Showing posts with label best vampire book. Show all posts
Showing posts with label best vampire book. Show all posts

Friday, April 21, 2023

The Unholy Compact Abjured by French novelist Charles Pigault-Lebrun (1753-1835)

 


The Unholy Compact Abjured was published by French novelist Charles Pigault-Lebrun (1753-1835) in 1825. This is a very early vampire story and was only the fourth published in the English language. What were the three that preceeded it?

"The Vampyre" by John Polidori in 1819, "The Black Vampyre" by Robert Sands also in 1819 and "Wake Not the Dead" by Ludwig Tieck in 1823 are the prior three and are included in The Best Vampire Stories 1800-1849: A Classic Vampire Anthology

"The Unholy Compact Adjured" is not, however, since it is rather flamboyant and does fails to reach the level of character and story-line of the others. It is still worth a read on a dark night.


THE UNHOLY COMPACT ADJURED

In the churchyard of the town of Salins, department of Jura, may still be seen the remains of a tomb, on which is sculptured in figures as rude as the age in which they were carved, a representation of a soldier, firmly clasped in the arms of a maiden; near them stands the devil in a menacing attitude. Though the inhabitants of the town are all ready to swear to the truth of the story, they are not agreed as to the time when it happened; so that we can only say, that some centuries have rolled away, since a young soldier named St Amand, a native of Salins, was returning after a long absence to the bosom of his family. He walked with quick and cheerful steps, carrying with ease, in a small knapsack, the whole of his worldly goods. Never since he quitted the paternal roof, had he felt so happy; for he hoped ere night, to see his pretty cousin, Ninette, whom he loved with all his heart, and whom he intended to make his wife.

He walked on, gaily carolling, till he saw a cross-road before him, and uncertain of his way, he called to an old woman, with her back towards him, to direct him. She was silent: and, as he approached, he repeated the call, and she raised her head to answer it. The stout heart of the young soldier quailed, as he cast his eyes upon a countenance, such as never before had met his gaze.

He had indeed, reason to tremble; for he had just disturbed in the middle of an incantation, one of the most powerful witches in the country. She regarded him with a demoniac smile, and said in a tone which froze his blood, "Turn where thou wilt, thy road is sure,--it leads to death!"

For some moments, he stood as if rooted to the spot; but, soon, fear of the sorceress, who remained gazing upon him, gave him strength to flee. He ran forward, nor stopped till he had completely lost sight of the fearful being, whose dreadful prediction had struck him with such horror. Suddenly a frightful storm arose; the thunder growled, and the lightning flashed round the weary traveler, who, drenched with rain, and overcome with fatigue, had hardly strength to proceed. How great was his joy, when he saw at a distance, a magnificent chateau, the gate of which stood open. He exerted all his remaining strength to reach it, and precipitately entered a large hall. There he stopped, expecting every moment to see some domestics, but no one appeared. He remained some time, watching the progress of the storm: at length it began to abate, and he determined to pursue his way; but as he approached the door, it closed with a loud noise, and all his efforts to open it were vain.

Struck with astonishment and dismay, the young soldier now believed that the prediction of the witch was about to be accomplished, and that he was doomed to fall a sacrifice to magic art.

Exhausted by his vain efforts to open the ponderous door, he sank for a moment in helpless despondency, on the marble pavement; put his trust in providence, and soon revived. He said his prayers, and rising, waited with firmness the issue of this extraordinary adventure. When he became composed enough to look round him, he examined the hall in which he was: a pair of folding doors at the further end, flattered him with the hope of escape that way; but they too, were fastened. The hall was of immense size, entirely unfurnished; the walls, pavement and ceiling, were of black marble; there were no windows, but a small sky-light faintly admitted the light of day, into this abode of gloom, where reigned a silence like that of the tomb. Hour after hour passed; this mournful silence remained still undisturbed; and St Amand, overcome with fatigue and watching, at length sunk into a deep, though perturbed slumber.

