Tuesday, May 16, 2023

John Barrington Cowles by Sir Arthur Conan Doyle


 

John Barrington Cowles

by

Sir Arthur Conan Doyle

This fine short story was serially published in Cassell's Saturday Journal from April 12-18, 1884. "Lot No. 249" (1892) by Doyle (Perhaps the premier mummy horror story ever recorded from the master that is Sir Arthur Conan Doyle is measured out to its climatic ending.) was included in The Best Horror Short Stories 1850-1899 that I edited. https://amzn.to/433MRtx


JOHN BARRINGTON COWLES.

It might seem rash of me to say that I ascribe the death of my poor friend, John Barrington Cowles, to any preternatural agency. I am aware that in the present state of public feeling a chain of evidence would require to be strong indeed before the possibility of such a conclusion could be admitted.

I shall therefore merely state the circumstances which led up to this sad event as concisely and as plainly as I can, and leave every reader to draw his own deductions. Perhaps there may be some one who can throw light upon what is dark to me.

I first met Barrington Cowles when I went up to Edinburgh University to take out medical classes there. My landlady in Northumberland Street had a large house, and, being a widow without children, she gained a livelihood by providing accommodation for several students.

Barrington Cowles happened to have taken a bedroom upon the same floor as mine, and when we came to know each other better we shared a small sitting-room, in which we took our meals. In this manner we originated a friendship which was unmarred by the slightest disagreement up to the day of his death.

Cowles’ father was the colonel of a Sikh regiment and had remained in India for many years. He allowed his son a handsome income, but seldom gave any other sign of parental affection—writing irregularly and briefly.

My friend, who had himself been born in India, and whose whole disposition was an ardent tropical one, was much hurt by this neglect. His mother was dead, and he had no other relation in the world to supply the blank.

Thus he came in time to concentrate all his affection upon me, and to confide in me in a manner which is rare among men. Even when a stronger and deeper passion came upon him, it never infringed upon the old tenderness between us.

Cowles was a tall, slim young fellow, with an olive, Velasquez-like face, and dark, tender eyes. I have seldom seen a man who was more likely to excite a woman’s interest, or to captivate her imagination. His expression was, as a rule, dreamy, and even languid; but if in conversation a subject arose which interested him he would be all animation in a moment. On such occasions his colour would heighten, his eyes gleam, and he could speak with an eloquence which would carry his audience with him.

In spite of these natural advantages he led a solitary life, avoiding female society, and reading with great diligence. He was one of the foremost men of his year, taking the senior medal for anatomy, and the Neil Arnott prize for physics.

How well I can recollect the first time we met her! Often and often I have recalled the circumstances, and tried to remember what the exact impression was which she produced on my mind at the time.

After we came to know her my judgment was warped, so that I am curious to recollect what my unbiassed{sic} instincts were. It is hard, however, to eliminate the feelings which reason or prejudice afterwards raised in me.

It was at the opening of the Royal Scottish Academy in the spring of 1879. My poor friend was passionately attached to art in every form, and a pleasing chord in music or a delicate effect upon canvas would give exquisite pleasure to his highly-strung nature. We had gone together to see the pictures, and were standing in the grand central salon, when I noticed an extremely beautiful woman standing at the other side of the room. In my whole life I have never seen such a classically perfect countenance. It was the real Greek type—the forehead broad, very low, and as white as marble, with a cloudlet of delicate locks wreathing round it, the nose straight and clean cut, the lips inclined to thinness, the chin and lower jaw beautifully rounded off, and yet sufficiently developed to promise unusual strength of character.

But those eyes—those wonderful eyes! If I could but give some faint idea of their varying moods, their steely hardness, their feminine softness, their power of command, their penetrating intensity suddenly melting away into an expression of womanly weakness—but I am speaking now of future impressions!

There was a tall, yellow-haired young man with this lady, whom I at once recognised as a law student with whom I had a slight acquaintance.

Archibald Reeves—for that was his name—was a dashing, handsome young fellow, and had at one time been a ringleader in every university escapade; but of late I had seen little of him, and the report was that he was engaged to be married. His companion was, then, I presumed, his fiancee. I seated myself upon the velvet settee in the centre of the room, and furtively watched the couple from behind my catalogue.

The more I looked at her the more her beauty grew upon me. She was somewhat short in stature, it is true; but her figure was perfection, and she bore herself in such a fashion that it was only by actual comparison that one would have known her to be under the medium height.

As I kept my eyes upon them, Reeves was called away for some reason, and the young lady was left alone. Turning her back to the pictures, she passed the time until the return of her escort in taking a deliberate survey of the company, without paying the least heed to the fact that a dozen pair of eyes, attracted by her elegance and beauty, were bent curiously upon her. With one of her hands holding the red silk cord which railed off the pictures, she stood languidly moving her eyes from face to face with as little self-consciousness as if she were looking at the canvas creatures behind her. Suddenly, as I watched her, I saw her gaze become fixed, and, as it were, intense. I followed the direction of her looks, wondering what could have attracted her so strongly.

John Barrington Cowles was standing before a picture—one, I think, by Noel Paton—I know that the subject was a noble and ethereal one. His profile was turned towards us, and never have I seen him to such advantage. I have said that he was a strikingly handsome man, but at that moment he looked absolutely magnificent. It was evident that he had momentarily forgotten his surroundings, and that his whole soul was in sympathy with the picture before him. His eyes sparkled, and a dusky pink shone through his clear olive cheeks. She continued to watch him fixedly, with a look of interest upon her face, until he came out of his reverie with a start, and turned abruptly round, so that his gaze met hers. She glanced away at once, but his eyes remained fixed upon her for some moments. The picture was forgotten already, and his soul had come down to earth once more.

We caught sight of her once or twice before we left, and each time I noticed my friend look after her. He made no remark, however, until we got out into the open air, and were walking arm-in-arm along Princes Street.

“Did you notice that beautiful woman, in the dark dress, with the white fur?” he asked.

“Yes, I saw her,” I answered.

“Do you know her?” he asked eagerly. “Have you any idea who she is?”

“I don’t know her personally,” I replied. “But I have no doubt I could find out all about her, for I believe she is engaged to young Archie Reeves, and he and I have a lot of mutual friends.”

“Engaged!” ejaculated Cowles.

“Why, my dear boy,” I said, laughing, “you don’t mean to say you are so susceptible that the fact that a girl to whom you never spoke in your life is engaged is enough to upset you?”

“Well, not exactly to upset me,” he answered, forcing a laugh. “But I don’t mind telling you, Armitage, that I never was so taken by any one in my life. It wasn’t the mere beauty of the face—though that was perfect enough—but it was the character and the intellect upon it. I hope, if she is engaged, that it is to some man who will be worthy of her.”

“Why,” I remarked, “you speak quite feelingly. It is a clear case of love at first sight, Jack. However, to put your perturbed spirit at rest, I’ll make a point of finding out all about her whenever I meet any fellow who is likely to know.”

Barrington Cowles thanked me, and the conversation drifted off into other channels. For several days neither of us made any allusion to the subject, though my companion was perhaps a little more dreamy and distraught than usual. The incident had almost vanished from my remembrance, when one day young Brodie, who is a second cousin of mine, came up to me on the university steps with the face of a bearer of tidings.

“I say,” he began, “you know Reeves, don’t you?”

“Yes. What of him?”

“His engagement is off.”

“Off!” I cried. “Why, I only learned the other day that it was on.”

“Oh, yes—it’s all off. His brother told me so. Deucedly mean of Reeves, you know, if he has backed out of it, for she was an uncommonly nice girl.”

“I’ve seen her,” I said; “but I don’t know her name.”

“She is a Miss Northcott, and lives with an old aunt of hers in Abercrombie Place. Nobody knows anything about her people, or where she comes from. Anyhow, she is about the most unlucky girl in the world, poor soul!”

“Why unlucky?”

“Well, you know, this was her second engagement,” said young Brodie, who had a marvellous knack of knowing everything about everybody. “She was engaged to Prescott—William Prescott, who died. That was a very sad affair. The wedding day was fixed, and the whole thing looked as straight as a die when the smash came.”

“What smash?” I asked, with some dim recollection of the circumstances.

