there were two suits of black armour, erect, and surmounted by helmets with closed visors, which stood as if two mailed champions were guarding the gallery and its treasures. I had often seen these, of course, but never by night, and never when my whole organization was so over wrought and tremulous as it then was. As I approached the Black Knights, as we had dubbed them, a wild notion seized on me that the figures moved, that men were concealed in the hollow shells which had once been borne in battle and tourney. I knew the idea was childish, yet I approached in irrational alarm, and fancied I absolutely beheld eyes glaring on me from the eyelet-holes in the visors. I passed them by, and then my excited fancy told me that the figures were following me with stealthy strides. I heard a clatter of steel, caused, I am sure, by some more violent gust of wind sweeping the gallery through the crevices of the old windows, and with a smothered shriek I rushed to the door, opened it, darted out, and clapped it to with a bang that re-echoed through the whole wing of the house. Then by a sudden and not uncommon revulsion of feeling, I shook off my aimless terrors, blushed at my weakness, and sought my chamber only too glad that I had been the only witness of my late tremors.
As I entered my chamber, I thought I heard some thing stir in the neglected lumber-room, which was the only neighbouring apartment. But I was determined to have no more panics, and resolutely shut my ears to this slight and transient noise, which had nothing unnatural in it; for surely, between rats and wind, an old manor-house on a stormy night needs no sprites to disturb it. So I entered my room, and rang for my maid. As I did so, I looked around me, and a most unaccountable repugnance to my temporary abode came over me, in spite of my efforts. It was no more to be shaken off than a chill is to be shaken off when we enter some damp cave. And, rely upon it, the feeling of dislike and apprehension with which we regard, at first sight, certain places and people, was not implanted in us without some wholesome purpose. I grant it is irrational--mere animal instinct--but is not instinct God's gift, and is it for us to despise it? It is by instinct that children know their friends from their enemies--that they distinguish with such unerring accuracy between those who like them and those who only flatter and hate them. Dogs do the same; they will fawn on one person, they slink snarling from another. Show me a man whom children and dogs shrink from, and I will show you a false, bad man--lies on his lips, and murder at his heart. No, let none despise the heaven-sent gift of innate antipathy, which makes the horse quail when the lion crouches in the thicket--which makes the cattle scent the shambles from afar, and low in terror and disgust as their nostrils snuff the blood-polluted air.
I felt this antipathy strongly as I looked around me in my new sleeping-room, and yet I could find no reasonable pretext for my dislike. A very good room it was, after all, now that the green damask curtains were drawn, the fire burning bright and clear, candles burning on the mantelpiece, and the various familiar articles of toilet arranged as usual. The bed, too, looked peaceful and inviting--a pretty little white bed, not at all the gaunt funereal sort of couch which haunted apartments generally contain. My maid entered, and assisted me to lay aside the dress and ornaments I had worn, and arranged my hair, as usual, prattling the while, in Abigail fashion. I seldom cared to converse with servants; but on that night a sort of dread of being left alone--a longing to keep some human being near me--possessed me, and I encouraged the girl to gossip, so that her duties took her half an hour longer to get through than usual. At last, however, she had done all that could be done, and all my questions were answered, and my orders for the morrow reiterated and vowed obedience to, and the clock on the turret struck one. Then Mary, yawning to answer No, for very shame's sake; and she went. The shutting of the door, gently as it was closed, affected me unpleasantly. I took a dislike to the curtains, the tapestry, the dingy pictures--everything. I hated the room. I felt a temptation to put on a cloak, run, half-dressed, to my sisters' chamber, and say I had changed my mind, and come for shelter. But they must be asleep, I thought, and I could not be so unkind as to wake them. I said my prayers with unusual earnestness and a heavy heart.
I extinguished the candles, and was just about to lay my head on my pillow, when the idea seized me that I would fasten the door. The candles were extinguished, but the fire-light was amply sufficient to guide me. I gained the door. There was a lock, but it was rusty or hampered; my utmost strength could not turn the key. The bolt was broken and worthless. Baulked of my intention, I consoled myself by remembering that I had never had need of fastenings yet, and returned to my bed. I lay awake for a good while, watching the red glow of the burning coals in the grate. I was quiet now, and more composed. Even the light gossip of the maid, full of petty human cares and joys, had done me good--diverted my thoughts from brooding. I was on the point of dropping asleep, when I was twice disturbed. Once, by an owl, hooting in the ivy outside--no unaccustomed sound, but harsh and melancholy; once, by a long and mournful howling set up by the mastiff, chained in the yard beyond the wing. I occupied. A long-drawn lugubrious howling, was this latter, and much such a note as the vulgar declare to herald a death in the family. This was a fancy I had never shared; but yet I could not help feeling that the dog's mournful moans were sad, and expressive of terror, not at all like his fierce, honest bark of anger, but rather as if something evil and unwonted were abroad. But soon I fell asleep. How long I slept, I never knew. I awoke at once, with that abrupt start which we all know well and which carries us in a second from utter unconsciousness to the full use of our faculties. The fire was still burning but was very low, and half the room or more was in deep shadow. I knew, I felt, that some person or thing was in the room, although nothing unusual was to be seen by the feeble light.
Yet it was a sense of danger that had aroused me from slumber. I experienced, while yet asleep, the chill and shock of sudden alarm, and I knew, even in the act of throwing off sleep like a mantle, why I awoke, and that some intruder was present. Yet, though I listened intently, no sound was audible, except the faint murmur of the fire,--the dropping of a cinder from the bars--the loud irregular beatings of my own heart. Notwithstanding this silence, by some intuition I knew that I had not been deceived by a dream, and felt certain that I was not alone. I waited. My heart beat on; quicker, more sudden grew its pulsations, as a bird in a cage might flutter in presence of the hawk. And then I heard a sound, faint, but quite distinct, the clank of iron, the rattling of a chain! I ventured to lift my head from the pillow. Dim and uncertain as the light was, I saw the curtains of my bed shake, and caught a glimpse of something beyond, a darker spot in the darkness. This confirmation of my fears did not surprise me so much as it shocked me. I strove to cry aloud, but could not utter a word. The chain rattled again, and this time the noise was louder and clearer. But though I strained my eyes, they could not penetrate the obscurity that shrouded the other end of the chamber, whence came the sullen clanking. In a moment several distinct trains of thought, like many-coloured strands of thread twining into one, became palpable to my mental vision. Was it a robber? could it be a supernatural visitant? or was I the victim of a cruel trick, such as I had heard of, and which some thoughtless persons love to practise on the timid, reckless of its dangerous results?
And then a new idea, with some ray of comfort in it, suggested itself. There was a fine young dog of the Newfoundland breed, a favourite of my father's, which was usually chained by night in an outhouse. Neptune might have broken loose, found his way to my room, and, finding the door imperfectly closed, have pushed it open and entered. I breathed more freely as this harmless interpretation of the noise forced itself upon me. It was--it must be--the dog, and I was distressing myself uselessly. I resolved to call to him; I strove to utter his name--"Neptune, Neptune!" but a secret apprehension restrained me, and I was mute. Then the chain clanked nearer and nearer to the bed, and presently I saw a dusky shapeless mass appear between the curtains on the opposite side to where I was lying. How I longed to hear the whine of the poor animal that I hoped might be the cause of my alarm. But no; I heard no sound save the rustle of the curtains and the clash of the iron chain. Just then the dying flame of the fire leaped up, and with one sweeping hurried glance I saw that the door was shut, and, horror! it is not the dog! it is the semblance of a human form that now throws itself heavily on the bed, outside the clothes, and lies there, huge and swart, in the red gleam that treacherously dies away after showing so much to affright, and sinks into dull darkness. There was now no light left, though the red cinders yet glowed with a ruddy gleam, like the eyes of wild beasts. The chain rattled no more.
I tried to speak, to scream wildly for help; my mouth was parched, my tongue refused to obey. I could not utter a cry, and indeed, who could have heard me, alone as I was in that solitary chamber, with no living neighbour, and the picture-gallery between me and any aid that even the loudest, most piercing shriek could summon. And the storm that howled without would have drowned my voice, even if help had been at hand. To call aloud--to demand who was there--alas! how useless, how perilous! If the intruder were a robber, my outcries would but goad him to fury; but what robber would act thus? As for a trick, that seemed impossible. And yet, what lay by my side, now wholly unseen? I strove to pray aloud, as there rushed on my memory a flood of weird legends--the dreaded yet fascinating lore of my childhood. I had heard and read of the spirits of wicked men forced to revisit the scenes of their earthly crimes---of demons that lurked in certain accursed spots--of the ghoul and vampire of the East, stealing amid the graves they rifled for their ghostly banquets; and I shuddered as I gazed on the blank darkness where I knew it lay. It stirred--it moaned hoarsely; and again I heard the chain clank close beside me--so close that it must almost have touched me. I drew myself from it, shrinking away in loathing and terror of the evil thing--what, I knew not, but felt that something malignant was near. And yet, in the extremity of my fear, I dared not speak; I was strangely cautious to be silent, even in moving farther off; for I had a wild hope that it--the phantom, the creature, whichever it was--had not discovered my presence in the room. And then I remembered all the events of the night--Lady Speldhurst's ill-omened vaticinations, her half-warnings, her singular look as we parted, my sister's persuasions, my terror in the gallery, the remark that "this was the room nurse Sherrard used to talk of".