His sleep was soon disturbed by a frightful dream: he heard all at once, the sound of a knell,.mingled with the cries of bats, and owls, and a hollow voice, murmured in his ear, "Woe to those who trouble the repose of the dead!" He started on his feet, but what a sight met his eyes! The hall was partially illuminated by flashes of sulphurious fire; on the pavement was laid the body of a man newly slain, and covered with innumerable wounds, from which, a band of unearthly forms, whose fearful occupation, proclaimed the hellish origin, were draining the yet warm blood.

St Amand uttered a shriek of terror, and was in an instant surrounded by the fiends: already were their fangs, from which the remains of their horrid feast still dripped, extended to grasp him, when he hastily made the sign of the cross, and sank senseless upon the ground. When he regained his senses, the infernal band had vanished, and he saw bending over him, an old man, magnificently but strangely dressed: his silken garments flowed loosely around him, and were embroidered with figures of different animals, and mystic devices. His countenance was majestic, and his venerable white beard descended below his girdle: but his features had a wild and gloomy expression: his eyes, above all, had in their glance, that which might appal the stoutest heart. St Amand shrunk from this mysterious being, with awe, mingled with abhorrence, and a cold shudder ran through his veins, as the old man bent upon him his piercing eyes.

"Rash youth," cried he in a severe tone, "how is it that thou hast dared to enter this place, where never mortal foot save mine has trod?"

"I came not willingly," replied St Amand, trembling; "an evil destiny, and not vain curiosity brought me hither."

"Thou wouldst not the less have expiated thy presumption with thy life, but for my aid. "

returned the old man, austerely. "I have saved thee from the vampires who guard it, and it depends upon me, whether thou shalt not still become their prey."

"Oh! save me, then, I pray thee!"

"And why should I save thee?" demanded the venerable magician. "What price art thou willing to give me for thy life?"

"Alas! I have nothing worthy of thy acceptance," sighed St Amand.

"But thou may'st have; and it is only through thee that I can obtain what I most desire."

"How?"

"The blood of a dove, for me, would be a treasure, but I may not kill one; she must be slain for me, by one whose life I have saved. Should I liberate thee, a dove will fly to thy bosom; swear that thou wilt instantly sacrifice her for me, and thou shalt be free."

"I swear it!"

Hardly had St Amand uttered the words, when he found himself in the chamber of Ninette, who, with a cry of joy, rushed into his arms. He pressed her with transport to his breast; but scarcely had he embraced her, when he saw the magician standing by his side.

"Wretch!" cried he, "is it thus thou keepest thine oath? Pierce her heart--she is the dove that thou must instantly sacrifice, if thou wilt not become a feast for the vampires!"

"Sacrifice her? Never! Never!"

"Then, thou art my prey!" and the fiend assuming his own form, sprang towards his victim; but he stopped suddenly--he dared not seize him: for the maiden held him firmly clasped in her arms, and the little cross of gold, which night and day she wore upon her bosom, had been blest by the venerable priest, whose gift it was. Thus, nought unholy dared approach the maiden, and the baffled fiend fled with a tremendous yell, as the crowing of the cock, announced the approach of dawn.

The cries of the maiden soon brought the neighbours to her chamber, and among them was the pastor, to whom St Amand related his adventure. "Oh, my son!" said the good priest, "what have you done? See you not, that you have entered into a contract with the powers of darkness? Unable to wreak their vengeance on you, when you had guarded yourself with the blessed sign of our redemption, the fiend has had recourse to craft to draw you into his power. You have promised a sacrifice, to the enemy of God and man, but you have done it in ignorance. Abjure then, solemnly, the cursed contract, and dread no longer the vengeance of the fiend."

The young soldier made the required abjuration, during which, the most dreadful noises were heard: it was the last effort of the demon's vengeance; for, from that time, he was never seen, nor heard of. St Amand married Ninette, who had given him such a courageous proof of her love; and the cross transmitted from her, to her descendants, was always considered by them as the most precious part of their inheritance. In process of time, the family became wealthy, and a great grandson of St Amand erected the monument we have described, to commemorate the miraculous escape of his ancestor.