“Why, Prescott’s death. He came to Abercrombie Place one night, and stayed very late. No one knows exactly when he left, but about one in the morning a fellow who knew him met him walking rapidly in the direction of the Queen’s Park. He bade him good night, but Prescott hurried on without heeding him, and that was the last time he was ever seen alive. Three days afterwards his body was found floating in St. Margaret’s Loch, under St. Anthony’s Chapel. No one could ever understand it, but of course the verdict brought it in as temporary insanity.”

“It was very strange,” I remarked.

“Yes, and deucedly rough on the poor girl,” said Brodie. “Now that this other blow has come it will quite crush her. So gentle and ladylike she is too!”

“You know her personally, then!” I asked.

“Oh, yes, I know her. I have met her several times. I could easily manage that you should be introduced to her.”

“Well,” I answered, “it’s not so much for my own sake as for a friend of mine. However, I don’t suppose she will go out much for some little time after this. When she does I will take advantage of your offer.”

We shook hands on this, and I thought no more of the matter for some time.

The next incident which I have to relate as bearing at all upon the question of Miss Northcott is an unpleasant one. Yet I must detail it as accurately as possible, since it may throw some light upon the sequel. One cold night, several months after the conversation with my second cousin which I have quoted above, I was walking down one of the lowest streets in the city on my way back from a case which I had been attending. It was very late, and I was picking my way among the dirty loungers who were clustering round the doors of a great gin-palace, when a man staggered out from among them, and held out his hand to me with a drunken leer. The gaslight fell full upon his face, and, to my intense astonishment, I recognised in the degraded creature before me my former acquaintance, young Archibald Reeves, who had once been famous as one of the most dressy and particular men in the whole college. I was so utterly surprised that for a moment I almost doubted the evidence of my own senses; but there was no mistaking those features, which, though bloated with drink, still retained something of their former comeliness. I was determined to rescue him, for one night at least, from the company into which he had fallen.

“Holloa, Reeves!” I said. “Come along with me. I’m going in your direction.”

He muttered some incoherent apology for his condition, and took my arm. As I supported him towards his lodgings I could see that he was not only suffering from the effects of a recent debauch, but that a long course of intemperance had affected his nerves and his brain. His hand when I touched it was dry and feverish, and he started from every shadow which fell upon the pavement. He rambled in his speech, too, in a manner which suggested the delirium of disease rather than the talk of a drunkard.

When I got him to his lodgings I partially undressed him and laid him upon his bed. His pulse at this time was very high, and he was evidently extremely feverish. He seemed to have sunk into a doze; and I was about to steal out of the room to warn his landlady of his condition, when he started up and caught me by the sleeve of my coat.

“Don’t go!” he cried. “I feel better when you are here. I am safe from her then.”

“From her!” I said. “From whom?”

“Her! her!” he answered peevishly. “Ah! you don’t know her. She is the devil! Beautiful—beautiful; but the devil!”

“You are feverish and excited,” I said. “Try and get a little sleep. You will wake better.”

“Sleep!” he groaned. “How am I to sleep when I see her sitting down yonder at the foot of the bed with her great eyes watching and watching hour after hour? I tell you it saps all the strength and manhood out of me. That’s what makes me drink. God help me—I’m half drunk now!”

“You are very ill,” I said, putting some vinegar to his temples; “and you are delirious. You don’t know what you say.”

“Yes, I do,” he interrupted sharply, looking up at me. “I know very well what I say. I brought it upon myself. It is my own choice. But I couldn’t—no, by heaven, I couldn’t—accept the alternative. I couldn’t keep my faith to her. It was more than man could do.”

I sat by the side of the bed, holding one of his burning hands in mine, and wondering over his strange words. He lay still for some time, and then, raising his eyes to me, said in a most plaintive voice—

“Why did she not give me warning sooner? Why did she wait until I had learned to love her so?”

He repeated this question several times, rolling his feverish head from side to side, and then he dropped into a troubled sleep. I crept out of the room, and, having seen that he would be properly cared for, left the house. His words, however, rang in my ears for days afterwards, and assumed a deeper significance when taken with what was to come.

My friend, Barrington Cowles, had been away for his summer holidays, and I had heard nothing of him for several months. When the winter session came on, however, I received a telegram from him, asking me to secure the old rooms in Northumberland Street for him, and telling me the train by which he would arrive. I went down to meet him, and was delighted to find him looking wonderfully hearty and well.

“By the way,” he said suddenly, that night, as we sat in our chairs by the fire, talking over the events of the holidays, “you have never congratulated me yet!”

“On what, my boy?” I asked.

“What! Do you mean to say you have not heard of my engagement?”

“Engagement! No!” I answered. “However, I am delighted to hear it, and congratulate you with all my heart.”

“I wonder it didn’t come to your ears,” he said. “It was the queerest thing. You remember that girl whom we both admired so much at the Academy?”

“What!” I cried, with a vague feeling of apprehension at my heart. “You don’t mean to say that you are engaged to her?”

“I thought you would be surprised,” he answered. “When I was staying with an old aunt of mine in Peterhead, in Aberdeenshire, the Northcotts happened to come there on a visit, and as we had mutual friends we soon met. I found out that it was a false alarm about her being engaged, and then—well, you know what it is when you are thrown into the society of such a girl in a place like Peterhead. Not, mind you,” he added, “that I consider I did a foolish or hasty thing. I have never regretted it for a moment. The more I know Kate the more I admire her and love her. However, you must be introduced to her, and then you will form your own opinion.”

I expressed my pleasure at the prospect, and endeavoured to speak as lightly as I could to Cowles upon the subject, but I felt depressed and anxious at heart. The words of Reeves and the unhappy fate of young Prescott recurred to my recollection, and though I could assign no tangible reason for it, a vague, dim fear and distrust of the woman took possession of me. It may be that this was foolish prejudice and superstition upon my part, and that I involuntarily contorted her future doings and sayings to fit into some half-formed wild theory of my own. This has been suggested to me by others as an explanation of my narrative. They are welcome to their opinion if they can reconcile it with the facts which I have to tell.

I went round with my friend a few days afterwards to call upon Miss Northcott. I remember that, as we went down Abercrombie Place, our attention was attracted by the shrill yelping of a dog—which noise proved eventually to come from the house to which we were bound. We were shown upstairs, where I was introduced to old Mrs. Merton, Miss Northcott’s aunt, and to the young lady herself. She looked as beautiful as ever, and I could not wonder at my friend’s infatuation. Her face was a little more flushed than usual, and she held in her hand a heavy dog-whip, with which she had been chastising a small Scotch terrier, whose cries we had heard in the street. The poor brute was cringing up against the wall, whining piteously, and evidently completely cowed.

“So Kate,” said my friend, after we had taken our seats, “you have been falling out with Carlo again.”

“Only a very little quarrel this time,” she said, smiling charmingly. “He is a dear, good old fellow, but he needs correction now and then.” Then, turning to me, “We all do that, Mr. Armitage, don’t we? What a capital thing if, instead of receiving a collective punishment at the end of our lives, we were to have one at once, as the dogs do, when we did anything wicked. It would make us more careful, wouldn’t it?”

I acknowledged that it would.

“Supposing that every time a man misbehaved himself a gigantic hand were to seize him, and he were lashed with a whip until he fainted”—she clenched her white fingers as she spoke, and cut out viciously with the dog-whip—“it would do more to keep him good than any number of high-minded theories of morality.”

“Why, Kate,” said my friend, “you are quite savage to-day.”

“No, Jack,” she laughed. “I’m only propounding a theory for Mr. Armitage’s consideration.”

The two began to chat together about some Aberdeenshire reminiscence, and I had time to observe Mrs. Merton, who had remained silent during our short conversation. She was a very strange-looking old lady. What attracted attention most in her appearance was the utter want of colour which she exhibited. Her hair was snow-white, and her face extremely pale. Her lips were bloodless, and even her eyes were of such a light tinge of blue that they hardly relieved the general pallor. Her dress was a grey silk, which harmonised with her general appearance. She had a peculiar expression of countenance, which I was unable at the moment to refer to its proper cause.