And then memory stimulated by fear, recalled the long forgotten past, the ill-repute of this disused chamber, the sins it had witnessed, the blood spilled, the poison administered by unnatural hate within its walls, and the tradition which called it haunted. The green room--I remembered now how fearfully the servants avoided it--how it was mentioned rarely, and in whispers, when we were children, and how we had regarded it as a mysterious region, unfit for mortal habitation. Was It--the dark form with the chain--a creature of this world, or a spectre? And again--more dreadful still--could it be that the corpses of wicked men were forced to rise, and haunt in the body the places when they had wrought their evil deeds? And was such as these my grisly neighbour? The chain faintly rattled. My hair bristled; my eyeballs seemed starting from their sockets; the damps of a great anguish were on my brow. My heart laboured as if I were crushed beneath some vast weight. Sometimes it appeared to stop its frenzied beatings, sometimes its pulsations were fierce and hurried; my breath came short and with extreme difficulty, and I shivered as if with cold; yet I feared to stir. It moved, it moaned, its fetters clanked dismally, the couch creaked and shook. This was no phantom, then--no air-drawn spectre. But its very solidity, its palpable presence, were a thousand times more terrible. I felt that I was in the very grasp of what could not only affright, but harm; of something whose contact sickened the soul with deathly fear. I made a desperate resolve: I glided from the bed, I seized a warm wrapper, threw it around me, and tried to grope, with extended hands, my way to the door. My heart beat high at the hope of escape. But I had scarcely taken one step, before the moaning was renewed, it changed into a threatening growl that would have suited a wolf's throat, and a hand clutched at my sleeve.
I stood motionless. The muttering growl sank to a moan again, the chain sounded no more, but still the hand held its grip of my garment, and I feared to move. It knew of my presence, then. My brain reeled, the blood boiled in my ears, and my knees lost all strength, while my heart panted like that of a deer in the wolf's jaws. I sank back, and the benumbing influence of excessive terror reduced me to a state of stupor. When my full consciousness returned, I was sitting on the edge of the bed, shivering with cold, and bare-footed. All was silent, but I felt that my sleeve was still clutched by my unearthly visitant. The silence lasted a long time. Then followed a chuckling laugh, that froze my very marrow, and the gnashing of teeth as in demoniac frenzy; and then a wailing moan, and this was succeeded by silence. Hours may have passed--nay, though the tumult of my own heart prevented my hearing the clock strike, must have passed--but they seemed ages to me. And how were they spent? Hideous visions passed before the aching eyes that I dared not close, but which gazed ever into the dumb darkness where It lay--my dread companion through the watches of the night. I pictured It in every abhorrent form which an excited fancy could summon up: now as a skeleton, with hollow eye-holes and grinning fleshless jaws; now as a vampire, with livid face and bloated form, and dripping mouth wet with blood. Would it never be light! And yet, when day should dawn, I should be forced to see It face to face. I had heard that spectre and fiend are compelled to fade as morning brightened, but this creature was too real, too foul a thing of earth, to vanish at cock-crow. No! I should see it--the horror--face to face! And then the cold prevailed, and my teeth chattered, and shiverings ran through me, and yet there was the damp of agony on my bursting brow. Some instinct made me snatch at a shawl or cloak that lay on a chair within reach, and wrap it round me. The moan was renewed, and the chain just stirred. Then I sank into apathy, like an Indian at the stake, in the intervals of torture. Hours fled by, and I remained like a statue of ice, rigid and mute.
I even slept, for I remember that I started to find the cold grey light of an early winter's day was on my face, and stealing around the room from between the heavy curtains of the window. Shuddering, but urged by the impulse that rivets the gaze of the bird upon the snake, I turned to see the Horror of the night. Yes, it was no fevered dream, no hallucination of sickness, no airy phantom unable to face the dawn. In the sickly light I saw it lying on the bed, with its grim head on the pillow. A man? Or a corpse arisen from its unhallowed grave, and awaiting the demon that animated it? There it lay--a gaunt gigantic form, wasted to a skeleton, half clad, foul with dust and clotted gore, its huge limbs flung upon the couch as if at random, its shaggy hair streaming over the pillows like a lion's mane. Its face was towards me.
Oh, the wild hideousness of that face, even in sleep! In features it was human, even through its horrid mask of mud and half-dried bloody gouts, but the expression was brutish and savagely fierce; the white teeth were visible between the parted lips, in a malignant grin; the tangled hair and beard were mixed in leonine confusion, and there were scars disfiguring the brow. Round the creature's waist was a ring of iron, to which was attached a heavy but broken chain--the chain I had heard clanking. With a second glance I noted that part of the chain was wrapped in straw, to prevent its galling the wearer. The creature--I cannot call it a man--had the marks of fetters on its wrists, the bony arm that protruded through one tattered sleeve was scarred and bruised, the feet were bare, and lacerated by pebbles and briers, and one of them was wounded, and wrapped in a morsel of rag. And the lean hands, one of which held my sleeve, were armed with talons like an eagle's. In an instant the horrid truth flashed upon me--I was in the grasp of a madman. Better the phantom that scares the sight than the wild beast that rends and tears the quivering flesh--the pitiless human brute that has no heart to be softened, no reason at whose bar to plead, no compassion, nought of man save the form and the cunning. I gasped in terror. Ah! the mystery of those ensanguined fingers, those gory wolfish jaws! that face, all besmeared with blackening blood, is revealed!
The slain sheep, so mangled and rent-the fantastic butchery--the print of the naked foot--all, all were explained; and the chain the broken link of which was found near the slaughtered animals--it came from his broken chain--the chain he had snapped, doubtless, in his escape from the asylum where his raging frenzy had been fettered and bound. In vain! in vain! Ah, me! how had this grisly Samson broken manacles and prison bars--how had he eluded guardian and keeper and a hostile world, and come hither on his wild way, hunted like a beast of prey, and snatching his hideous banquet like a beast of prey, too?
Yet, through the tatters of his mean and ragged garb I could see the marks of the severities, cruel and foolish, with which men in that time tried to tame the might of madness. The scourge--its marks were there; and the scars of the hard iron fetters, and many a cicatrice and welt, that told a dismal tale of harsh usage. But now he was loose, free to play the brute--the baited, tortured brute that they had made him--now without the cage, and ready to gloat over the victims his strength should overpower. Horror! Horror! I was the prey--the victim--already in the tiger's clutch; and a deadly sickness came over me, and the iron entered into my soul, and I longed to scream, and was dumb! I died a thousand deaths as that awful morning wore on. I dared not faint. But words cannot paint what I suffered as I waited--waited till the moment when he should open his eyes and be aware of my presence; for I was assured he knew it not. He had entered the chamber as a lair, when weary and gorged with his horrid orgie; and he had flung himself down to sleep without a suspicion that he was not alone. Even his grasping my sleeve was doubtless an act done betwixt sleeping and waking, like his unconscious moans and laughter, in some frightful dream.
Hours went on; then I trembled as I thought that soon the house would be astir, that my maid would come to call me as usual, and awake that ghastly sleeper. And might he not have time to tear me, as he tore the sheep, before any aid could arrive? At last what I dreaded came to pass--a light footstep on the landing--there is a tap at the door. A pause succeeds, and then the tapping is renewed, and this time more loudly. Then the madman stretched his limbs and uttered his moaning cry, and his eyes slowly opened--very slowly opened, and met mine. The girl waited awhile ere she knocked for the third time. I trembled lest she should open the door unbidden--see that grim thing, and by her idle screams and terror bring about the worst. Long before strong men could arrive I knew that I should be dead--and what a death! The maid waited, no doubt surprised at my unusually sound slumbers, for I was in general a light sleeper and an early riser, but reluctant to deviate from habit by entering without permission. I was still alone with the thing in man's shape, but he was awake now. I saw the wondering surprise in his haggard bloodshot eyes; I saw him stare at me half vacantly, then with a crafty yet wondering look; and then I saw the devil of murder begin to peep forth from those hideous eyes, and the lips to part as in a sneer, and the wolfish teeth to bare themselves.
But I was not what I had been. Fear gave me a new and a desperate composure--a courage foreign to my nature. I had heard of the best method of managing the insane; I could but try; I did try. Calmly, wondering at my own feigned calm, I fronted the glare of those terrible eyes. Steady and undaunted was my gaze--motionless my attitude. I marvelled at myself, but in that agony of sickening terror I was outwardly firm. They sink, they quail abashed, those dreadful eyes, before the gaze of a helpless girl; and the shame that is never absent from insanity bears down the pride of strength, the bloody cravings of the wild beast. The lunatic moaned and drooped his shaggy head between his gaunt squalid hands. I lost not an instant. I rose, and with one spring reached the door, tore it open, and, with a shriek, rushed through, caught the wondering girl by the arm, and, crying to her to run for her life, rushed like the wind along the gallery, down the corridor, down the stairs. Mary's screams filled the house as she fled beside me. I heard a long-drawn, raging cry, the roar of a wild animal mocked of its prey, and I knew what was behind me. I never turned my head--I flew rather than ran. I was in the hall already; there was a rush of many feet, an outcry of many voices, a sound of scuffling feet, and brutal yells, and oaths, and heavy blows, and I fell to the ground, crying, "Save me!" and lay in a swoon. I awoke from a delirious trance.
Kind faces were around my bed, loving looks were bent on me by all, by my dear father and dear sisters, but I scarcely saw them before I swooned again.... When I recovered from that long illness, through which I had been nursed so tenderly, the pitying looks I met made me tremble. I asked for a looking-glass. It was long denied me, but my importunity prevailed at last--a mirror was brought. My youth was gone at one fell swoop. The glass showed me a livid and haggard face, blanched and bloodless as of one who sees a spectre; and in the ashen lips, and wrinkled brow, and dim eyes, I could trace nothing of my old self. The hair, too, jetty and rich before, was now as white as snow, and in one night the ravages of half a century had passed over my face. Nor have my nerves ever recovered their tone after that dire shock. Can you wonder that my life was blighted, that my lover shrank from me, so sad a wreck was I? I am old now--old and alone. My sisters would have had me to live with them, but I chose not to sadden their genial homes with my phantom face and dead eyes. Reginald married another.
He has been dead many years. I never ceased to pray for him, though he left me when I was bereft of all. The sad weird is nearly over now. I am old, and near the end, and wishful for it. I have not been bitter or hard, but I cannot bear to see many people, and am best alone. I try to do what good I can with the worthless wealth Lady Speldhurst left me, for at my wish my portion was shared between my sisters.
What need had I of inheritances?--I, the shattered wreck made by that one night of horror!