#unholycompactadjured #earlyvampirestories #bestvampireshortstories #charlespigaultlebrun #classicvampires #bestvampirestories #vampireanthology

Sunday, October 30, 2022

Interview with Andrew Barger on The Best Vampire Stories 1800-1849 Anthology


As Halloween approaches, Andrew answers questions about The Best Vampire Stories 1800-1849: A Classic Vampire Anthology


Interview with Andrew Barger

Q1. Why did you focus on the first half of the 19th century for your first vampire anthology?
A1. I knew the first vampire short story written in the English language was "The Vampyre" by John Polidori. He published it in 1819. There was obviously fresh dirt, so to speak, for this period and I started digging. I wanted to start from the beginning just as I did with The Best Horror Short Stories 1800-1849,The Best Werewolf Short Stories 1800-1849 and The Best Ghost Stories 1800-1849.

Q2. Did you unearth anything of note in vampire lore?

A2. Yes. I was surprised to find the first vampire short story penned by an American that has remained buried for nearly two centuries. It was published only months after Polidori's tale. It was titled "The Black Vampyre" and was published under a pseudonym by a Columbia University Law School graduate. In the book I demonstrate who the actual author was as background to the story. From my research it is also the first short story to advocate freedom for black slaves and to contain a child vampire.

Q3. That is substantial. So you include background information on each story in the collection?

A3. Also author photos, publication dates and a list of stories read at the end of the book.  In the print version I include annotations like I did with the other books.

Q4. You stated that in your estimation Edgar Allan Poe wrote one third of the best horror stories for the fifty years in question. Did 
Edgar Allan Poe write any vampire stories?
A4. There is much speculation about this. Some assert "Ligeia" and "Berenice" are vampire stories but I dispel this in the Introduction: "With Teeth." In my view Poe did not pen a vampire tale. It is also of note that neither Nathaniel Hawthorne nor Washington Irving wrote a vampire story, either.

Q5. Who are some of the more famous authors in the vampire anthology?

A5. I mentioned John Polidori, Lord Byron's traveling doctor. Alexander Dumas, Joseph le Fanu and Théophile Gautier all have stories in the collection.

Q6. Do you have a favorite?

A6. "Clarimonde" by Gautier is the foremost thing of its kind. Of course Gautier had the advantage of all the great stories that came before his.

Q7. The strangest name has to be "Pepopukin in Corsica." How did you come across it?

A7. It was published in an old magazine in 1826. It is just the third vampire story originally published in the English language. It has not been republished since. The author was not given, only the initials A.Y. I was able to learn that it was Arthur Young who wrote a number of travel books based in France. "Pepopukin in Corsica" is the first vampire story to include poetry.

Q8. Didn't Polidori write "The Vampyre" in response to a bet by Mary Shelley? 

A8. There's a story within a story on that one. Mary Shelley, Percy Shelley, Lord Byron and John Polidori challenged one another to write a ghost story. Mary ultimately wrote Prometheus Unbound (that we know now as Frankenstein) and Lord Byron penned a fragment of a vampire story that he never finished. Polidori used the outline and wrote "The Vampyre." It is little known that Polidori put Lord Byron in "The Vampyre" after they had had a falling out. Lord Byron is the vampire himself. He called him Lord Ruthven in the story. I lay out the many similarities between Lord Byron and Lord Ruthven in the background. It's fascinating stuff.

Q9. Another popular vampire story is "Wake Not the Dead."

A9. It was first published in English in 1823 and miss-attributed to Ludwig Tieck. Ernst Raupach is the true author.

Q10. Did you unearth any misconceptions in doing your research?
A10.  Varney the Vampire, or the Feast of Blood, published in 1847 as a serialized Penny Dreadful was the first vampire novel. Bram Stoker's Dracula was not the first, as many people believe.

#BestVampireStories #ClassicVampires #VintageVampires #ClassicVampireStories #VintageVampireStories #VampireHorror #BestVampireShortStories

 

Sunday, December 5, 2021

TED Video on the Origins of Vampires in Literature

 


TED Video on the Origins of Vampires in Literature

"The myth of the bloodsucking vampire has stalked humans from ancient Mesopotamia to 18th-century Eastern Europe, but it has differed in the terrifying details. So, how did we arrive at the popular image we know, love and fear today? And what truly makes a vampire...a vampire?"