She was working at some old-fashioned piece of ornamental needlework, and as she moved her arms her dress gave forth a dry, melancholy rustling, like the sound of leaves in the autumn. There was something mournful and depressing in the sight of her. I moved my chair a little nearer, and asked her how she liked Edinburgh, and whether she had been there long.

When I spoke to her she started and looked up at me with a scared look on her face. Then I saw in a moment what the expression was which I had observed there. It was one of fear—intense and overpowering fear. It was so marked that I could have staked my life on the woman before me having at some period of her life been subjected to some terrible experience or dreadful misfortune.

“Oh, yes, I like it,” she said, in a soft, timid voice; “and we have been here long—that is, not very long. We move about a great deal.” She spoke with hesitation, as if afraid of committing herself.

“You are a native of Scotland, I presume?” I said.

“No—that is, not entirely. We are not natives of any place. We are cosmopolitan, you know.” She glanced round in the direction of Miss Northcott as she spoke, but the two were still chatting together near the window. Then she suddenly bent forward to me, with a look of intense earnestness upon her face, and said—

“Don’t talk to me any more, please. She does not like it, and I shall suffer for it afterwards. Please, don’t do it.”

I was about to ask her the reason for this strange request, but when she saw I was going to address her, she rose and walked slowly out of the room. As she did so I perceived that the lovers had ceased to talk and that Miss Northcott was looking at me with her keen, grey eyes.

“You must excuse my aunt, Mr. Armitage,” she said; “she is odd, and easily fatigued. Come over and look at my album.”

We spent some time examining the portraits. Miss Northcott’s father and mother were apparently ordinary mortals enough, and I could not detect in either of them any traces of the character which showed itself in their daughter’s face. There was one old daguerreotype, however, which arrested my attention. It represented a man of about the age of forty, and strikingly handsome. He was clean shaven, and extraordinary power was expressed upon his prominent lower jaw and firm, straight mouth. His eyes were somewhat deeply set in his head, however, and there was a snake-like flattening at the upper part of his forehead, which detracted from his appearance. I almost involuntarily, when I saw the head, pointed to it, and exclaimed—

“There is your prototype in your family, Miss Northcott.”

“Do you think so?” she said. “I am afraid you are paying me a very bad compliment. Uncle Anthony was always considered the black sheep of the family.”

“Indeed,” I answered; “my remark was an unfortunate one, then.”

“Oh, don’t mind that,” she said; “I always thought myself that he was worth all of them put together. He was an officer in the Forty-first Regiment, and he was killed in action during the Persian War—so he died nobly, at any rate.”

“That’s the sort of death I should like to die,” said Cowles, his dark eyes flashing, as they would when he was excited; “I often wish I had taken to my father’s profession instead of this vile pill-compounding drudgery.”

“Come, Jack, you are not going to die any sort of death yet,” she said, tenderly taking his hand in hers.

I could not understand the woman. There was such an extraordinary mixture of masculine decision and womanly tenderness about her, with the consciousness of something all her own in the background, that she fairly puzzled me. I hardly knew, therefore, how to answer Cowles when, as we walked down the street together, he asked the comprehensive question—

“Well, what do you think of her?”

“I think she is wonderfully beautiful,” I answered guardedly.

“That, of course,” he replied irritably. “You knew that before you came!”

“I think she is very clever too,” I remarked.

Barrington Cowles walked on for some time, and then he suddenly turned on me with the strange question—

“Do you think she is cruel? Do you think she is the sort of girl who would take a pleasure in inflicting pain?”

“Well, really,” I answered, “I have hardly had time to form an opinion.”

We then walked on for some time in silence.

“She is an old fool,” at length muttered Cowles. “She is mad.”

“Who is?” I asked.

“Why, that old woman—that aunt of Kate’s—Mrs. Merton, or whatever her name is.”

Then I knew that my poor colourless friend had been speaking to Cowles, but he never said anything more as to the nature of her communication.

My companion went to bed early that night, and I sat up a long time by the fire, thinking over all that I had seen and heard. I felt that there was some mystery about the girl—some dark fatality so strange as to defy conjecture. I thought of Prescott’s interview with her before their marriage, and the fatal termination of it. I coupled it with poor drunken Reeves’ plaintive cry, “Why did she not tell me sooner?” and with the other words he had spoken. Then my mind ran over Mrs. Merton’s warning to me, Cowles’ reference to her, and even the episode of the whip and the cringing dog.

The whole effect of my recollections was unpleasant to a degree, and yet there was no tangible charge which I could bring against the woman. It would be worse than useless to attempt to warn my friend until I had definitely made up my mind what I was to warn him against. He would treat any charge against her with scorn. What could I do? How could I get at some tangible conclusion as to her character and antecedents? No one in Edinburgh knew them except as recent acquaintances. She was an orphan, and as far as I knew she had never disclosed where her former home had been. Suddenly an idea struck me. Among my father’s friends there was a Colonel Joyce, who had served a long time in India upon the staff, and who would be likely to know most of the officers who had been out there since the Mutiny. I sat down at once, and, having trimmed the lamp, proceeded to write a letter to the Colonel. I told him that I was very curious to gain some particulars about a certain Captain Northcott, who had served in the Forty-first Foot, and who had fallen in the Persian War. I described the man as well as I could from my recollection of the daguerreotype, and then, having directed the letter, posted it that very night, after which, feeling that I had done all that could be done, I retired to bed, with a mind too anxious to allow me to sleep.






PART II.
I got an answer from Leicester, where the Colonel resided, within two days. I have it before me as I write, and copy it verbatim.

“DEAR BOB,” it said, “I remember the man well. I was with him at Calcutta, and afterwards at Hyderabad. He was a curious, solitary sort of mortal; but a gallant soldier enough, for he distinguished himself at Sobraon, and was wounded, if I remember right. He was not popular in his corps—they said he was a pitiless, cold-blooded fellow, with no geniality in him. There was a rumour, too, that he was a devil-worshipper, or something of that sort, and also that he had the evil eye, which, of course, was all nonsense. He had some strange theories, I remember, about the power of the human will and the effects of mind upon matter.

“How are you getting on with your medical studies? Never forget, my boy, that your father’s son has every claim upon me, and that if I can serve you in any way I am always at your command.—Ever affectionately yours,

“EDWARD JOYCE.

“P.S.—By the way, Northcott did not fall in action. He was killed after peace was declared in a crazy attempt to get some of the eternal fire from the sun-worshippers’ temple. There was considerable mystery about his death.”

I read this epistle over several times—at first with a feeling of satisfaction, and then with one of disappointment. I had come on some curious information, and yet hardly what I wanted. He was an eccentric man, a devil-worshipper, and rumoured to have the power of the evil eye. I could believe the young lady’s eyes, when endowed with that cold, grey shimmer which I had noticed in them once or twice, to be capable of any evil which human eye ever wrought; but still the superstition was an effete one. Was there not more meaning in that sentence which followed—“He had theories of the power of the human will and of the effect of mind upon matter”? I remember having once read a quaint treatise, which I had imagined to be mere charlatanism at the time, of the power of certain human minds, and of effects produced by them at a distance.

Was Miss Northcott endowed with some exceptional power of the sort?

The idea grew upon me, and very shortly I had evidence which convinced me of the truth of the supposition.

It happened that at the very time when my mind was dwelling upon this subject, I saw a notice in the paper that our town was to be visited by Dr. Messinger, the well-known medium and mesmerist. Messinger was a man whose performance, such as it was, had been again and again pronounced to be genuine by competent judges. He was far above trickery, and had the reputation of being the soundest living authority upon the strange pseudo-sciences of animal magnetism and electro-biology. Determined, therefore, to see what the human will could do, even against all the disadvantages of glaring footlights and a public platform, I took a ticket for the first night of the performance, and went with several student friends.

We had secured one of the side boxes, and did not arrive until after the performance had begun. I had hardly taken my seat before I recognised Barrington Cowles, with his fiancee and old Mrs. Merton, sitting in the third or fourth row of the stalls. They caught sight of me at almost the same moment, and we bowed to each other. The first portion of the lecture was somewhat commonplace, the lecturer giving tricks of pure legerdemain, with one or two manifestations of mesmerism, performed upon a subject whom he had brought with him. He gave us an exhibition of clairvoyance too, throwing his subject into a trance, and then demanding particulars as to the movements of absent friends, and the whereabouts of hidden objects all of which appeared to be answered satisfactorily. I had seen all this before, however. What I wanted to see now was the effect of the lecturer’s will when exerted upon some independent member of the audience.