I have published my latest horror anthology - Best Horror Short Stories 1850-1899: A 6a66le Horror Anthology. For a limited period you can purchase it on Kindle for $2.99. Order today!
"Anna Karenina" and "War and Peace" branded Tolstoy as one of the greatest writers in modern history. Few, however, have read his wonderful short stories. Now, in one collection, are the 20 Greatest Short Stories of Leo Tolstoy Annotated, which give a snapshot of Russia and its people in the late nineteenth century. A fine introduction is given by Andrew Barger. Annotations are included of difficult Russian terms. There is also a Tolstoy biography at the start of the book with photos of Tolstoy's relatives. The 20 classic Tolstoy short stories include:
A Candle
After the Dance
Albert
Alyosha the Pot
An Old Acquaintance
Does a Man Need Much Land?
If You Neglect the Fire You Don't Put It Out
Khodinka: An Incident of the Coronation of Nicholas II
Lucerne
Memoirs of a Lunatic
My Dream
Recollections of a Scorer
The Empty Drum
The Long Exile
The Posthumous Papers of the Hermit Fedor Kusmich
The Young Tsar
There Are No Guilty People
Three Deaths
Two Old Men
What Men Live By
These Tolstoy short stories will make a great holiday gift for the special someone in your life. Put some Tolstoy under your tree and buy now!
TED Video on the Origins of Vampires in Literature
"The myth of the bloodsucking vampire has stalked humans from ancient Mesopotamia to 18th-century Eastern Europe, but it has differed in the terrifying details. So, how did we arrive at the popular image we know, love and fear today? And what truly makes a vampire...a vampire?"
Just in time for the holidays, The Best Vampire Short Stories 1800-1850 is now available in for the first time in hardcover. You can buy it on Amazon for $18.98 with free Prime shipping: https://amzn.to/32sfNl2
An anthology award finalist in the International Book Awards, this collection unleashes the greatest early vampire tales in the English language. Unearthed from long forgotten journals and magazines, Andrew Barger has found the very best vampire short stories from the first half of the 19th century. They are collected for the first time in this groundbreaking book on the origins of vampire lore.
As readers have come to expect from Andrew, he has added his scholarly touch to this collection by including story backgrounds, annotations, author photos and a foreword titled "With Teeth." The ground-breaking stories are:
The fifty year period between 1800 and 1849 is truly the cradle of all werewolf short stories. For the first time in one anthology, Andrew Barger has compiled the best werewolf stories from this period. The stories are "Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages," "The Man-Wolf," "A Story of a Weir-Wolf," "The Wehr-Wolf: A Legend of the Limousin," and "The White Wolf of the Hartz Mountains." It is believed that two of these fine stories have never been republished in over one hundred and fifty years since their original printing. Read "The Best Werewolf Short Stories 1800-1849" tonight, just make sure it is not by the light of a full moon!"
The Unholy Compact Abjured was published by French novelist Charles Pigault-Lebrun (1753-1835) in 1825. This is a very early vampire story and was only the fourth published in the English language. "The Vampyre" by John Polidori in 1819, "The Black Vampyre" by Robert Sands was also published in 1819 and "Wake Not the Dead" by Ludwig Tieck in 1823 are the prior three vampyre tales.
They are included in The Best Vampire Stories 1800-1849: A Classic Vampire Anthology. "The Unholy Compact Adjured" is not, however, since it is rather flamboyant and fails to reach the level of character and story-line of the others. It is still worth a read on a dark night.
Just in time for Halloween, The Best Werewolf Short Stories 1800-1850 is now available in hardcover. You buy it on Amazon for $18 with free Prime shipping. https://amzn.to/3EpjN3B
The stories are "Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages," "The Man-Wolf," "A Story of a Weir-Wolf," "The Wehr-Wolf: A Legend of the Limousin," and "The White Wolf of the Hartz Mountains." It is believed that two of these fine stories have never been republished in over one hundred and fifty years since their original printing. Read "The Best Werewolf Short Stories 1800-1849" tonight, just make sure it is not by the light of a full moon!"
I included “The Legend of Sleepy Hollow” in Phantasmal: The Best Ghost Short Stories 1800-1849. It was published in Irving’s The Sketch Book of Geoffrey Crayon in 1820. Sir Walter Scott used his influence to popularize it in London. Irving lived a number of years in Europe and spent time with Scott in London, which prompted William Thackeray to remark that Irving was “the first ambassador whom the New World of Letters sent to the Old.” Nearly 200 years after its publication, the common perception is that the headless horseman theme was an entirely original figment of Washington Irving’s imagination.
It was actually derived from Irish and German legends. In the former, the headless horseman is a quick rider who races others, but is not malevolent. This legend is alluded to by Washington Irving in the story when Brom Bones offers “to race with him for a bowl of punch, and should have won it too, for Daredevil beat the goblin horse all hollow, but just as they came to the church bridge, the Hessian bolted, and vanished in a flash of fire.” In the German legend an elderly man is forced to ride on the back of the headless horseman’s steed and is later thrown off a bridge into a brook. Similarly, in the story Irving tells of old Brouwer who met the horseman one night and was made to ride on his steed. “[T]hey galloped over bush and brake, over hill and swamp, until they reached the bridge; when the horseman suddenly turned into a skeleton, threw old Brouwer into the brook, and sprang away over the treetops with a clap of thunder.”
Irving was the first to transpose these legends into a written story, which included his excellent characters and his unique twist. In sum, Irving brought the legend to life in only the way that he could, with ample comedy sprinkled about.
This does not sit well with some modern supernatural writers. H. P. Lovecraft is an example. To be sure, there was no room for comedic effect in the horror tales of Lovecraft. To him, humor spoiled horror. The kicker is that Lovecraft’s main flaw in his short tales of horror is his lack of character generation, to which Washington Irving excelled through comedic effect. If Lovecraft is to be believed, “The Legend of Sleepy Hollow” has no place in this collection. After revisiting this tale I believe Lovecraft is dead wrong. It is planted firmly among the other sequoia trees of literature found here.
This is the most comedic of the scary ghost stories that I have collected, yet the end is terrifyingly effective because of its great characters. We want to know about “the fate of poor Icabod”; he with his pointy elbows that stick out like grasshoppers’ while riding Gunpowder, his old plough horse. We care whether he makes it back to the blooming lass that is Katrina Van Tassel with his saddle slipping and the headless horseman bearing down. That is when Irving has us and we are at his supernatural mercy.
Only in rare instances does the comedic effect work in a scary ghost story and “The Legend of Sleepy Hollow” is a shining jack-o’-lantern example of when it does. Before you is the first supernatural tale with great characters penned in the English language. Before you is a legend that has been made real in the hands of Irving.
IN THE BOSOM OF one of those spacious coves which indent the eastern shore of the Hudson, at that broad expansion of the river denominated by the ancient Dutch navigators the Tappan Zee, and where they always prudently shortened sail, and implored the protection of St. Nicholas when they crossed, there lies a small market town or rural port, which by some is called Greensburgh, but which is more generally and properly known by the name of Tarry Town.
This name was given it, we are told, in former days, by the good housewives of the adjacent country, from the inveterate propensity of their husbands to linger about the village tavern on market days. Be that as it may, I do not vouch for the fact, but merely advert to it, for the sake of being precise and authentic. Not far from this village, perhaps about three miles, there is a little valley or rather lap of land among high hills, which is one of the quietest places in the whole world. A small brook glides through it, with just murmur enough to lull one to repose; and the occasional whistle of a quail, or tapping of a woodpecker, is almost the only sound that ever breaks in upon the uniform tranquillity.
I recollect that, when a stripling, my first exploit in squirrel-shooting was in a grove of tall walnut trees that shades one side of the valley. I had wandered into it at noon-time, when all nature is peculiarly quiet, and was startled by the roar of my own gun, as it broke the Sabbath stillness around, and was prolonged and reverberated by the angry echoes. If ever I should wish for a retreat whither I might steal from the world and its distractions, and dream quietly away the remnant of a troubled life, I know of none more promising than this little valley.
From the listless repose of the place, and the peculiar character of its inhabitants, who are descendants from the original Dutch settlers, this sequestered glen has long been known by the name of SLEEPY HOLLOW, and its rustic lads are called the Sleepy Hollow Boys throughout all the neighbouring country. A drowsy, dreamy influence seems to hang over the land, and to pervade the very atmosphere. Some say that the place was bewitched by a high German doctor, during the early days of the settlement; others, that an old Indian chief, the prophet or wizard of his tribe, held his powwows there before the country was discovered by Master Hendrick Hudson.
Certain it is, the place still continues under the sway of some witching power, that holds a spell over the minds of the good people, causing them to walk in a continual reverie. They are given to all kinds of marvellous beliefs; are subject to trances and visions, and frequently see strange sights, and hear music and voices in the air. The whole neighbourhood abounds with local tales, haunted spots, and twilight superstitions; stars shoot and meteors glare oftener across-the valley than in any other part of the country, and the night-mare, with her whole nine fold, seems to make it the favourite scene of her gambols.
The dominant spirit, however, that haunts this enchanted region, and seems to be commander-in-chief of all the powers of the air, is the apparition of a figure on horseback without a head. It is said by some to be the ghost of a Hessian trooper, whose head had been carried away by a cannon-ball, in some nameless battle during the Revolutionary War, and who is ever and anon seen by the country folk, hurrying along in the gloom of night, as if on the wings of the wind. His haunts are not confined to the valley, but extend at times to the adjacent roads, and especially to the vicinity of a church that is at no great distance.
Indeed, certain of the most authentic historians of those parts, who have been careful in collecting and collating the floating facts concerning this spectre, allege, that the body of the trooper having been buried in the churchyard, the ghost rides forth to the scene of battle in nightly quest of his head, and that the rushing speed with which he sometimes passes along the hollow, like a midnight blast, is owing to his being belated, and in a hurry to get back to the churchyard before daybreak.