Best Vampire Stories 1800-1849 Anthology Makes a Great Gift!

The cradle of all vampire short stories in the English language is the first half of the 19th century. Andrew Barger combed forgotten journals and mysterious texts to collect the very best scary vampire stories from this crucial period in vampire literature. In doing so, he found the second and third vampire stories originally published in the English language, neither printed since their first publication nearly 200 years ago. Also included is the first vampire story originally written in English by John Polidori after a dare with Lord Byron and Mary Shelley. The book contains the first vampire story by an American who was a graduate of Columbia Law School. The book further includes the first vampire stories by an Englishman and German, including the only vampire stories by such renowned authors as Alexander Dumas, Théophile Gautier and Joseph le Fanu. As readers have come to expect from Andrew, he has added his scholarly touch to this collection by including story backgrounds, author photos and a foreword titled "With Teeth." The ground-breaking stories are: 1819 The Vampyre - John Polidori (1795-1821) 1823 Wake Not the Dead - Ernst Raupach (1784-1852) 1848 The Vampire of the Carpathian Mountains - Alexander Dumas (1802-1870) 1839 Strange Event in the Life of Schalken the Painter - Joseph Sheridan le Fanu (1814-1873) 1826 Pepopukin in Corsica - Arthur Young (1741-1820) 1819 The Black Vampyre: A Legend of Saint Domingo - Robert Sands (1799-1832) 1836 Clarimonde - Théophile Gautier (1811-1872)


#vampires #vampire #vampyres #vampireOrigins #vampiretales #vampirestories💓 #BestVampireStories

Saturday, August 14, 2021

Best Vampire Short Stories 1800-1849 Anthology Edited by Andrew Barger - Now at Target.com



My classic vampire anthology, which was a finalist in the International Book Awards, is now available for purchase at Target.com. Unearthed from long forgotten journals and magazines, I found what I believe to be the very best vampire short stories from the first half of the 19th century. They are collected for the first time in this groundbreaking book on the origins of vampire lore.


The cradle of all vampire short stories in the English language is the first half of the 19th century. I combed forgotten journals and mysterious texts to collect the very best vintage vampire stories from this crucial period in vampire literature. In doing so, I found the second and third vampire stories originally published in the English language, neither printed since their first publication nearly 200 years ago. Also included is the first vampire story originally written in English by John Polidori after a dare with Lord Byron and Mary Shelley. The book contains the first vampire story by an American who was a graduate of Columbia Law School. The book further includes the first vampire stories by an Englishman and German, including the only vampire stories by such renowned authors as Alexander Dumas, Théophile Gautier and Joseph le Fanu.

I added my scholarly touch to this collection by including story backgrounds, author photos and a foreword titled "With Teeth." The ground-breaking stories are:

1819 The Vampyre - John Polidori (1795-1821)

1823 Wake Not the Dead - Ernst Raupach (1784-1852)

1848 The Vampire of the Carpathian Mountains - Alexander Dumas (1802-1870)

1839 Strange Event in the Life of Schalken the Painter - Joseph Sheridan le Fanu (1814-1873)

1826 Pepopukin in Corsica - Arthur Young (1741-1820)

1819 The Black Vampyre: A Legend of Saint Domingo - Robert Sands (1799-1832)

1836 Clarimonde - Théophile Gautier (1811-1872)

Buy Best Vampire Short Stories at Target


#BestVampireStories #ClassicVampires #EarlyVampires #BargerVampireAnthology #VampireBooks

Saturday, March 10, 2018

Best Vampire Stories Anthology 1800-1849 Edited by Andrew Barger



With Teeth
by

As one might expect from the stories in this annotated, best vampire story anthology, teeth were used prominently in the nascent development of the vampirism mythos. And due to the human-monster theme, vampire stories developed more quickly and became more robust from both story and character development than other genres during the period in question, such as werewolf and ghost stories; so much so that they triumphed over most novels in this respect. Yet many claim that short stories are a lesser art form than the novel.