He came round to that as the concluding exhibition in his performance. “I have shown you,” he said, “that a mesmerised subject is entirely dominated by the will of the mesmeriser. He loses all power of volition, and his very thoughts are such as are suggested to him by the master-mind. The same end may be attained without any preliminary process. A strong will can, simply by virtue of its strength, take possession of a weaker one, even at a distance, and can regulate the impulses and the actions of the owner of it. If there was one man in the world who had a very much more highly-developed will than any of the rest of the human family, there is no reason why he should not be able to rule over them all, and to reduce his fellow-creatures to the condition of automatons. Happily there is such a dead level of mental power, or rather of mental weakness, among us that such a catastrophe is not likely to occur; but still within our small compass there are variations which produce surprising effects. I shall now single out one of the audience, and endeavour ‘by the mere power of will’ to compel him to come upon the platform, and do and say what I wish. Let me assure you that there is no collusion, and that the subject whom I may select is at perfect liberty to resent to the uttermost any impulse which I may communicate to him.”

With these words the lecturer came to the front of the platform, and glanced over the first few rows of the stalls. No doubt Cowles’ dark skin and bright eyes marked him out as a man of a highly nervous temperament, for the mesmerist picked him out in a moment, and fixed his eyes upon him. I saw my friend give a start of surprise, and then settle down in his chair, as if to express his determination not to yield to the influence of the operator. Messinger was not a man whose head denoted any great brain-power, but his gaze was singularly intense and penetrating. Under the influence of it Cowles made one or two spasmodic motions of his hands, as if to grasp the sides of his seat, and then half rose, but only to sink down again, though with an evident effort. I was watching the scene with intense interest, when I happened to catch a glimpse of Miss Northcott’s face. She was sitting with her eyes fixed intently upon the mesmerist, and with such an expression of concentrated power upon her features as I have never seen on any other human countenance. Her jaw was firmly set, her lips compressed, and her face as hard as if it were a beautiful sculpture cut out of the whitest marble. Her eyebrows were drawn down, however, and from beneath them her grey eyes seemed to sparkle and gleam with a cold light.

I looked at Cowles again, expecting every moment to see him rise and obey the mesmerist’s wishes, when there came from the platform a short, gasping cry as of a man utterly worn out and prostrated by a prolonged struggle. Messinger was leaning against the table, his hand to his forehead, and the perspiration pouring down his face. “I won’t go on,” he cried, addressing the audience. “There is a stronger will than mine acting against me. You must excuse me for to-night.” The man was evidently ill, and utterly unable to proceed, so the curtain was lowered, and the audience dispersed, with many comments upon the lecturer’s sudden indisposition.

I waited outside the hall until my friend and the ladies came out. Cowles was laughing over his recent experience.

“He didn’t succeed with me, Bob,” he cried triumphantly, as he shook my hand. “I think he caught a Tartar that time.”

“Yes,” said Miss Northcott, “I think that Jack ought to be very proud of his strength of mind; don’t you! Mr. Armitage?”

“It took me all my time, though,” my friend said seriously. “You can’t conceive what a strange feeling I had once or twice. All the strength seemed to have gone out of me—especially just before he collapsed himself.”

I walked round with Cowles in order to see the ladies home. He walked in front with Mrs. Merton, and I found myself behind with the young lady. For a minute or so I walked beside her without making any remark, and then I suddenly blurted out, in a manner which must have seemed somewhat brusque to her—

“You did that, Miss Northcott.”

“Did what?” she asked sharply.

“Why, mesmerised the mesmeriser—I suppose that is the best way of describing the transaction.”

“What a strange idea!” she said, laughing. “You give me credit for a strong will then?”

“Yes,” I said. “For a dangerously strong one.”

“Why dangerous?” she asked, in a tone of surprise.

“I think,” I answered, “that any will which can exercise such power is dangerous—for there is always a chance of its being turned to bad uses.”

“You would make me out a very dreadful individual, Mr. Armitage,” she said; and then looking up suddenly in my face—“You have never liked me. You are suspicious of me and distrust me, though I have never given you cause.”

The accusation was so sudden and so true that I was unable to find any reply to it. She paused for a moment, and then said in a voice which was hard and cold—

“Don’t let your prejudice lead you to interfere with me, however, or say anything to your friend, Mr. Cowles, which might lead to a difference between us. You would find that to be very bad policy.”

There was something in the way she spoke which gave an indescribable air of a threat to these few words.

“I have no power,” I said, “to interfere with your plans for the future. I cannot help, however, from what I have seen and heard, having fears for my friend.”

“Fears!” she repeated scornfully. “Pray what have you seen and heard. Something from Mr. Reeves, perhaps—I believe he is another of your friends?”

“He never mentioned your name to me,” I answered, truthfully enough. “You will be sorry to hear that he is dying.” As I said it we passed by a lighted window, and I glanced down to see what effect my words had upon her. She was laughing—there was no doubt of it; she was laughing quietly to herself. I could see merriment in every feature of her face. I feared and mistrusted the woman from that moment more than ever.

We said little more that night. When we parted she gave me a quick, warning glance, as if to remind me of what she had said about the danger of interference. Her cautions would have made little difference to me could I have seen my way to benefiting Barrington Cowles by anything which I might say. But what could I say? I might say that her former suitors had been unfortunate. I might say that I believed her to be a cruel-hearted woman. I might say that I considered her to possess wonderful, and almost preternatural powers. What impression would any of these accusations make upon an ardent lover—a man with my friend’s enthusiastic temperament? I felt that it would be useless to advance them, so I was silent.

And now I come to the beginning of the end. Hitherto much has been surmise and inference and hearsay. It is my painful task to relate now, as dispassionately and as accurately as I can, what actually occurred under my own notice, and to reduce to writing the events which preceded the death of my friend.

Towards the end of the winter Cowles remarked to me that he intended to marry Miss Northcott as soon as possible—probably some time in the spring. He was, as I have already remarked, fairly well off, and the young lady had some money of her own, so that there was no pecuniary reason for a long engagement. “We are going to take a little house out at Corstorphine,” he said, “and we hope to see your face at our table, Bob, as often as you can possibly come.” I thanked him, and tried to shake off my apprehensions, and persuade myself that all would yet be well.

It was about three weeks before the time fixed for the marriage, that Cowles remarked to me one evening that he feared he would be late that night. “I have had a note from Kate,” he said, “asking me to call about eleven o’clock to-night, which seems rather a late hour, but perhaps she wants to talk over something quietly after old Mrs. Merton retires.”

It was not until after my friend’s departure that I suddenly recollected the mysterious interview which I had been told of as preceding the suicide of young Prescott. Then I thought of the ravings of poor Reeves, rendered more tragic by the fact that I had heard that very day of his death. What was the meaning of it all? Had this woman some baleful secret to disclose which must be known before her marriage? Was it some reason which forbade her to marry? Or was it some reason which forbade others to marry her? I felt so uneasy that I would have followed Cowles, even at the risk of offending him, and endeavoured to dissuade him from keeping his appointment, but a glance at the clock showed me that I was too late.

I was determined to wait up for his return, so I piled some coals upon the fire and took down a novel from the shelf. My thoughts proved more interesting than the book, however, and I threw it on one side. An indefinable feeling of anxiety and depression weighed upon me. Twelve o’clock came, and then half-past, without any sign of my friend. It was nearly one when I heard a step in the street outside, and then a knocking at the door. I was surprised, as I knew that my friend always carried a key—however, I hurried down and undid the latch. As the door flew open I knew in a moment that my worst apprehensions had been fulfilled. Barrington Cowles was leaning against the railings outside with his face sunk upon his breast, and his whole attitude expressive of the most intense despondency. As he passed in he gave a stagger, and would have fallen had I not thrown my left arm around him. Supporting him with this, and holding the lamp in my other hand, I led him slowly upstairs into our sitting-room. He sank down upon the sofa without a word. Now that I could get a good view of him, I was horrified to see the change which had come over him. His face was deadly pale, and his very lips were bloodless. His cheeks and forehead were clammy, his eyes glazed, and his whole expression altered. He looked like a man who had gone through some terrible ordeal, and was thoroughly unnerved.