Such is the general purport of this legendary superstition, which has furnished materials for many a wild story in that region of shadows; and the spectre is known at all the country firesides, by the name of The Headless Horseman of Sleepy Hollow.
It is remarkable, that the visionary propensity I have mentioned is not confined to the native inhabitants of the valley, but is unconsciously imbibed by every one who resides there for a time. However wide awake they may have been before they entered that sleepy region, they are sure, in a little time, to inhale the witching influence of the air, and begin to grow imaginative—to dream dreams, and see apparitions.
I mention this peaceful spot with all possible laud; for it is in such little retired Dutch valleys, found here and there embosomed in the great State of New-York, that population, manners, and customs, remain fixed, while the great torrent of migration and improvement, which is making such incessant changes in other parts of this restless country, sweeps by them unobserved. They are like those little nooks of still water, which border a rapid stream, where we may see the straw and bubble riding quietly at anchor, or slowly revolving in their mimic harbour, undisturbed by the rush of the passing current. Though many years have elapsed since I trod the drowsy shades of Sleepy Hollow, yet I question whether I should not still find the same trees and the same families vegetating in its sheltered bosom.
In this by-place of nature there abode, in a remote period of American history, that is to say, some thirty years since, a worthy wight of the name of Ichabod Crane, who sojourned, or, as he expressed it, “tarried,” in Sleepy Hollow, for the purpose of instructing the children of the vicinity. He was a native of Connecticut, a State which supplies the Union with pioneers for the mind as well as for the forest, and sends forth yearly its legions of frontier woodmen and country schoolmasters.
The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weathercock perched upon his spindle neck, to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield.
His school-house was a low building of one large room, rudely constructed of logs; the windows partly glazed, and partly patched with leaves of old copybooks. It was most ingeniously secured at vacant hours, by a withe twisted in the handle of the door, and stakes set against the window-shutters; so that though a thief might get in with perfect ease, he would find some embarrassment in getting out;—an idea most probably borrowed by the architect, Yost Van Houten, from the mystery of an eelpot.
The schoolhouse stood in a rather lonely but pleasant situation, just at the foot of a woody hill, with a brook running close by, and a formidable birch-tree growing at one end of it. From hence the low murmur of his pupil’s voices, conning over their lessons, might be heard of a drowsy summer’s day, like the hum of a beehive; interrupted now and then by the authoritative voice of the master, in the tone of menace or command; or, peradventure, by the appalling sound of the birch, as he urged some tardy loiterer along the flowery path of knowledge. Truth to say, he was a conscientious man, that ever bore in mind the golden maxim, “spare the rod and spoil the child.” —Ichabod Crane’s scholars certainly were not spoiled.
I would riot have it imagined, however, that he was one of those cruel potentates of the school, who joy in the smart of their subjects; on the contrary, he administered justice with discrimination rather than severity; taking the burthen off the backs of the weak, and laying it on those of the strong. Your mere puny stripling, that winced at the least flourish of the rod, was passed by with indulgence; but the claims of justice were satisfied by inflicting a double portion on some little, tough, wrong-headed, broad skirted Dutch urchin, who sulked and swelled and grew dogged and sullen beneath the birch. All this he called “doing his duty by their parents;” and he never inflicted a chastisement without following it by the assurance, so consolatory to the smarting urchin, that “he would remember it and thank him for it the longest day he had to live.”
When school hours were over, he was even the companion and playmate of the larger boys; and on holyday afternoons would convoy some of the smaller ones home, who happened to have pretty sisters, or good housewifes for mothers, noted for the comforts of the cupboard. Indeed, it behooved him to keep on good terms with his pupils. The revenue arising from his school was small, and would have been scarcely sufficient to furnish him with daily bread, for he was a huge feeder, and though lank, had the dilating powers of an anaconda; but to help out his maintenance, he was, according to country custom in those parts, boarded and lodged at the houses of the farmers, whose children he instructed. With these he lived successively a week at a time, thus going the rounds of the neighbourhood, with all his worldly effects tied up in a cotton handkerchief.
That all this might not be too onerous on the purses of his rustic patrons, who are apt to consider the costs of schooling a grievous burthen, and schoolmasters as mere drones, he had various ways of rendering himself both useful and agreeable. He assisted the farmers occasionally in the lighter labours of their farms; helped to make hay; mended the fences; took the horses to water; drove the cows from pasture; and cut wood for the winter fire.
He laid aside, too, all the dominant dignity and absolute sway, with which he lorded it in his little empire, the school, and became wonderfully gentle and ingratiating. He found favour in the eyes of the mothers, by petting the children, particularly the youngest; and like the lion bold, which whilome so magnanimously the lamb did hold, he would sit with a child on one knee, and rock a cradle with his foot for whole hours together. In addition to his other vocations, he was the singing-master of the neighbourhood, and picked up many bright shillings by instructing the young folks in psalmody.
It was a matter of no little vanity to him on Sundays, to take his station in front of the church gallery, with a band of chosen singers; where, in his own mind, he completely carried away the palm from the parson. Certain it is, his voice resounded far above all the rest of the congregation, and there are peculiar quavers still to be heard in that church, and which may even be heard half a mile off, quite to the opposite side of the mill-pond, on a still Sunday morning, which are said to be legitimately descended from the nose of Ichabod Crane. Thus, by divers little make-shifts, in that ingenious way which is commonly denominated “by hook and by crook,” the worthy pedagogue got on tolerably enough, and was thought, by all who understood nothing of the labour of head-work, to have a wonderful easy life of it.
The schoolmaster is generally a man of some importance in the female circle of a rural neighbourhood; being considered a kind of idle gentleman-like personage, of vastly superior taste and accomplishments to the rough country swains, and, indeed, inferior in learning only to the parson. His appearance, therefore, is apt to occasion some little stir at the tea-table of a farm-house, and the addition of a supernumerary dish of cakes or sweetmeats, or, peradventure, the parade of a silver tea-pot. Our man of letters, therefore, was peculiarly happy in the smiles of all the country damsels. How he would figure among them in the churchyard, between services on Sundays; gathering grapes for them from the wild vines that overrun the surrounding trees; reciting for their amusement all the epitaphs on the tombstones; or sauntering, with a whole bevy of them, along the banks of the adjacent mill-pond; while the more bashful country bumpkins hung sheepishly back, envying his superior elegance and address.
From his half itinerant life, also, he was a kind of travelling gazette, carrying the whole budget of local gossip from house to house; so that his appearance was always greeted with satisfaction. He was, moreover, esteemed by the women as a man of great erudition, for he had read several books quite through, and was a perfect master of Cotton Mather’s History of New-England Witchcraft, in which, by the way, he most firmly and potently believed.
He was, in fact, an odd mixture of small shrewdness and simple credulity. His appetite for the marvellous, and his powers of digesting it, were equally extraordinary; and both had been increased by his residence in this spell-bound region. No tale was too gross or monstrous for his capacious swallow. It was often his delight, after his school was dismissed in the afternoon, to stretch himself on the rich bed of clover, bordering the little brook that whimpered by his school-house, and there con over old Mather’s direful tales, until the gathering dusk of evening made the printed page a mere mist before his eyes.
Then, as he wended his way, by swamp and stream and awful woodland, to the farm-house where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination: the moan of the whip-poor-will from the hill side; the boding cry of the tree-toad, that harbinger of storm; the dreary hooting of the screech-owl; or the sudden rustling in the thicket, of birds frightened from their roost.
The fire-flies, too, which sparkled most vividly in the darkest places, now and then startled him, as one of uncommon brightness would stream across his path; and if, by chance, a huge blockhead of a beetle came winging his blundering flight against him, the poor varlet was ready to give up the ghost, with the idea that he was struck with a witch’s token. His only resource on such occasions, either to drown thought, or drive away evil spirits, was to sing Psalm tunes;—and the good people of Sleepy Hollow, as they sat by their doors of an evening, were often filled with awe, at hearing his nasal melody, “in linked sweetness long drawn out,” floating from the distant hill, or along the dusky road.
Another of his sources of fearful pleasure was, to pass long winter evenings with the old Dutch wives, as they sat spinning by the fire, with a row of apples roasting and sputtering along the hearth, and listen to their marvellous tales of ghosts, and goblins, and haunted fields and haunted brooks, and haunted bridges and haunted houses, and particularly of the headless horseman, or galloping Hessian of the Hollow, as they sometimes called him. He would delight them equally by his anecdotes of witchcraft, and of the direful omens and portentous sights and sounds in the air, which prevailed in the earlier times of Connecticut; and would frighten them woefully with speculations upon comets and shooting stars, and with the alarming fact that the world did absolutely turn round, and that they were half the time topsy-turvy!
But if there was a pleasure in all this, while snugly cuddling in the chimney corner of a chamber that was all of a ruddy glow from the crackling wood fire and where, of course, no spectre dared to show its face, it was dearly purchased by the terrors of his subsequent walk homewards. What fearful shapes and shadows beset his path, amidst the dim and ghastly glare of a snowy night!—With what wistful look did he eye every trembling ray of light streaming across the waste fields from some distant window!—How often was he appalled by some shrub covered with snow, which like a sheeted spectre beset his very path!—How often did he shrink with curdling awe at the sound of his own steps on the frosty crust beneath his feet; and dread to look over his shoulder, lest he should behold some uncouth being tramping close behind him!—and how often was he thrown into complete dismay by some rushing blast, howling among the trees, in the idea that it was the galloping Hessian on one of his nightly scourings!
All these, however, were mere terrors of the night, phantoms of the mind, that walk in darkness: and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely perambulations, yet day-light put an end to all these evils; and he would have passed a pleasant life of it, in despite of the Devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man, than ghosts, goblins, and the whole race of witches put together; and that was—a woman.
