Sunday, July 3, 2022

The Field of Terror - a Fantasy Short Story by Baron Friedrich Heinrich Karl De la Motte Fouquâe

Baron Friedrich Heinrich Karl De la Motte Fouquâe (1777-1843)


In 1827, German author Baron Friedrich la Motte Fouquâe published a fantasy story called "The Goblin of the Field" or "The Field of Terror." The trope explores the idea of evil being able to take on a physical location. It is an excellent horror story for the first half of the nineteenth century, but failed to reach the level of the tales I picked for 6a66le: The Best Horror Short Stories 1800-1850. Enjoy!

1827

IN A FERTILE district of Silesia [European region located primarily in Poland] situated at the foot of the Ogre mountains, [Eiger Mountain of Bernese Alps] a party of relations were collected together, a short time before the peace of Westphalia, [Series of German peace treaties that ended the Thirty Year War in 1648] for the purpose of dividing the property of a wealthy farmer, who had died without children, and whose large estates lay scattered about in the neighboring country. In furtherance of this object, the several claimants were assembled in the principal inn of the village, and the adjustment of their respective shares would soon have been brought to a conclusion, but for a small estate, which common report had endowed with singular qualities, and which was called the “Field of Terror.”
It lay amid the surrounding fields, covered with flowers, and an abundance of rank and luxuriant shrubs, which, while they bore ample testimony to the vigour and fertility of the soil, were equally indicative of the neglect, and desolation, to which it was abandoned. For a long series of years, no ploughshare had penetrated its surface, no seed had been cast on its furrows; or, if at intervals the attempt was made, the cattle had been invariably seized with phrenzy, had wildly broken from the yoke and the plough-men and hinds, had rushed from the spot in fright and alarm, affirming, that it was haunted by the most terrific phantoms, who followed the laborer in his duties with a kind of awful familiarity, looking over his shoulders in a manner which no human understanding could bear, and which nothing could prevent from producing delirium and madness.
The question now in dispute was, who should receive this more than suspicious field, as a part of his inheritance. Every man seemed to think, as is the common course of the world, that this self-same spot, which would be useless and of no possible value in his own care, might be extremely applicable, and even advantageous, to his neighbor; and thus the contest, for its right appropriation continued till a late hour of the evening. At length, one of the party proposed a remedy, which, though not directly benefitting any one present, seemed to promise a settlement of the dispute.
“By a codicil in the will,” he said, “we are enjoined to show some mark of kindness, to a poor relation of the testator, who lives hard by in the village. It is true, the girl is very distantly related to us; and there can be no doubt that portionless as she is, she will yet procure a warm man for her husband, for she is a clever, frugal lass, and the people call her the pretty Sabina. Suppose, we give up this Field of Terror to her. We will at once get rid of the testator’s injunction; and to say the truth, it is no inconsiderable gift, provided she gets a husband who knows how to go the right way to work with it.”
The others immediately consented to this proposal, and one of the relatives was dispatched to announce the gracious benefaction.
In the meantime, as the twilight began to descend, somebody had knocked at Sabina’s door, and to her question of “Who’s there?” a reply was given, which had the instant effect of withdrawing the bolt of her little bedroom window. It was a voice long and anxiously sighed for, the voice ofher faithful Constantine; who, poor as herself, had two years before joined a regiment on foreign service, in the hope of facilitating a union with his beloved Sabina, whose heart filled with the purest affection, was entirely devoted to him.
It was a beautiful sight to see the joy which lighted up the lovely countenance of Sabina, as her eyes diffused in tears, her face covered with smiles, appeared through the winding branches of columbine which grew before her cottage, and, as the erect and youthful soldier gazed upon her in modest silent bliss, and extended towards her his faithful hand.
“Oh! Constantine,” she exclaimed, in a low and bashful tone of voice, “heaven be praised, that it has sent you once more home again, and living. This has been the burden of all my evening and morning prayers, even when you may not have succeeded in obtaining the hoped for fortune.”
“As for fortune,” replied Constantine, as he shook his head and smiled, “that indeed wears but a very indifferent aspect. Still, it is better than when I went away, and if you but feel courage enough for the undertaking, I fancy we may yet be married, and manage to get through the world in tolerable decency.”
“Faithful Constantine!” ejaculated Sabina, “thus to connect your happiness, with the fortunes of a poor deserted orphan!”
“Come!” my love, said the ardent soldier, “if you can but trust me, say so. Give me at once your consent to our union. I assure you, things will not run so badly with us; we shall be happy in each other, and, with such a foundation, we may yet live like princes.”