“My dear fellow, what is the matter?” I asked, breaking the silence. “Nothing amiss, I trust? Are you unwell?”

“Brandy!” he gasped. “Give me some brandy!”

I took out the decanter, and was about to help him, when he snatched it from me with a trembling hand, and poured out nearly half a tumbler of the spirit. He was usually a most abstemious man, but he took this off at a gulp without adding any water to it.

It seemed to do him good, for the colour began to come back to his face, and he leaned upon his elbow.

“My engagement is off, Bob,” he said, trying to speak calmly, but with a tremor in his voice which he could not conceal. “It is all over.”

“Cheer up!” I answered, trying to encourage him.

“Don’t get down on your luck. How was it? What was it all about?”

“About?” he groaned, covering his face with his hands. “If I did tell you, Bob, you would not believe it. It is too dreadful—too horrible—unutterably awful and incredible! O Kate, Kate!” and he rocked himself to and fro in his grief; “I pictured you an angel and I find you a——”

“A what?” I asked, for he had paused.

He looked at me with a vacant stare, and then suddenly burst out, waving his arms: “A fiend!” he cried. “A ghoul from the pit! A vampire soul behind a lovely face! Now, God forgive me!” he went on in a lower tone, turning his face to the wall; “I have said more than I should. I have loved her too much to speak of her as she is. I love her too much now.”

He lay still for some time, and I had hoped that the brandy had had the effect of sending him to sleep, when he suddenly turned his face towards me.

“Did you ever read of wehr-wolves?” he asked.

I answered that I had.

“There is a story,” he said thoughtfully, “in one of Marryat’s books, about a beautiful woman who took the form of a wolf at night and devoured her own children. I wonder what put that idea into Marryat’s head?”

He pondered for some minutes, and then he cried out for some more brandy. There was a small bottle of laudanum upon the table, and I managed, by insisting upon helping him myself, to mix about half a drachm with the spirits. He drank it off, and sank his head once more upon the pillow. “Anything better than that,” he groaned. “Death is better than that. Crime and cruelty; cruelty and crime. Anything is better than that,” and so on, with the monotonous refrain, until at last the words became indistinct, his eyelids closed over his weary eyes, and he sank into a profound slumber. I carried him into his bedroom without arousing him; and making a couch for myself out of the chairs, I remained by his side all night.

In the morning Barrington Cowles was in a high fever. For weeks he lingered between life and death. The highest medical skill of Edinburgh was called in, and his vigorous constitution slowly got the better of his disease. I nursed him during this anxious time; but through all his wild delirium and ravings he never let a word escape him which explained the mystery connected with Miss Northcott. Sometimes he spoke of her in the tenderest words and most loving voice. At others he screamed out that she was a fiend, and stretched out his arms, as if to keep her off. Several times he cried that he would not sell his soul for a beautiful face, and then he would moan in a most piteous voice, “But I love her—I love her for all that; I shall never cease to love her.”

When he came to himself he was an altered man. His severe illness had emaciated him greatly, but his dark eyes had lost none of their brightness. They shone out with startling brilliancy from under his dark, overhanging brows. His manner was eccentric and variable—sometimes irritable, sometimes recklessly mirthful, but never natural. He would glance about him in a strange, suspicious manner, like one who feared something, and yet hardly knew what it was he dreaded. He never mentioned Miss Northcott’s name—never until that fatal evening of which I have now to speak.

In an endeavour to break the current of his thoughts by frequent change of scene, I travelled with him through the highlands of Scotland, and afterwards down the east coast. In one of these peregrinations of ours we visited the Isle of May, an island near the mouth of the Firth of Forth, which, except in the tourist season, is singularly barren and desolate. Beyond the keeper of the lighthouse there are only one or two families of poor fisher-folk, who sustain a precarious existence by their nets, and by the capture of cormorants and solan geese. This grim spot seemed to have such a fascination for Cowles that we engaged a room in one of the fishermen’s huts, with the intention of passing a week or two there. I found it very dull, but the loneliness appeared to be a relief to my friend’s mind. He lost the look of apprehension which had become habitual to him, and became something like his old self.

He would wander round the island all day, looking down from the summit of the great cliffs which gird it round, and watching the long green waves as they came booming in and burst in a shower of spray over the rocks beneath.

One night—I think it was our third or fourth on the island—Barrington Cowles and I went outside the cottage before retiring to rest, to enjoy a little fresh air, for our room was small, and the rough lamp caused an unpleasant odour. How well I remember every little circumstance in connection with that night! It promised to be tempestuous, for the clouds were piling up in the north-west, and the dark wrack was drifting across the face of the moon, throwing alternate belts of light and shade upon the rugged surface of the island and the restless sea beyond.

We were standing talking close by the door of the cottage, and I was thinking to myself that my friend was more cheerful than he had been since his illness, when he gave a sudden, sharp cry, and looking round at him I saw, by the light of the moon, an expression of unutterable horror come over his features. His eyes became fixed and staring, as if riveted upon some approaching object, and he extended his long thin forefinger, which quivered as he pointed.

“Look there!” he cried. “It is she! It is she! You see her there coming down the side of the brae.” He gripped me convulsively by the wrist as he spoke. “There she is, coming towards us!”

“Who?” I cried, straining my eyes into the darkness.

“She—Kate—Kate Northcott!” he screamed. “She has come for me. Hold me fast, old friend. Don’t let me go!”

“Hold up, old man,” I said, clapping him on the shoulder. “Pull yourself together; you are dreaming; there is nothing to fear.”

“She is gone!” he cried, with a gasp of relief. “No, by heaven! there she is again, and nearer—coming nearer. She told me she would come for me, and she keeps her word.”

“Come into the house,” I said. His hand, as I grasped it, was as cold as ice.

“Ah, I knew it!” he shouted. “There she is, waving her arms. She is beckoning to me. It is the signal. I must go. I am coming, Kate; I am coming!”

I threw my arms around him, but he burst from me with superhuman strength, and dashed into the darkness of the night. I followed him, calling to him to stop, but he ran the more swiftly. When the moon shone out between the clouds I could catch a glimpse of his dark figure, running rapidly in a straight line, as if to reach some definite goal. It may have been imagination, but it seemed to me that in the flickering light I could distinguish a vague something in front of him—a shimmering form which eluded his grasp and led him onwards. I saw his outlines stand out hard against the sky behind him as he surmounted the brow of a little hill, then he disappeared, and that was the last ever seen by mortal eye of Barrington Cowles.

The fishermen and I walked round the island all that night with lanterns, and examined every nook and corner without seeing a trace of my poor lost friend. The direction in which he had been running terminated in a rugged line of jagged cliffs overhanging the sea. At one place here the edge was somewhat crumbled, and there appeared marks upon the turf which might have been left by human feet. We lay upon our faces at this spot, and peered with our lanterns over the edge, looking down on the boiling surge two hundred feet below. As we lay there, suddenly, above the beating of the waves and the howling of the wind, there rose a strange wild screech from the abyss below. The fishermen—a naturally superstitious race—averred that it was the sound of a woman’s laughter, and I could hardly persuade them to continue the search. For my own part I think it may have been the cry of some sea-fowl startled from its nest by the flash of the lantern. However that may be, I never wish to hear such a sound again.

And now I have come to the end of the painful duty which I have undertaken. I have told as plainly and as accurately as I could the story of the death of John Barrington Cowles, and the train of events which preceded it. I am aware that to others the sad episode seemed commonplace enough. Here is the prosaic account which appeared in the Scotsman a couple of days afterwards:—

“Sad Occurrence on the Isle of May.—The Isle of May has been the scene of a sad disaster. Mr. John Barrington Cowles, a gentleman well known in University circles as a most distinguished student, and the present holder of the Neil Arnott prize for physics, has been recruiting his health in this quiet retreat. The night before last he suddenly left his friend, Mr. Robert Armitage, and he has not since been heard of. It is almost certain that he has met his death by falling over the cliffs which surround the island. Mr. Cowles’ health has been failing for some time, partly from over study and partly from worry connected with family affairs. By his death the University loses one of her most promising alumni.”