Among the musical disciples who assembled, one evening in each week, to receive his instructions in psalmody, was Katrina Van Tassel, the daughter and only child of a substantial Dutch farmer. She was a blooming lass of fresh eighteen; plump as a partridge; ripe and melting and rosy-cheeked as one of her father’s peaches, and universally famed, not merely for her beauty, but her vast expectations. She was withal a little of a coquette, as might be perceived even in her dress, which was a mixture of ancient and modern fashions, as most suited to set off her charms. She wore the ornaments of pure yellow gold, which her great-great-grandmother had brought over from Saardam; the tempting stomacher of the olden time, and withal a provokingly short petticoat, to display the prettiest foot and ankle in the country round.
Ichabod Crane had a soft and foolish heart toward the sex; and it is not to be wondered at, that so tempting a morsel soon found favour in his eyes, more especially after he had visited her in her paternal mansion. Old Baltus Van Tassel was a perfect picture of a thriving, contented, liberal-hearted farmer. He seldom, it is true, sent either his eyes or his thoughts beyond the boundaries of his own farm; but within these, every thing was snug, happy, and well conditioned. He was satisfied with his wealth, but not proud of it; and piqued himself upon the hearty abundance, rather than the style in which he lived. His strong-hold was situated on the banks of the Hudson, in one of those green, sheltered, fertile nooks, in which the Dutch farmers are so fond of nestling.
A great elm-tree spread its broad branches over it, at the foot of which bubbled up a spring of the softest and sweetest water, in a little well, formed of a barrel; and then stole sparkling away through the grass, to a neighbouring brook, that babbled along among alders and dwarf willows. Hard by the farm-house was a vast barn, that might have served for a church; every window and crevice of which seemed bursting forth with the treasures of the farm; the flail was busily resounding within it from morning to night; swallows and martins skimmed twittering about the eaves; and rows of pigeons, some with one eye turned up, as if watching the weather, some with their heads under their wings, or buried in their bosoms, and others, swelling, and cooing, and bowing about their dames, were enjoying the sunshine on the roof.
Sleek, unwieldy porkers were grunting in the repose and abundance of their pens, from whence sallied forth, now and then, troops of sucking pigs, as if to snuff the air. A stately squadron of snowy geese were riding in an adjoining pond, convoying whole fleets of ducks; regiments of turkeys were gobbling through the farm-yard, and guinea-fowls fretting about it like ill-tempered housewives, with their peevish, discontented cry. Before the barn door strutted the gallant cock, that pattern of a husband, a warrior, and a fine gentleman; clapping his burnished wings and crowing in the pride and gladness of his heart—sometimes tearing up the earth with his feet, and then generously calling his ever-hungry family of wives and children to enjoy the rich morsel which he had discovered.
The pedagogue’s mouth watered, as he looked upon this sumptuous promise of luxurious winter fare. In his devouring mind’s eye, he pictured to himself every roasting pig running about, with a pudding in its belly, and an apple in its mouth; the pigeons were snugly put to bed in a comfortable pie, and tucked in with a coverlet of crust; the geese were swimming in their own gravy; and the ducks pairing cosily in dishes, like snug married couples, with a decent competency of onion sauce. In the porkers he saw carved out the future sleek side of bacon, and juicy relishing ham; not a turkey, but he beheld daintily trussed up, with its gizzard under its wing, and, peradventure, a necklace of savoury sausages; and even bright chanticleer himself, lay sprawling on his back, in a side dish, with uplifted claws, as if craving that quarter which his chivalrous spirit disdained to ask while living.
As the enraptured Ichabod fancied all this, and as he rolled his great green eyes over the fat meadow lands, the rich fields of wheat, of rye, of buckwheat, and Indian corn, and the orchards burthened with ruddy fruit, which surrounded the warm tenement of Van Tassel, his heart yearned after the damsel who was to inherit these domains, and his imagination expanded with the idea, how they might be readily turned into cash, and the money invested in immense tracts of wild land, and shingle palaces in the wilderness. Nay, his busy fancy already realized his hopes, and presented to him the blooming Katrina, with a whole family of children, mounted on the top of a wagon loaded with household trumpery, with pots and kettles dangling beneath; and he beheld himself bestriding a pacing mare, with a colt at her heels, setting out for Kentucky, Tennessee—or the Lord knows where!
When he entered the house, the conquest of his heart was complete. It was one of those spacious farm-houses, with high-ridged, but lowly-sloping roofs built in the style handed down from the first Dutch settlers. The low projecting eaves forming a piazza along the front, capable of being closed up in bad weather. Under this were hung flails, harness, various utensils of husbandry, and nets for fishing in the neighbouring river. Benches were built along the sides for summer use; and a great spinning-wheel at one end, and a churn at the other, showed the various uses to which this important porch might be devoted. From this piazza the wonderful Ichabod entered the hall, which formed the centre of the mansion, and the place of usual residence.
Here, rows of resplendent pewter, ranged on a long dresser, dazzled his eyes. In one corner stood a huge bag of wool, ready to be spun; in another, a quantity of linsey-woolsey just from the loom; ears of Indian corn, and strings of dried apples and peaches, hung in gay festoons along the walls, mingled with the gaud of red peppers; and a door left ajar, gave him a peep into the best parlour, where the claw-footed chairs, and dark mahogany tables, shone like mirrors; andirons, with their accompanying shovel and tongs, glistened from their covert of asparagus tops; mock-oranges and conch shells decorated the mantelpiece; strings of various coloured birds’ eggs were suspended above it; a great ostrich egg was hung from the centre of the room, and a corner cupboard, knowingly left open, displayed immense treasures of old silver and well-mended china.
From the moment Ichabod laid his eyes upon these regions of delight, the peace of his mind was at an end, and his only study was how to gain the affections of the peerless daughter of Van Tassel. In this enterprise, however, he, had more real difficulties than generally fell to the lot of a knight-errant of yore, who seldom had any thing but giants, enchanters, fiery dragons, and such like easily conquered adversaries, to contend with; and had to make his way merely through gates of iron and brass, and walls of adamant to the castle-keep, where the lady of his heart was confined; all which he achieved as easily as a man would carve his way to the centre of a Christmas pie, and then the lady gave him her hand as a matter of course.
Ichabod, on the contrary, had to win his way to the heart of a country coquette, beset with a labyrinth of whims and caprices, which were for ever presenting new difficulties and impediments, and he had to encounter a host of fearful adversaries of real flesh and blood, the numerous rustic admirers, who beset every portal to her heart; keeping a watchful and angry eye upon each other, but ready to fly out in the common cause against any new competitor.
Among these, the most formidable was a burley, roaring, roistering blade, of the name of Abraham, or, according to the Dutch abbreviation, Brom Van Brunt, the hero of the country round, which rung with his feats of strength and hardihood. He was broad-shouldered and double-jointed, with short curly black hair, and a bluff, but not unpleasant countenance, having a mingled air of fun and arrogance. From his Herculean frame and great powers of limb he had received the nickname of BROM BONES, by which he was universally known. He was famed for great knowledge and skill in horsemanship, being as dexterous on horseback as a Tartar.
He was foremost at all races and cock-fights, and with the ascendancy which bodily strength always acquires in rustic life, was the umpire in all disputes, setting his hat on one side, and giving his decisions with an air and tone that admitted of no gainsay or appeal. He was always ready for either a fight or a frolic; had more mischief than ill-will in his composition; and with all his overbearing roughness, there was a strong dash of waggish good-humour at bottom. He had three or four boon companions of his own stamp, who regarded him as their model, and at the head of whom he scoured the country, attending every scene of feud or merriment for miles round. In cold weather, he was distinguished by a fur cap, surmounted with a flaunting fox’s tail; and when the folks at a country gathering descried this well-known crest at a distance, whisking about among a squad of hard riders, they always stood by for a squall.
Sometimes his crew would be heard dashing along past the farmhouses at midnight, with whoop and halloo, like a troop of Don Cossacks, and the old dames, startled out of their sleep, would listen for a moment till the hurry-scurry had clattered by, and then exclaim, “Ay, there goes Brom Bones and his gang!” The neighbours looked upon him with a mixture of awe, admiration, and good-will; and when any madcap prank, or rustic brawl occurred in the vicinity, always shook their heads, and warranted Brom Bones was at the bottom of it.
This rantipole hero had for some time singled out the blooming Katrina for the object of his uncouth gallantries, and though his amorous toyings were something like the gentle caresses and endearments of a bear, yet it was whispered that she did not altogether discourage his hopes. Certain it is, his advances were signals for rival candidates to retire, who felt no inclination to cross a lion in his amours; insomuch, that when his horse was seen tied to Van Tassel’s paling, on a Sunday night, a sure sign that his master was courting, or, as it is termed, “sparking,” within, all other suitors passed by in despair, and carried the war into other quarters.
Such was the formidable rival with whom Ichabod Crane had to contend, and considering all things, a stouter man than he would have shrunk from the competition, and a wiser man would have despaired. He had, however, a happy mixture of pliability and perseverance in his nature; he was in form and spirit like a supple-jack —yielding, but tough; though he bent, he never broke; and though he bowed beneath the slightest pressure, yet, the moment it was away—jerk!—he was as erect, and carried his head as high as ever.
To have taken the field openly against his rival, would have been madness; for he was not a man to be thwarted in his amours, any more than that stormy lover, Achilles. Ichabod, therefore, made his advances in a quiet and gently-insinuating manner. Under cover of his character of singing-master, he made frequent visits at the farm-house; not that he had any thing to apprehend from the meddlesome interference of parents, which is so often a stumbling block in the path of lovers. Bait Van Tassel was an easy indulgent soul; he loved his daughter better even than his pipe, and like a reasonable man, and an excellent father, let her have her way in every thing.
His notable little wife, too, had enough to do to attend to her housekeeping and manage the poultry; for, as she sagely observed, ducks and geese are foolish things, and must be looked after, but girls can take care of themselves. Thus, while the busy dame bustled about the house, or plied her spinning wheel at one end of the piazza, honest Bait would sit smoking his evening pipe at the other, watching the achievements of a little wooden warrior, who, armed with a sword in each hand, was most valiantly fighting the wind on the pinnacle of the barn. In the mean time, Ichabod would carry on his suit with the daughter by the side of the spring under the great elm, or sauntering along in the twilight, that hour so favourable to the lover’s eloquence.