Does time bolster art and transform it into something more robust? Certainly as the aging of a Bordeaux brings out complexities of character unknown in newer wines, so too does the novel offer a bouquet of characters that are impossible to foster in the limited pages of a short story. Characters like certain wines take time to develop, and in this aspect deference must be given to the novel in whatever modern form it may take.

Where critics of short fiction often err, however, is assuming that more pages equate to greater literary art. It’s been claimed Earnest Hemmingway said that the phrase “Baby carriage for sale – slightly used” is the best thing he ever wrote.

The literary world is marred with dead trees and terrible, fat novels. Does length equal creativity and originality? Do pages equal greatness? Does size matter in fiction? Edgar Allan Poe, the same author who formed the foundation of the modern short story, claimed just the opposite. He preferred a complete tale that could be consumed in one sitting without interruption of the reader’s concentration.
And it was the same Edgar Allan Poe who likely never penned a vampire story given the research I conducted in Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems and Coffee with Poe: A Novel of Edgar Allan Poe’s Life. If a reader has to stretch their imagination to determine if a character is a vampire, then it is likely not a vampire.

Teeth play a telling role (as does the presence of blood) in many vampire tales. Because of this a number of anthologist have placed Poe’s “Ligeia” in their collections in the hopes that if the tale is put in a substantial number of vampire anthologies it will be transmogrified into a vampire story. This is certainly a misapplication in a story where the supposed vampire never comes in contact with another vampire. When Ligeia dies and is subsequently brought back to life through Rowena’s body, the unnamed protagonist touches her and she moves away, again displaying no lust for blood. Before her death, Rowena is given a cup of reddish liquid that could easily be wine or a potion concocted by the protagonist. There is no evidence that anyone’s blood was spilt. The only other hint of vampirism comes when Rowena’s lips part on her deathbed to display a line of “pearly teeth.”

Yes, it would be nice for this fifty year period, this cradle of all vampire short stories in the English language, to include a vampire tale by Edgar Allan Poe. But the sad answer is that Poe never penned a vampire story. Poe’s only reference to vampires were in his poems. “Tamerlane” references a vampire-bat and “To Helen” calls out vampire-winged panels. Articles about the vampire motif in “The Fall of the House of Usher” have been disorganized and unconvincing. Essays about a volitional vampire in “Morella” have . . . well . . . sucked. The ponderous dissertations that seek to attribute the protagonist’s lust for teeth to a vampire fixation in “Berenice” have felt chompy. Vampires do not lust for teeth, rather blood. A Poe story listed in the Table of Contents for an anthology boosts sales. Nevertheless, in the case of vampire anthologies, Poe’s inclusion is misdirected.

Unlike the pure horror story genre in The Best Horror Short Stories 1800-1849, where Edgar Allan Poe and Nathaniel Hawthorne wrote five of the dozen tales selected and the ghost story genre where Poe, Hawthorne and Irving collectively penned forty percent of tales in The Best Ghost Stories 1800-1849, American writers (apart from one) are sadly lacking from authorship of the vampire stories for this period as they are for the werewolf genre. The top purveyors in these genres all hail from Europe apart from a few limited exceptions.
    
This makes sense given the rise of vampire legends throughout Europe, especially countries touching the Carpathian and Harz Mountains. In the April 1819 issue of the New Monthly Magazine “The Vampyre; A Tale” was published as the first vampire short story originating in the English language. The ruminations of a plot for the story were constructed by Lord Byron; yet it was fleshed out and ultimately written by John Polidori, his physician, on a literary dare. Lord Byron, in turn, got the idea from tradition and folktales. The state of the vampire legend before this story was best laid out in an article published in The Monthly Review of May 1819:

“The superstition, on which the tale is founded, universally prevailed less than a century ago, throughout Hungary, Moravia, Silesia, and Poland; and the legends to which it gave rise were not only believed, but were made the subject of learned disputations by the divines and physicians of the times. In Dr. Henry More’s Philosophical Works, and in Calmet’s Dissertation on Apparitions, may be found many interesting particulars relating to this fancy; and in the latter is an ample account of its origin and progress. It was imagined that men, who had been dead for some time, rose out of their graves and sucked the blood of their neighbours, principally the young and beautiful: that these objects of their attack became pale and livid, and frequently died; while the vampyres themselves, on their graves being opened, were found as fresh as if they were alive, and their veins full of good and florid blood, which also issued from the nose, mouth, and ears, and even through the very pores of the skin. The only mode of arresting the pranks of these tormentors was by driving a stake through the heart of the vampyre; a practice frequently adopted, and during the performance of which, we are told, he uttered a horrid groan. The body was then burned, and the ashes thrown into the grave.”