I have nothing more to add to my statement. I have unburdened my mind of all that I know. I can well conceive that many, after weighing all that I have said, will see no ground for an accusation against Miss Northcott. They will say that, because a man of a naturally excitable disposition says and does wild things, and even eventually commits self-murder after a sudden and heavy disappointment, there is no reason why vague charges should be advanced against a young lady. To this, I answer that they are welcome to their opinion. For my own part, I ascribe the death of William Prescott, of Archibald Reeves, and of John Barrington Cowles to this woman with as much confidence as if I had seen her drive a dagger into their hearts.

You ask me, no doubt, what my own theory is which will explain all these strange facts. I have none, or, at best, a dim and vague one. That Miss Northcott possessed extraordinary powers over the minds, and through the minds over the bodies, of others, I am convinced, as well as that her instincts were to use this power for base and cruel purposes. That some even more fiendish and terrible phase of character lay behind this—some horrible trait which it was necessary for her to reveal before marriage—is to be inferred from the experience of her three lovers, while the dreadful nature of the mystery thus revealed can only be surmised from the fact that the very mention of it drove from her those who had loved her so passionately. Their subsequent fate was, in my opinion, the result of her vindictive remembrance of their desertion of her, and that they were forewarned of it at the time was shown by the words of both Reeves and Cowles. Above this, I can say nothing. I lay the facts soberly before the public as they came under my notice. I have never seen Miss Northcott since, nor do I wish to do so. If by the words I have written I can save any one human being from the snare of those bright eyes and that beautiful face, then I can lay down my pen with the assurance that my poor friend has not died altogether in vain.

Friday, May 12, 2023

ETA Hoffmann's The Mines of Falun

  



Ernst T.A. Hoffmann (1776-1822), one of the earliest progenitors of scary supernatural stories, wrote the excellent The Mines of Falun. I pegged it as #17 in the greatest ghost stories for the first half of the nineteenth century. It was first published in 1819 and is set in the storied mines of Falun, Sweden. Many scary stories link the mines to the supernatural and a rumored tunnel to the center of the earth.

While in my estimation this is Hoffmann's greatest ghost tale, it is not his most original. He admits in Die Serapion Bretheren, Vol. 1, of 1819, that it involves a "well-known thema of a miner at Falun." Regardless, it is the first ghost story I have found in a mine and is well written right to its horrific ending.

What ghost storied did I like better than The Mines of Falun? Read The Best Ghost Stories 1800-1849 and find out.


#MinesofFalun #BestGhostStories #GhostStories #MineGhostStories #ClassicGhostStories #ETAHoffmann

Friday, April 21, 2023

The Unholy Compact Abjured by French novelist Charles Pigault-Lebrun (1753-1835)

 


The Unholy Compact Abjured was published by French novelist Charles Pigault-Lebrun (1753-1835) in 1825. This is a very early vampire story and was only the fourth published in the English language. What were the three that preceeded it?

"The Vampyre" by John Polidori in 1819, "The Black Vampyre" by Robert Sands also in 1819 and "Wake Not the Dead" by Ludwig Tieck in 1823 are the prior three and are included in The Best Vampire Stories 1800-1849: A Classic Vampire Anthology

"The Unholy Compact Adjured" is not, however, since it is rather flamboyant and does fails to reach the level of character and story-line of the others. It is still worth a read on a dark night.


THE UNHOLY COMPACT ADJURED

In the churchyard of the town of Salins, department of Jura, may still be seen the remains of a tomb, on which is sculptured in figures as rude as the age in which they were carved, a representation of a soldier, firmly clasped in the arms of a maiden; near them stands the devil in a menacing attitude. Though the inhabitants of the town are all ready to swear to the truth of the story, they are not agreed as to the time when it happened; so that we can only say, that some centuries have rolled away, since a young soldier named St Amand, a native of Salins, was returning after a long absence to the bosom of his family. He walked with quick and cheerful steps, carrying with ease, in a small knapsack, the whole of his worldly goods. Never since he quitted the paternal roof, had he felt so happy; for he hoped ere night, to see his pretty cousin, Ninette, whom he loved with all his heart, and whom he intended to make his wife.

He walked on, gaily carolling, till he saw a cross-road before him, and uncertain of his way, he called to an old woman, with her back towards him, to direct him. She was silent: and, as he approached, he repeated the call, and she raised her head to answer it. The stout heart of the young soldier quailed, as he cast his eyes upon a countenance, such as never before had met his gaze.

He had indeed, reason to tremble; for he had just disturbed in the middle of an incantation, one of the most powerful witches in the country. She regarded him with a demoniac smile, and said in a tone which froze his blood, "Turn where thou wilt, thy road is sure,--it leads to death!"

For some moments, he stood as if rooted to the spot; but, soon, fear of the sorceress, who remained gazing upon him, gave him strength to flee. He ran forward, nor stopped till he had completely lost sight of the fearful being, whose dreadful prediction had struck him with such horror. Suddenly a frightful storm arose; the thunder growled, and the lightning flashed round the weary traveler, who, drenched with rain, and overcome with fatigue, had hardly strength to proceed. How great was his joy, when he saw at a distance, a magnificent chateau, the gate of which stood open. He exerted all his remaining strength to reach it, and precipitately entered a large hall. There he stopped, expecting every moment to see some domestics, but no one appeared. He remained some time, watching the progress of the storm: at length it began to abate, and he determined to pursue his way; but as he approached the door, it closed with a loud noise, and all his efforts to open it were vain.

Struck with astonishment and dismay, the young soldier now believed that the prediction of the witch was about to be accomplished, and that he was doomed to fall a sacrifice to magic art.

Exhausted by his vain efforts to open the ponderous door, he sank for a moment in helpless despondency, on the marble pavement; put his trust in providence, and soon revived. He said his prayers, and rising, waited with firmness the issue of this extraordinary adventure. When he became composed enough to look round him, he examined the hall in which he was: a pair of folding doors at the further end, flattered him with the hope of escape that way; but they too, were fastened. The hall was of immense size, entirely unfurnished; the walls, pavement and ceiling, were of black marble; there were no windows, but a small sky-light faintly admitted the light of day, into this abode of gloom, where reigned a silence like that of the tomb. Hour after hour passed; this mournful silence remained still undisturbed; and St Amand, overcome with fatigue and watching, at length sunk into a deep, though perturbed slumber.

His sleep was soon disturbed by a frightful dream: he heard all at once, the sound of a knell,.mingled with the cries of bats, and owls, and a hollow voice, murmured in his ear, "Woe to those who trouble the repose of the dead!" He started on his feet, but what a sight met his eyes! The hall was partially illuminated by flashes of sulphurious fire; on the pavement was laid the body of a man newly slain, and covered with innumerable wounds, from which, a band of unearthly forms, whose fearful occupation, proclaimed the hellish origin, were draining the yet warm blood.

St Amand uttered a shriek of terror, and was in an instant surrounded by the fiends: already were their fangs, from which the remains of their horrid feast still dripped, extended to grasp him, when he hastily made the sign of the cross, and sank senseless upon the ground. When he regained his senses, the infernal band had vanished, and he saw bending over him, an old man, magnificently but strangely dressed: his silken garments flowed loosely around him, and were embroidered with figures of different animals, and mystic devices. His countenance was majestic, and his venerable white beard descended below his girdle: but his features had a wild and gloomy expression: his eyes, above all, had in their glance, that which might appal the stoutest heart. St Amand shrunk from this mysterious being, with awe, mingled with abhorrence, and a cold shudder ran through his veins, as the old man bent upon him his piercing eyes.

"Rash youth," cried he in a severe tone, "how is it that thou hast dared to enter this place, where never mortal foot save mine has trod?"

"I came not willingly," replied St Amand, trembling; "an evil destiny, and not vain curiosity brought me hither."