I profess not to know how women’s hearts are wooed and won. To me they have always been matters of riddle and admiration. Some seem to have but one vulnerable point, or door of access; while others have a thousand avenues, and may be captured in a thousand different ways. It is a great triumph of skill to gain the former, but a still greater proof of generalship to maintain possession of the latter, for a man must battle for his fortress at every door and window. He that wins a thousand common hearts, is therefore entitled to some renown; but he who keeps undisputed sway over the heart of a coquette, is indeed a hero. Certain it is, this was not the case with the redoubtable Brom Bones; and from the moment Ichabod Crane made his advances, the interests of the former evidently declined: his horse was no longer seen tied at the palings on Sunday nights, and a deadly feud gradually arose between him and the preceptor of Sleepy Hollow.
Brom, who had a degree of rough chivalry in his nature, would fain have carried matters to open warfare, and settled their pretensions to the lady, according to the mode of those most concise and simple reasoners, the knights errant of yore—by single combat; but Ichabod was too conscious of the superior might of his adversary to enter the lists against him; he had overheard the boast of Bones, that he would “double the schoolmaster up, and put him on a shelf;” and he was too wary to give him an opportunity. There was something extremely provoking in this obstinately pacific system; it left Brom no alternative but to draw upon the funds of rustic waggery in his disposition, and to play off boorish practical jokes upon his rival.
Ichabod became the object of whimsical persecution to Bones, and his gang of rough riders. They harried his hitherto peaceful domains; smoked out his singing-school, by stopping up the chimney; broke into the schoolhouse at night, in spite of its formidable fastenings of withe and window-stakes, and turned every thing topsy-turvy; so that the poor schoolmaster began to think all the witches in the country held their meetings there. But what was still more annoying, Brom took all opportunities of turning him into ridicule in presence of his mistress, and had a scoundrel dog whom he taught to whine in the most ludicrous manner, and introduced as a rival of Ichabod’s, to instruct her in psalmody.
In this way, matters went on for some time, without producing any material effect on the relative situations of the contending powers. On a fine autumnal afternoon, Ichabod, in pensive mood, sat enthroned on the lofty stool from whence he usually watched all the concerns of his little literary realm. In his hand he swayed a ferule, that sceptre of despotic power; the birch of justice reposed on three nails, behind the throne, a constant terror to evil doers; while on the desk before him might be seen sundry contraband articles and prohibited weapons, detected upon the persons of idle urchins; such as half-munched apples, popguns, whirligigs, fly-cages, and whole legions of rampant little paper game-cocks.
Apparently there had been some appalling act of justice recently inflicted, for his scholars were all busily intent upon their books, or slyly whispering behind them with one eye kept upon the master; and a kind of buzzing stillness reigned throughout the school-room. It was suddenly interrupted by the appearance of a negro in tow-cloth jacket and trowsers, a round crowned fragment of a hat, like the cap of Mercury, and mounted on the back of a ragged, wild, half-broken colt, which he managed with a rope by way of halter. He came clattering up to the school-door with an invitation to Ichabod to attend a merry-making, or “quilting frolic,” to be held that evening at Mynheer Van Tassel’s; and having delivered his message with that air of importance, and effort at fine language, which a negro is apt to display on petty embassies of the kind, he dashed over the brook, and was seen scampering away up the hollow, full of the importance and hurry of his mission.
All was now bustle and hubbub in the late quiet school-room. The scholars were hurried through their lessons, without stopping at trifles; those who were nimble, skipped over half with impunity, and those who were tardy, had a smart application now and then in the rear, to quicken their speed, or help them over a tall word. Books were flung aside, without being put away on the shelves; inkstands were overturned, benches thrown down, and the whole school was turned loose an hour before the usual time; bursting forth like a legion of young imps, yelping and racketing about the green, in joy at their early emancipation.
The gallant Ichabod now spent at least an extra half-hour at his toilet, brushing and furbishing up his best, and indeed only suit of rusty black, and arranging his looks by a bit of broken looking-glass, that hung up in the school-house. That he might make his appearance before his mistress in the true style of a cavalier, he borrowed a horse from the farmer with whom he was domiciliated, a choleric old Dutchman, of the name of Hans Van Ripper, and thus gallantly mounted, issued forth like a knight errant in quest of adventures.
But it is meet I should, in the true spirit of romantic story, give some account of the looks and equipments of my hero and his steed. The animal he bestrode was a broken down plough-horse, that had outlived almost every thing but his viciousness. He was gaunt and shagged, with a ewe neck and a head like a hammer; his rusty mane and tail were tangled and knotted with burrs; one eye had lost its pupil, and was glaring and spectral, but the other had the gleam of a genuine devil in it. Still he must have had fire and mettle in his day, if we may judge from his name, which was Gunpowder. He had, in fact, been a favourite steed of his master’s, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and broken-down as he looked, there was more of the lurking devil in him than in any young filly in the country.
Ichabod was a suitable figure for such a steed. He rode with short stirrups, which brought his knees nearly up to the pommel of the saddle; his sharp elbows stuck out like grasshoppers’; he carried his whip perpendicularly in his hand, like a sceptre, and as the horse jogged on, the motion of his arms was not unlike the flapping of a pair of wings. A small wool hat rested on the top of his nose, for so his scanty strip of forehead might be called, and the skirts of his black coat fluttered out almost to the horse’s tail. Such was the appearance of Ichabod and his steed, as they shambled out of the gate of Hans Van Ripper, and it was altogether such an apparition as is seldom to be met with in broad daylight.
It was, as I have said, a fine autumnal day; the sky was clear and serene, and nature wore that rich and golden livery which we always associate with the idea of abundance. The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the bark of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighbouring stubble field.
The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered chirping and frolicking, from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cockrobin, the favourite game of stripling sportsmen, with its loud querulous note, and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker, with his crimson crest, his broad black gorget, and splendid plumage; and the cedar-bird, with its red-tipt wings and yellow-tipt tail, and its little monteiro cap of feathers; and the blue jay, that noisy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding, and bobbing, and bowing, and pretending to be on good terms with every songster of the grove.
As Ichabod jogged slowly on his way, his eye, ever open to every symptom of culinary abundance, ranged with delight over the treasures of jolly autumn. On all sides he beheld vast store of apples, some hanging in oppressive opulence on the trees; some gathered into baskets and barrels for the market; others heaped up in rich piles for the cider-press. Farther on he beheld great fields of Indian corn, with its golden ears peeping from their leafy coverts, and holding out the promise of cakes and hasty-pudding; and the yellow pumpkins lying beneath them, turning up their fair round bellies to the sun, and giving ample prospects of the most luxurious of pies; and anon he passed the fragrant buckwheat fields, breathing the odour of the bee-hive, and as he beheld them, soft anticipations stole over his mind of dainty slapjacks, well buttered, and garnished with honey or treacle, by the delicate little dimpled hand of Katrina Van Tassel.
Thus feeding his mind with many sweet thoughts and “sugared suppositions,” he journeyed along the sides of a range of hills which look out upon some of the goodliest scenes of the mighty Hudson. The sun gradually wheeled his broad disk down into the west. The wide bosom of the Tappan Zee lay motionless and glassy, excepting that here and there a gentle undulation waved and prolonged the blue shadow of the distant mountain. A few amber clouds floated in the sky, without a breath of air to move them. The horizon was of a fine golden tint, changing gradually into a pure apple green, and from that into the deep blue of the mid-heaven.
A slanting ray lingered on the woody crests of the precipices that overhung some parts of the river, giving greater depth to the dark gray and purple of their rocky sides. A sloop was loitering in the distance, dropping slowly down with the tide, her sail hanging uselessly against the mast; and as the reflection of the sky gleamed along the still water, it seemed as if the vessel was suspended in the air.
It was toward evening that Ichabod arrived at the castle of the Heer Van Tassel, which he found thronged with the pride and flower of the adjacent country. Old farmers, a spare leathern-faced race, in homespun coats and breeches, blue stockings, huge shoes, and magnificent pewter buckles. Their brisk, withered little dames, in close crimped caps, long-waisted gowns, homespun petticoats, with scissors and pincushions, and gay calico pockets hanging on the outside. Buxom lasses, almost as antiquated as their mothers, excepting where a straw hat, a fine riband, or perhaps a white frock, gave symptoms of city innovations. The sons, in short square-skirted coats, with rows of stupendous brass buttons, and their hair generally queued in the fashion of the times, especially if they could procure an eelskin for the purpose, it being esteemed throughout the country, as a potent nourisher and strengthener of the hair.
Brom Bones, however, was the hero of the scene, having come to the gathering on his favourite steed Daredevil, a creature, like himself, full of mettle and mischief, and which no one but himself could manage. He was, in fact, noted for preferring vicious animals, given to all kinds of tricks which kept the rider in constant risk of his neck, for he held a tractable well broken horse as unworthy of a lad of spirit.
Fain would I pause to dwell upon the world of charms that burst upon the enraptured gaze of my hero, as he entered the state parlour of Van Tassel’s mansion. Not those of the bevy of buxom lasses, with their luxurious display of red and white; but the ample charms of a genuine Dutch country teatable, in the sumptuous time of autumn. Such heaped-up platters of cakes of various and almost indescribable kinds, known only to experienced Dutch housewives! There was the doughty dough-nut, the tender oly-koek, and the crisp and crumbling cruller; sweet cakes and short cakes, ginger cakes and honey cakes, and the whole family of cakes.
And then there were apple pies, and peach pies, and pumpkin pies; besides slices of ham and smoked beef; and moreover delectable dishes of preserved plums, and peaches, and pears, and quinces; not to mention broiled shad and roasted chickens; together with bowls of milk and cream, all mingled higgledy-piggledy, pretty much as I have enumerated them, with the motherly tea-pot sending up its clouds of vapour from the midst—Heaven bless the mark! I want breath and time to discuss this banquet as it deserves, and am too eager to get on with my story. Happily, Ichabod Crane was not in so great a hurry as his historian, but did ample justice to every dainty.