“And have you obtained your discharge? Are you really no longer a soldier? Is the war at an end?”
“Why as for that,” rejoined her lover, “the matter, at present, is hardly decided in either way. The peace is not in fact concluded, but then, the war is quite at a stand; and on this account, my colonel has thought it right to disband his regiment.”
Sabina now extended her hand to her eager lover, in all the joy of youthful, ardent affection, and permitted her future bridegroom to enter the cottage. The youthful pair were speedily seated, and Constantine informed his mistress, that he had obtained his small stock of wealth from an Italian prisoner, whom he had captured on the field of battle, and who had paid this, as the price of his liberty and his life. Sabina, as she turned her wheel, listened with deep attention to her lover’s recital, bestowing, from time to time, a smile of fond approbation upon his conduct; and inwardly rejoicing, that no reproach could hereafter be thrown upon their slender means, thus honorably acquired.
Their conversation was now interrupted by the appearance of the messenger, dispatched by Sabina’s relations. Covered with blushes, and in a faltering voice, the modest girl presented her destined bridegroom to the stranger; and the latter replied:
“Why then, it would seem, as if I had been sent most opportunely; for if your betrothed lover has brought no very considerable share of wealth with him from the wars, the addition which I am commissioned to offer, in the name of the collected heirs to your relation’s property, cannot but be a welcome gift; and it was indeed enjoined us, by the testator’s will, that we should remember you in a handsome way.”
There was something too much of arrogance in the manner in which this piece of good fortune was tendered, to please the lofty spirit of Constantine. But the humble Sabina, wholly ignorant of the mode in which her relatives had evinced their generosity, received the communication as a special interposition of Providence, and could only hold down her head, while her face was covered with a smile of heartfelt, grateful joy. But, as soon as she heard that the Field of Terror was the promised boon, with which her claim was to be liquidated, the base injustice of her relations pressed to her heart, with a painful sickening coldness; and she felt it impossible to restrain the overflowing tears of disappointed hope. Her relation, with a smile of half-suppressed contempt, expressed his regret, that she should have allowed herself to expect more than her friends had thought right to allot her.
“And indeed,” he observed, “this is a much larger proportion of the inheritance, than you could fairly hope to receive.”
With this speech, he was about to retire, but Constantine threw himself in his way; and with that intrepid coolness, which so frequently attends a mind conscious of its own superiority, he said: “Sir! I perceive, that you and your fellows, have been pleased to convert the benevolent intentions of the deceased, into mere derision and mockery; and that it is your joint resolve to withhold a single shilling of his property, from the worthy girl who is now my bride elect. We will still accept your proffered boon, in the full confidence, that, under the guidance of Heaven, this dreaded Field of Terror, may be productive of more advantages in the hands of an honest soldier, than can enter the imaginations of such a groveling, selfish set of poltroons.”
The messenger, who felt rather uneasy at the tone and manner assumed by the young soldier, did not hazard a reply; and with an altered countenance, hurried out of the cottage.
Constantine now kissed away the tears from Sabina’s cheeks, and hastened on the wings of joy, to fix with the curate, an early day of marriage.
After a few weeks, Constantine and Sabina were married; and entered upon their humble mode of house-keeping. The money brought from the wars was chiefly expended in the purchase of a fine yoke of oxen; part of the remainder was invested in seed and necessary articles of household furniture; and the rest reserved for daily expenditure to be doled out in the most economical manner, till the harvest of the succeeding year should replenish their stores. But, as Constantine drove his cattle and plough to the field of labour, he looked back on Sabina with a smiling countenance, and assured her, he was now going to sow the real seed of gold, which another year would restore with two-fold bounty. Sabina could only follow him with her anxious looks, and wish, in her heart, that he were once safely returned from the detested Field of Terror.
It is true, he returned home, and that long before the vesper-bell [Bell rang by Catholic priests to summon the congregation to church for prayers in the early evening] had sounded; but far from being so joyful, as in the native confidence of his heart, he had promised himself in the morning. He dragged laboriously after him the fragments of his shattered plough; before him paced with difficulty, one of his oxen sorely maimed; and marks of blood were seen on his own head and shoulder. But he bore up under his numerous misfortunes, with a sound and even cheerful heart; and consoled with undiminished spirit, the grief of his weeping Sabina.
“Come,” he said, with a smile, “get your pickling tubs in order; for the goblin who reigns in the Field of Terror, has made us a present of a large quantity of beef. The beast I brought home with me has so injured himself in his phrenzy, that he will never more be fit for labour; and, as for the other, he darted off into the mountains, where I had the joy of seeing him cast himself into the torrent, from whence he will never again make his appearance.”