"Thou wouldst not the less have expiated thy presumption with thy life, but for my aid. "

returned the old man, austerely. "I have saved thee from the vampires who guard it, and it depends upon me, whether thou shalt not still become their prey."

"Oh! save me, then, I pray thee!"

"And why should I save thee?" demanded the venerable magician. "What price art thou willing to give me for thy life?"

"Alas! I have nothing worthy of thy acceptance," sighed St Amand.

"But thou may'st have; and it is only through thee that I can obtain what I most desire."

"How?"

"The blood of a dove, for me, would be a treasure, but I may not kill one; she must be slain for me, by one whose life I have saved. Should I liberate thee, a dove will fly to thy bosom; swear that thou wilt instantly sacrifice her for me, and thou shalt be free."

"I swear it!"

Hardly had St Amand uttered the words, when he found himself in the chamber of Ninette, who, with a cry of joy, rushed into his arms. He pressed her with transport to his breast; but scarcely had he embraced her, when he saw the magician standing by his side.

"Wretch!" cried he, "is it thus thou keepest thine oath? Pierce her heart--she is the dove that thou must instantly sacrifice, if thou wilt not become a feast for the vampires!"

"Sacrifice her? Never! Never!"

"Then, thou art my prey!" and the fiend assuming his own form, sprang towards his victim; but he stopped suddenly--he dared not seize him: for the maiden held him firmly clasped in her arms, and the little cross of gold, which night and day she wore upon her bosom, had been blest by the venerable priest, whose gift it was. Thus, nought unholy dared approach the maiden, and the baffled fiend fled with a tremendous yell, as the crowing of the cock, announced the approach of dawn.

The cries of the maiden soon brought the neighbours to her chamber, and among them was the pastor, to whom St Amand related his adventure. "Oh, my son!" said the good priest, "what have you done? See you not, that you have entered into a contract with the powers of darkness? Unable to wreak their vengeance on you, when you had guarded yourself with the blessed sign of our redemption, the fiend has had recourse to craft to draw you into his power. You have promised a sacrifice, to the enemy of God and man, but you have done it in ignorance. Abjure then, solemnly, the cursed contract, and dread no longer the vengeance of the fiend."

The young soldier made the required abjuration, during which, the most dreadful noises were heard: it was the last effort of the demon's vengeance; for, from that time, he was never seen, nor heard of. St Amand married Ninette, who had given him such a courageous proof of her love; and the cross transmitted from her, to her descendants, was always considered by them as the most precious part of their inheritance. In process of time, the family became wealthy, and a great grandson of St Amand erected the monument we have described, to commemorate the miraculous escape of his ancestor.

#unholycompactadjured #earlyvampirestories #bestvampireshortstories #charlespigaultlebrun #classicvampires #bestvampirestories #vampireanthology

Saturday, April 15, 2023

Lydia Ashbaugh the Witch - America's First Great Witch Short Story

 

Lydia Ashbaugh the Witch

by William Darby

America's first great witch story.

--Andrew Barger

Available for preorder on Amazon Kindle now (Launching on Friday) is "Lydia Ashbaugh the Witch." It is a fantastic witch short story that I found when editing Witchcraft Classic: Best Witch Short Stories 1800-1849

This classic American witch story of 1836 is the sorrowful tale of how Lydia Ashbaugh became a witch. Set in the beautiful mountains of Pennsylvania, its storyline and plot twists place it in high regard. I give a length introduction at the start of the book, including about the author who published under a penname.

“Lydia Ashbaugh” was originally published in the Saturday Evening Post and shortly thereafter in Atkinson’s Casket. It appeared the year after Nathaniel Hawthorne published "Young Goodman Brown," and excels in every category over Hawthorne's most famous witch short story. Read "Lydia Ashbaugh" tonight.


#LydiaAshbaugh #witchstories #bestwitchstories #bestwitchshortstories #witchtales #classicwitchstory #williamdarby



Thursday, April 13, 2023

Ephemera on Edward Bulwer-Lytton's Ghost Stories

 

Edward Bulwer-Lytton

Edward Bulwer-Lytton (1803-1873) is known in supernatural circles for penning one of the greatest ghost stories of the nineteenth century, "The Haunted and Haunters." It was published in 1857 and is included in Phantasms: Best Ghost Short Stories 1850-1899. H.P. Lovecraft called it "one of the best short haunted house tales ever." But enough about "The Haunted and Haunters."

Bulwer-Lytton's second best ghost story is Monos and Daimonos. It was published in 1830. The horror story involves a shipwreck, a murder and . . . well . . . a relentless ghost set out for revenge. I hope you enjoy it! The Best Ghost Stories 1800-1849: A Classic Ghost Anthology.



#EdwardBulwerLytton #hauntedhunters #hauntedandhunters #monosdaimonos #monosanddaimonos #bestghoststories #bestghostshortstories #ghoststories #ghostshortstories 

Monday, April 10, 2023

New Science Fiction Anthology Booktrailer: Mesaerion: Best Science Fiction Short Stories 1800-1849

 

Mesaerion: Best Science Fiction Short Stories 1800-1849
Booktrailer

Check out the new book trailer for Mesaerion: Best Science Fiction Short Stories 1800-1849. After extensively researching forgotten journals and magazines of the early 19th century I was able to locate groundbreaking science fiction short stories in the English language. In doing so, I uncovered what is possibly the first science fiction story by a female (and it is not from Mary Shelley). There is also the first steampunk short story, which has not been republished since 1844. Oh, and the first voyage to the moon in a balloon, republished for the first time since 1820 that further tells of a "darkness machine" and a lunarian named Zuloc.

Other sci-stories include the first robotic insect and an electricity gun. As expected, the founding fathers of the short sci-fi story are present including Edgar Allan Poe and Nathaniel Hawthorne. Read these fantastic stories today!

So what are these classic and early short science fiction stories uncovered from old magazines and journals of the first half of the 19th century? Check out this list of forgotten classics. Yes, with some work you can probably find most of them online, is that really worth your time? You will also not get the author photos, story backgrounds and annotations (Book only) of these great science fiction stories found in Mesaerion: The Best Science Fiction Stories 1800-1849.

  • The Facts in the Case of M. Valdemar – Edgar Allan Poe
  • The Aerial Burglar – Percival Leigh
  • A Visit to the Lunar Sphere – Captain Frederick Marryat
  • Glimpses of Other Worlds – Thomas Charles Morgan
  • Hilda Silfverling, A Fantasy – Lydia Maria Child
  • Rappaccini’s Daughter – Nathaniel Hawthorne
  • The Rival Mechanicians – Lydia Maria Child
  • A Descent Into the Maelstrom – Edgar Allan Poe
  • The Artist of the Beautiful – Nathaniel Hawthorne
  • The Iron Shroud – William Mudford

Best Science Fiction Stories on Amazon

Best Science Fiction Stories on Barnes & Noble

Best Science Fiction Stories on Google Books

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Sunday, April 2, 2023

Did Edgar Allan Poe Write a Vampire Story?

 

Edgar Allan Poe (1809-1849)

Edgar Allan Poe was the undisputed king of the early scary short story. He was ten when John Polidori published the first vampire story ("The Vampyre") in the English language. That groundbreaking story was followed a few months later by "The Black Vampyre," which was published anonymously by Robert Sands, valedictorian of Columbia University. Both caused quite a stir in the literary community and among readers at large due to their depraved horror. Many people thought Lord Byron wrote Polidori's tale. Lord Byron had to make a statement in the papers that he was not the author. Both of these vintage vampire stories, with detailed background information, in The Best Vampire Stories 1800-1849 They are a must read for vampire aficionados. The latter tale launched a vampire Wikipedia page on the story itself given its groundbreaking firsts in vampire lore.

But what about an Edgar Allan Poe vampire story? Surely Poe heard of these early stories and likely read one or both when he got older. Did he respond in kind with his own vampire tale? Sorry to disappoint, but from my research Poe does not appear to have penned a vampire story. If a reader has to stretch their imagination to determine if a character is a vampire, then it is likely not a vampire. After all, a vampire is what a vampire does.