He was a kind and thankful creature, whose heart dilated in proportion as his skin was filled with good cheer, and whose spirits rose with eating, as some men’s do with drink. He could not help, too, rolling his large eyes round him as he ate, and chuckling with the possibility that he might one day be lord of all this scene of almost unimaginable luxury and splendour. Then, he thought, how soon he’d turn his back upon the old school-house; snap his fingers in the face of Hans Van Ripper, and every other niggardly patron, and kick any itinerant pedagogue out of doors that should dare to call him comrade!
Old Baltus Van Tassel moved about among his guests with a face dilated with content and good-humour, round and jolly as the harvest moon. His hospitable attentions were brief, but expressive, being confined to a shake of the hand, a slap on the shoulder, a loud laugh, and a pressing invitation to “fall to, and help themselves.”
And now the sound of the music from the common room, or hall, summoned to the dance. The musician was an old gray-headed negro, who had been the itinerant orchestra of the neighbourhood for more than half a century. His instrument was as old and battered as himself. The greater part of the time he scraped away on two or three strings, accompanying every movement of the bow with a motion of the head; bowing almost to the ground, and stamping with his foot whenever a fresh couple were to start.
Ichabod prided himself upon his dancing as much as upon his vocal powers. Not a limb, not a fibre about him was idle; and to have seen his loosely hung frame in full motion, and clattering about the room, you would have thought St. Vitus himself, that blessed patron of the dance, was figuring before you in person. He was the admiration of all the negroes; who, having gathered, of all ages and sizes, from the farm and the neighbourhood, stood forming a pyramid of shining black faces at every door and window; gazing with delight at the scene; rolling their white eye-balls, and showing grinning rows of ivory from ear to ear. How could the flogger of urchins be otherwise than animated and joyous? the lady of his heart was his partner in the dance, and smiling graciously in reply to all his amorous oglings; while Brom Bones, sorely smitten with love and jealousy, sat brooding by himself in one corner.
When the dance was at an end, Ichabod was attracted to a knot of the sager folks, who, with Old Van Tassel, sat smoking at one end of the piazza, gossiping over former times, and drawling out long stories about the war.
This neighbourhood, at the time of which I am speaking, was one of those highly favoured places which abound with chronicle and great men. The British and American line had run near it during the war; it had, therefore, been the scene of marauding, and infested with refugees, cow-boys, and all kind of border chivalry. Just sufficient time had elapsed to enable each story-teller to dress up his tale with a little becoming fiction, and, in the indistinctness of his recollection, to make himself the hero of every exploit.
There was the story of Doffue Martling, a large blue-bearded Dutchman, who had nearly taken a British frigate with an old iron nine-pounder from a mud breastwork, only that his gun burst at the sixth discharge. And there was an old gentleman who shall be nameless, being too rich a mynheer to be lightly mentioned, who, in the battle of Whiteplains, being an excellent master of defence, parried a musket-ball with a small-sword, insomuch that he absolutely felt it whiz round the blade, and glance off at the hilt; in proof of which he was ready at any time to show the sword, with the hilt a little bent. There were several more that had been equally great in the field, not one of whom but was persuaded that he had a considerable hand in bringing the war to a happy termination.
But all these were nothing to the tales of ghosts and apparitions that succeeded. The neighbourhood is rich in legendary treasures of the kind. Local tales and superstitions thrive best in these sheltered, long-settled retreats; but are trampled under foot, by the shifting throng that forms the population of most of our country places. Besides, there is no encouragement for ghosts in most of our villages, for they have scarcely had time to finish their first nap, and turn themselves in their graves, before their surviving friends have travelled away from the neighbourhood: so that when they turn out at night to walk their rounds, they have no acquaintance left to call upon. This is perhaps the reason why we so seldom hear of ghosts except in our long-established Dutch communities.
The immediate cause, however, of the prevalence of supernatural stories in these parts, was doubtless owing to the vicinity of Sleepy Hollow. There was a contagion in the very air that blew from that haunted region; it breathed forth an atmosphere of dreams and fancies infecting all the land. Several of the Sleepy Hollow people were present at Van Tassel’s, and, as usual, were doling out their wild and wonderful legends. Many dismal tales were told about funeral trains, and mourning cries and wailings heard and seen about the great tree where the unfortunate Major Andre was taken, and which stood in the neighbourhood. Some mention was made also of the woman in white, that haunted the dark glen at Raven Rock, and was often heard to shriek on winter nights before a storm, having perished there in the snow. The chief part of the stories, however, turned upon the favourite spectre of Sleepy Hollow, the headless horseman, who had been heard several times of late, patroling the country; and it is said, tethered his horse nightly among the graves in the churchyard.
The sequestered situation of this church seems always to have made it a favourite haunt of troubled spirits. It stands on a knoll, surrounded by locust trees and lofty elms, from among which its decent, whitewashed walls shine modestly forth, like Christian purity, beaming through the shades of retirement. A gentle slope descends from it to a silver sheet of water, bordered by high trees, between which, peeps may be caught at the blue hills of the Hudson.
To look upon its grass-grown yard, where the sunbeams seem to sleep so quietly, one would think that there at least the dead might rest in peace. On one side of the church extends a wide woody dell, along which raves a large brook among broken rocks and trunks of fallen trees. Over a deep black part of the stream, not far from the church, was formerly thrown a wooden bridge; the road that led to it, and the bridge itself, were thickly shaded by overhanging trees, which cast a gloom about it, even in the day-time; but occasioned a fearful darkness at night. Such was one of the favourite haunts of the headless horseman, and the place where he was most frequently encountered.
The tale was told of old Brouwer, a most heretical disbeliever in ghosts, how he met the horseman returning from his foray into Sleepy Hollow, and was obliged to get up behind him; how they galloped over bush and brake, over hill and swamp, until they reached the bridge; when the horseman suddenly turned into a skeleton, threw old Brouwer into the brook, and sprang away over the tree-tops with a clap of thunder.
This story was immediately matched by a thrice marvellous adventure, of Brom Bones, who made light of the galloping Hessian as an arrant jockey. He affirmed, that on returning one night from the neighbouring village of Sing-Sing, he had been overtaken by this midnight trooper; that he had offered to race with him for a bowl of punch, and should have won it too, for Daredevil beat the goblin horse all hollow, but just as they came to the church bridge, the Hessian bolted, and vanished in a flash of fire.
All these tales, told in that drowsy under tone with which men talk in the dark, the countenances of the listeners only now and then receiving a casual gleam from the glare of a pipe, sunk deep in the mind of Ichabod. He repaid them in kind with large extracts from his invaluable author, Cotton Mather, and added many marvellous events that had taken place in his native State of Connecticut, and fearful sights which he had seen in his nightly walks about Sleepy Hollow.
The revel now gradually broke up. The old farmers gathered together their families in their wagons, and were heard for some time rattling along the hollow roads, and over the distant hills. Some of the damsels mounted on pillions behind their favourite swains, and their light-hearted laughter, mingling with the clatter of hoofs, echoed along the silent woodlands, sounding fainter and fainter, until they gradually died away—and the late scene of noise and frolic was all silent and deserted. Ichabod only lingered behind, according to the custom of country lovers, to have a tete-a-tete with the heiress, fully convinced that he was now on the high road to success. What passed at this interview I will not pretend to say, for in fact I do not know.
Something, however, I fear me, must have gone wrong, for he certainly sallied forth, after no very great interval, with an air quite desolate and chapfallen —Oh, these women! these women! Could that girl have been playing off any of her coquettish tricks?—Was her encouragement of the poor pedagogue all a mere sham to secure her conquest of his rival?—Heaven only knows, not I!—Let it suffice to say, Ichabod stole forth with the air of one who had been sacking a henroost, rather than a fair lady’s heart. Without looking to the right or left to notice the scene of rural wealth, on which he had so often gloated, he went straight to the stable, and with several hearty cuffs and kicks, roused his steed most uncourteously from the comfortable quarters in which he was soundly sleeping, dreaming of mountains of corn and oats, and whole valleys of timothy and clover.
It was the very witching time of night that Ichabod, heavy-hearted and crest-fallen, pursued his travel homewards, along the sides of the lofty hills which rise above Tarry Town, and which he had traversed so cheerily in the afternoon. The hour was as dismal as himself. Far below him the Tappan Zee spread its dusky and indistinct waste of waters, with here and there the tall mast of a sloop, riding quietly at anchor under the land.
In the dead hush of midnight, he could even hear the barking of the watchdog from the opposite shore of the Hudson; but it was so vague and faint as only to give an idea of his distance from this faithful companion of man. Now and then, too, the long-drawn crowing of a cock, accidentally awakened, would sound far, far off, from some farm-house away among the hills—but it was like a dreaming sound in his ear. No signs of life occurred near him, but occasionally the melancholy chirp of a cricket, or perhaps the guttural twang of a bull-frog from a neighbouring marsh, as if sleeping uncomfortably, and turning suddenly in his bed.
All the stories of ghosts and goblins that he had heard in the afternoon, now came crowding upon his recollection. The night grew darker and darker; the stars seemed to sink deeper in the sky, and driving clouds occasionally hid them from his sight. He had never felt so lonely and dismal. He was, moreover, approaching the very place where many of the scenes of the ghost stories had been laid. In the centre of the road stood an enormous tulip-tree, which towered like a giant above all the other trees of the neighbourhood, and formed a kind of landmark. Its limbs were gnarled and fantastic, large enough to form trunks for ordinary trees, twisting down almost to the earth, and rising again into the air.
It was connected with the tragical story of the unfortunate Andre, who had been taken prisoner hard by; and was universally known by the name of Major Andre’s tree. The common people regarded it with a mixture of respect and superstition, partly out of sympathy for the fate of its ill-starred namesake, and partly from the tales of strange sights, and doleful lamentations, told concerning it.