In John Polidori’s foreword to “The Vampyre” we learn that much of the vampire legend bubbled up through poetry and European legend as did many of the tales found in The Best Werewolf Short Stories 1800-1849. Yet not all of them. In 1679 “The Blood-Drinking Corpse” was published from a posthumous collection by Pu Songling (1640-1715) titled Strange Stories from a Chinese Studio. He was an educator whose hobby, apparently, was to write down popular Chinese folktales. When he died he had collected nearly 500 of them. One of the first English translations was in 1913 and it can be presumed that none of the authors in this collection had access to it.

In response to “The Vampyre,” came the quick publication of “The Black Vampyre, a Legend of St. Domingo” by American, Robert Sands. And from there the vampire mythos fluttered off in the English language, darting from one short story to the next until in 1847 the novel Varney the Vampire, or the Feast of Blood was serialized in a London Penny Dreadful. Fifty years later the world received one of the best horror books ever written--Dracula by Bram Stoker.

From folktales to poetry to short stories to novels, the vampire mythos has developed into the robust, character-driven genre we have today—and it has done so with teeth. In my anthology are what I consider the best vampire short stories published in the first half of the nineteenth century in the English language. I hope you enjoy them.

#BestVampireStories #ClassicVampireStories #VampireShortStories




Saturday, October 19, 2013

My Classic Vampire Anthology is a Finalist in the International Book Awards



BlooDeath: The Best Vampire Stories 1800-1849, has been selected as a finalist award-winner in the anthology category of the International Book Awards. Pretty cool. So what's in the book?

The collection unleashes the greatest early vampire tales in the English language. Unearthed from long forgotten journals and magazines, I uncovered the very best vampire short stories from the first half of the 19th century. They are collected for the first time in this groundbreaking book on the origins of vampire lore.

The cradle of all vampire short stories in the English language is the first half of the 19th century. I combed forgotten journals and mysterious texts to collect the very best vintage vampire stories from this crucial period in vampire literature. In doing so, I unearthed the second and third vampire stories originally published in the English language, neither printed since their first publication nearly 200 years ago. Also included is the first vampire story originally written in English by John Polidori after a dare with Lord Byron and Mary Shelley. The book contains the first vampire story by an American who was a graduate of Columbia Law School. The book further includes the first vampire stories by an Englishman and German, including the only vampire stories by such renowned authors as Alexander Dumas, Théophile Gautier and Joseph le Fanu.

I added my scholarly touch to this collection by including story backgrounds, annotations (physical book), author photos and a foreword titled "With Teeth." The ground-breaking stories are:

1819 The Vampyre - John Polidori (1795-1821)
1823 Wake Not the Dead - Ernst Raupach (1784-1852)
1848 The Vampire of the Carpathian Mountains - Alexander Dumas (1802-1870)
1839 Strange Event in the Life of Schalken the Painter - Joseph le Fanu (1814-1873)
1826 Pepopukin in Corsica - Arthur Young (1741-1820)
1819 The Black Vampyre: A Legend of Saint Domingo - Robert C. Sands (1799-1832)
1836 Clarimonde - Théophile Gautier (1811-1872)

Friday, April 20, 2012

Autographed Edition of The Best Vampire Stories 1800-1849 Being Offered on GoodReads

9781933747354-frontcover


For those of you who read this blog I wanted to let you know that an autographed edition of The Best Vampire Stories 1800-1849: A Classic Vampire Anthology is being offered on GoodReads for the next month. Good luck and have a great (scary)weekend!