Teeth play a telling role (as does the presence of blood) in many vampire tales. The ponderous Poe dissertations that seek to attribute the protagonist’s lust for teeth to a vampire fixation in “Berenice” have felt chompy. A tooth fixation is not a blood fixation. Still, a number of anthologist have placed Poe’s “Ligeia” in their collections with hopes that if the tale is included in a vampire anthology, it will somehow be transmogrified, shapeshifted if you will, into a vampire story. A Poe story listed in the Table of Contents for an anthology boosts sales. Nevertheless, in the case of vampire anthologies, Poe’s inclusion is misdirected. Yet what a out "Ligeia?"

**Spoiler Alert** When Ligeia dies and is subsequently brought back to life through Rowena’s body, the unnamed protagonist touches her and she moves away, again displaying no lust for blood. Before her death, Rowena is given a cup of reddish liquid that could easily be wine or a potion concocted by the protagonist. There is no evidence that anyone’s blood was spilt. The only other hint of vampirism comes when Rowena’s lips part on her deathbed to display a line of “pearly teeth.” If she was a vampire we would learn of long teeth or sharp teeth, but that is not the case.

Poe’s only passing references to vampires were in his poems. “Tamerlane” references a vampire-bat and “To Helen” calls out vampire-winged panels. Articles about the vampire motif in “The Fall of the House of Usher” have been disorganized and unconvincing. There is no hint that Roderick Usher was a vampire. Essays about a volitional vampire in “Morella” have . . . well . . . sucked. 


Yes, it would be nice for this fifty year period, this cradle of all vampire short stories in the English language, to include a vampire tale by Edgar Allan Poe. But the sad answer is that Poe never penned a vampire story. Read these important vampire tales in BlooDeath: The Best Vampire Short Stories 1800-1849.


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Friday, March 31, 2023

Review of The Sorrows of Young Werner by Andrew Barger

 

Johann Goethe
(1749-1832)


Review of the Sorrows of Young Werther
by

Background
The literary impact of Johann Goethe's 1774 novel The Sorrows of Young Werther cannot be underestimated. It is widely considered as the second Gothic novel published in the English language. This was a decade after the first: Horace Walpole's The Castle of OrtrantoThe Old English Barron followed in 1778 and The Mysteries of Udolpho in 1794. In 1796 The Monk was published to controversy and acclaim. It centers around a priest gone astray and a witch named Matilda. Mary Shelley's Frankenstein was published in 1818. There, the unloved monster finds a worn copy of The Sorrows of Young Werther and likens himself to the protagonist. What goes around, comes around in Goth!

The Sorrows of Young Werther was impactful in ushering in the romantic age of literature--though Goethe nearly killed it off before it began. The novel was the foundation on which the German Sturm und Dang (storm and urge) literary style was launched, sporting reckless characters tossed about the seas of love.  

Comments
Poor, poor young Werther and his sorrows inflicted by a love interest who has a modicum of interest in him. Charlotte wants to be more friends than lovers. (Guys: Have you experienced that one before?) She is, after all, betrothed, and then married, to a plucky, self-absorbed man named Albert who can hardly be bothered with the young man named Werther who keeps hanging around the house.

In sharp contrast to his personality, Werther dresses like a bright canary (that alights on Charlotte's shoulder in the novel) in his blue suit jacket and yellow vest. He was Oscar Wilde a 100 years prior. His foppish outfit went so far as to launch a fashion style during the late eighteenth century and the first rash of ancillary marketing ever experienced by a novel.













Think Eau de Werther cologne and China teapots on which portraits of the fictional Werther were hand painted as shown here in the Victoria and Albert Museum. The teapot was made in 1789. This is two years after the revised edition of The Sorrows of Young Werther was printed. The literary fever of the novel was still burning 15 years later. In Germany, where it was originally published, some 20 editions were already in print. Plays, operas, and satirical works soon followed; and copycat suicides that got the book banned in some German villages. The term "furor Wertherinus" was coined to reflect the suicidal passions of young men and woman scorned.






Parallels to Life
Like Dracula, most of the novel is written in epistolary form. Craftily, Goethe only lets readers see the letters of Werther, not those of Wilhelm to whom he is writing. The Sorrows of Young Werther oozes in parallels to Goethe's own life. The novel is set in the fictional village of Walheim where "the reader need not take the trouble too look for the place...." But finding the real village was easy to do since, at the age of 19, Goethe met Charlotte Buff at a small dance in the German village of Whitsuntide in Wetzlar. (Stop it with the W names, Goethe!). He fell in love with her that evening but, just like in the novel, Charlotte was engaged to another.

The Forbidden Act
Two years prior to its publication, his friend Karl Wilhelm Jerusalem, committed suicide after falling in love with a married woman and "[in] that moment the plan of Werther was found...." The Sorrows of Young Werther was blamed for a number of suicides. Consider this magazine excerpt from the early nineteenth century (Eight Historical Dissertations on Suicide, pg 117, 1859):
Let us, by way of specifying only a very few well-authenticated prominent instances, think of Captain Arenswald who shot himself Sept. 19, 1781, and had been fond of reading this Novel during the latter part of his life; 1) of Miss von Lassberg, one of Goethe's friends at the court of Weimar, who was found Jan. 17, 1778 drowned in the lime, with a copy of Werther's Leiden in her pocket; 2) of Gunderode who stabbed herself at Winkel on the Rhine from an unhappy attachment to an already married Heidelberg Professor, the learned and amiable Creuzer, and who used to read Werther together with her friend, the well-known Bettina von Arnim, and speak much about suicide. 3) — Aye, Mme. de Stael was not far wrong, when she asserted that it had "caused more suicides than the most beautiful woman," 4) nor does Goethe himself (in his Autobiography) deny that this aesthetical masterpiece of his proved a daemoniac charm which wrought deadly ruin unto many. Therefore, we cannot but pronounce it, in a moral point of view, a great error; for no book can be veritably of good which proves a sort of impulse and guide for the many unto self-destruction; — and what we may justly complain of is this: that Goethe, as far as we can learn, never regretted this its influence, never penned aught to counteract it, never, if I may here employ serious language, like a man and a Christian repented of it!
IIL Ugo Fosoolo's le ultime lettere di Jacopo Orjtis (1802).

It was Goethe himself who stated: "Suicide is an event of human nature which, whatever may be said and done with respect to it, demands the sympathy of every man, and in every epoch must be discussed anew." My Life: Poetry and Truth

Rating & Recommendation
I recommend The Sorrows of Young Werner because of its high impact on literature. It was wholly cathartic for Goethe to write and left him feeling like he had made “a general confession, again happy and free and justified for a new life.”

I end this review with sage words of advice for our poor foppish Werther. Man-up, young Werther! Man-up. If the woman fails to reciprocate your love, forget her and move on as quickly as possible and you are sure to find your true love at another time.

https://andrewbarger.com/index.html


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Monday, March 27, 2023

Book Trailer for Witchcraft Classics: Best Witch Short Stories 1800-1849

 


Witchcraft Classics: Best Witch Short Stories 1800-1849


My latest anthology is now live and available for download or purchase.

Book


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Saturday, March 25, 2023

The Spadena House, or The Witch's House, of Beverly Hills

 

Spadena House - Beverly Hills, California

The Spadena House, commonly referred to as The Witch's House, is a whimsical house in Beverly Hills, California. The house was built in 1921 by Hollywood art director Harry Oliver, who designed it to look like a cottage straight out of a fairy tale. It certainly looks like a house filled with scary witch stories. The house was originally built on a movie studio lot in Culver City, but it was later moved to its current location in Beverly Hills.

The house is known for its distinctive, storybook-style architecture, which features a steeply-pitched roof with crooked chimneys, a lopsided chimney, and a tiny, arched front door. The exterior of the house is made of stucco, which has been painted to look like dark wood, and it is surrounded by a whimsical garden featuring stone toadstools, a fake moat, and a collection of gnarled trees.

Over the years, the Spadena House has gained a reputation as one of the most famous and recognizable landmarks in Beverly Hills. In the 1960s, it was briefly used as a set for the television show "Bewitched" which helped to solidify its status as a cultural icon. Is there witchcraft going on inside?

Today, the Spadena House is privately owned and is not open to the public. However, it remains a popular tourist attraction, and visitors can often be seen taking pictures of the house and its unique features.


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