As Ichabod approached this fearful tree, he began to whistle; he thought his whistle was answered: it was but a blast sweeping sharply through the dry branches. As he approached a little nearer, he thought he saw something white, hanging in the midst of the tree: he paused, and ceased whistling; but on looking more narrowly, perceived that it was a place where the tree had been scathed by lightning, and the white wood laid bare. Suddenly he heard a groan—his teeth chattered, and his knees smote against the saddle: it was but the rubbing of one huge bough upon another, as they were swayed about by the breeze. He passed the tree in safety, but new perils lay before him.
About two hundred yards from the tree, a small brook crossed the road, and ran into a marshy and thickly-wooded glen, known by the name of Wiley’s Swamp. A few rough logs, laid side by side, served for a bridge over this stream. On that side of the road where the brook entered the wood, a group of oaks and chestnuts, matted thick with wild grape-vines, threw a cavernous gloom over it. To pass this bridge, was the severest trial. It was at this identical spot that the unfortunate Andre was captured, and under the covert of those chestnuts and vines were the sturdy yeomen concealed who surprised him. This has ever since been considered a haunted stream, and fearful are the feelings of the school-boy who has to pass it alone after dark.
As he approached the stream, his heart began to thump; he summoned up, however, all his resolution, gave his horse half a score of kicks in the ribs, and attempted to dash briskly across the bridge; but instead of starting forward, the perverse old animal made a lateral movement, and ran broadside against the fence. Ichabod, whose fears increased with the delay, jerked the reins on the other side, and kicked lustily with the contrary foot; it was all in vain; his steed started, it is true, but it was only to plunge to the opposite side of the road into a thicket of brambles and alder-bushes.
The schoolmaster now bestowed both whip and heel upon the starveling ribs of old Gunpowder, who dashed forwards, snuffling and snorting, but came to a stand just by the bridge, with a suddenness that had nearly sent his rider sprawling over his head. Just at this moment plashy tramp by the side of the bridge caught the sensitive ear of Ichabod. In the dark shadow of the grove, on the margin of the brook, he beheld something huge, misshapen, black and towering. It stirred not, but seemed gathered up in the gloom, like some gigantic monster ready to spring upon the traveller.
The hair of the affrighted pedagogue rose upon his head with terror. What was to be done? To turn and fly was now too late; and besides, what chance was there of escaping ghost or goblin, if such it was, which could ride upon the wings of the wind? Summoning up, therefore, a show of courage, he demanded in stammering accents—“Who are you?” He received no reply. He repeated his demand in a still more agitated voice. Still there was no answer. Once more he cudgelled the sides of the inflexible Gunpowder, and shutting his eyes, broke forth with involuntary fervour into a psalm tune. Just then the shadowy object of alarm put itself in motion, and with a scramble and a bound, stood at once in the middle of the road.
Though the night was dark and dismal, yet the form of the unknown might now in some degree be ascertained. He appeared to be a horseman of large dimensions, and mounted on a black horse of powerful frame. He made no offer of molestation or sociability, but kept aloof on one side of the road, jogging along on the blind side of old Gunpowder, who had now got over his fright and waywardness.
Ichabod, who had no relish for this strange midnight companion, and bethought himself of the adventure of Brom Bones with the galloping Hessian, now quickened his steed, in hopes of leaving him behind. The stranger, however, quickened his horse to an equal pace. Ichabod pulled up, and fell into a walk, thinking to lag behind—the other did the same. His heart began to sink within him; he endeavoured to resume his psalm tune, but his parched tongue clove to the roof of his mouth, and he could not utter a stave.
There was something in the moody and dogged silence of this pertinacious companion, that was mysterious and appalling. It was soon fearfully accounted for. On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck, on perceiving that he was headless! but his horror was still more increased, on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of his saddle! His terror rose to desperation; he rained a shower of kicks and blows upon Gunpowder, hoping, by a sudden movement, to give his companion the slip—but the spectre started full jump with him. Away, then, they dashed, through thick and thin; stones flying and sparks flashing at every bound. Ichabod’s flimsy garments fluttered in the air, as he stretched his long lank body away over his horse’s head, in the eagerness of his flight.
They had now reached the road which turns off to Sleepy Hollow; but Gunpowder, who seemed possessed with a demon, instead of keeping up it, made an opposite turn, and plunged headlong down hill to the left. This road leads through a sandy hollow, shaded by trees for about a quarter of a mile, where it crosses the bridge famous in goblin story and just beyond swells the green knoll on which stands the whitewashed church.
As yet the panic of the steed had given his unskillful rider an apparent advantage in the chase; but just as he had got half-way through the hollow, the girths of the saddle gave way, and he felt it slipping from under him. He seized it by the pommel, and endeavoured to hold it firm, but in vain; and had just time to save himself by clasping old Gunpowder round the neck, when the saddle fell to the earth, and he heard it trampled under foot by his pursuer. For a moment the terror of Hans Van Ripper’s wrath passed across his mind—for it was his Sunday saddle; but this was no time for petty fears: the goblin was hard on his haunches; and, (unskillful rider that he was!) he had much ado to maintain his seat; sometimes slipping on one side, sometimes on another, and sometimes jolted on the high ridge of his horse’s backbone, with a violence that he verily feared would cleave him asunder.
An opening in the trees now cheered him with the hopes that the church bridge was at hand. The wavering reflection of a silver star in the bosom of the brook told him that he was not mistaken. He saw the walls of the church dimly glaring under the trees beyond. He recollected the place where Brom Bones’s ghostly competitor had disappeared. “If I can but reach that bridge,” thought Ichabod, “I am safe.”
Just then he heard the black steed panting and blowing close behind him; he even fancied that he felt his hot breath. Another convulsive kick in the ribs, and old Gunpowder sprung upon the bridge; he thundered over the resounding planks; he gained the opposite side, and now Ichabod cast a look behind to see if his pursuer should vanish, according to rule, in a flash of fire and brimstone. Just then he saw the goblin rising in his stirrups, and in the very act of hurling his head at him. Ichabod endeavoured to dodge the horrible missile, but too late. It encountered his cranium with a tremendous crash—he was tumbled headlong into the dust, and Gunpowder, the black steed, and the goblin rider, passed by like a whirlwind.
The next morning the old horse was found without his saddle, and with the bridle under his feet, soberly cropping the grass at his master’s gate. Ichabod did not make his appearance at breakfast—dinner-hour came, but no Ichabod. The boys assembled at the school-house, and strolled idly about the banks of the brook; but no schoolmaster. Hans Van Ripper now began to feel some uneasiness about the fate of poor Ichabod, and his saddle.
An inquiry was set on foot, and after diligent investigation they came upon his traces. In one part of the road leading to the church, was found the saddle trampled in the dirt; the tracks of horses’ hoofs deeply dented in the road, and evidently at furious speed, were traced to the bridge, beyond which, on the bank of a broad part of the brook, where the water ran deep and black, was found the hat of the unfortunate Ichabod, and close beside it a shattered pumpkin.
The brook was searched, but the body of the schoolmaster was not to be discovered. Hans Van Ripper, as executor of his estate, examined the bundle which contained all his worldly effects. They consisted of two shirts and a half; two stocks for the neck; a pair or two of worsted stockings; an old pair of corduroy small-clothes; a rusty razor; a book of psalm tunes full of dog’s ears; and a broken pitchpipe. As to the books and furniture of the schoolhouse, they belonged to the community, excepting Cotton Mather’s History of Witchcraft, a New-England Almanac, and a book of dreams and fortune-telling; in which last was a sheet of foolscap much scribbled and blotted, by several fruitless attempts to make a copy of verses in honour of the heiress of Van Tassel.
These magic books and the poetic scrawl were forthwith consigned to the names by Hans Van Ripper; who, from that time forward, determined to send his children no more to school; observing, that he never knew any good come of this same reading and writing. Whatever money the schoolmaster possessed, and he had received his quarter’s pay but a day or two before, he must have had about his person at the time of his disappearance.
The mysterious event caused much speculation at the church on the following Sunday. Knots of gazers and gossips were collected in the churchyard, at the bridge, and at the spot where the hat and pumpkin had been found. The stories of Brouwer, of Bones, and a whole budget of others, were called to mind; and when they had diligently considered them all, and compared them with the symptoms of the present case, they shook their heads, and came to the conclusion, that Ichabod had been carried off by the galloping Hessian. As he was a bachelor, and in nobody’s debt, nobody troubled his head any more about him; the school was removed to a different quarter of the Hollow, and another pedagogue reigned in his stead.
It is true, an old farmer, who had been down to New-York on a visit several years after, and from whom this account of the ghostly adventure was received, brought home the intelligence that Ichabod Crane was still alive; that he had left the neighbourhood partly through fear of the goblin and Hans Van Ripper, and partly in mortification at having been suddenly dismissed by the heiress; that he had changed his quarters to a distant part of the country; had kept school and studied law at the same time; had been admitted to the bar; turned politician; electioneered; written for the newspapers; and finally, had been made a Justice of the Ten Pound Court.
Brom Bones, too, who, shortly after his rival’s disappearance, conducted the blooming Katrina in triumph to the altar, was observed to look exceedingly knowing whenever the story of Ichabod was related, and always burst into a hearty laugh at the mention of the pumpkin; which led some to suspect that he knew more about the matter than he chose to tell.
The old country wives, however, who are the best judges of these matters, maintain to this day, that Ichabod was spirited away by supernatural means; and it is a favourite story often told about the neighbourhood round the winter evening fire. The bridge became more than ever an object of superstitious awe; and that may be the reason why the road has been altered of late years, so as to approach the church by the border of the mill-pond. The schoolhouse being deserted, soon fell to decay, and was reported to be haunted by the ghost of the unfortunate pedagogue; and the plough-boy, loitering homeward of a still summer evening, has often fancied his voice at a distance, chanting a melancholy Psalm tune among the tranquil solitudes of Sleepy Hollow.