“Oh, my relations! My wicked relatives,” sobbed the disconsolate Sabina. “They have not only deprived you, by their pernicious donation of the little property for which you so sorely travailed; but they have also covered you with wounds, and crippled your strength.”
“That is an affair of but little consequence,” rejoined the intrepid Constantine. “The beasts managed to get me between them, just as their fury had reached its summit; and I was determined not to relinquish my hold. But, Heaven be praised! Things might have gone a great deal worse with me; and in the morning, I will be in the field again.”
Sabina used every means in her power, to dissuade her husband from his resolution; but he only replied, by saying; that so long as he could move an arm or a leg, the field should not lie idle.
“If we cannot plough it, we will dig it; and I am no timid beast of labor, but a tried and dauntless soldier, over whom a goblin can have no power.” He now slaughtered the wounded ox; cut it in pieces; and, on the following morning, while Sabina was busied in preparing it for pickle, pursued his road of the previous day, scarcely less alert and cheerful than then, though now obliged to handle the hoe and spade, instead of guiding his oxen, and well mounted plough.
This time, he returned rather late in the evening, rather pale and exhausted; but full of spirits, and soon capable of tranquilizing his agitated wife.
This kind of labour makes one weary,” he said, with a smile; “for there is a sort of goblin fellow who stands constantly beside me; sometimes in one form and sometimes in another, and mocks me both with word and deed; but he seems to feel no little surprise, that I give no heed to his pranks; and, it is this which fills me with fresh courage. Besides, these kind of creatures have no power over an honest man, who is laboring in his vocation.”
This continued for many days together. The persevering Constantine, pursued, without interruption, his daily labour of digging, sowing, and eradicating the weeds and useless plants which had overspread the field. It is true, the slow process of the spade, only enabled him to cultivate a small portion of the estate; but this served to make him the more zealous and industrious in his occupation; and he, at length, saw a crop spring up, which promised, and eventually produced, a sufficient, if not an abundant harvest. Even the toil of reaping, and transporting it from the field to the barn, was thrown entirely upon his own shoulders; for the laborers in the vicinity would not have engaged, for any consideration, in spending a day upon the dreaded Field of Terror; and he would, on no account, permit Sabina to lend her assistance, since her advanced state of pregnancy, led him to hope for that increase of his family, with which she shortly presented him.
The child was born, and in three years an addition was made of two more, without any change in the worldly circumstances of Constantine. By perseverance and undiminished zeal, he continued to force from the fearful Field of Terror an annual extension of produce, and thus redeemed his pledge to Sabina of bringing her through all her difficulties like an honest man.
One evening in autumn, as the shade of night began to set in, and Constantine was still busied with his spade, a tall robust man, of unusual size of limb, black and sooty as a charcoalburner, and holding a furnace poker in his hand, appeared suddenly before him, and said: “Are there no cattle to be had in this part of the country that you labor away with your two hands? One would suppose, by the extent of your landmarks, that you were a wealthy farmer.”
Constantine was perfectly aware of the stranger’s character, and treated him in the same cool way with which he usually received the goblin of the field. He remained silent, endeavoured to withdraw his attention from the figure before him to his work, and labored on with double application.
But the swarthy visitor, instead of disappearing as was the usual practice of the goblin to present himself again in a more frightful and alarming form, remained where he stood, and in a friendly tone continued: “My good fellow, you are doing both yourself and me injustice by this line of conduct. Give me an honest and candid answer. Perhaps I may know of a remedy for your ills.”
“Well then,” rejoined Constantine, “in Heaven’s name be it so. If you should but cajole me with these friendly words, the fault will be at your door and not at mine.”
With this he began to relate the whole story of his adventures since he had taken possession of the field. He gave an undisguised recital of his first distress, a faithful representation of his just and honest indignation against the goblin who haunted his property, and detailed the difficulty he found under such continual interruption and provocation, of supporting his family by the mere application of his hoe and spade.
The stranger gave an attentive ear to the narrative, seemed lost in thought for a few minutes, and then broke forth in the following address:
“I see, my good fellow, that you know who I am; and I look upon it as a proof of your frank and manly disposition, that you have made no concealment, that you have spoken out boldly of the displeasure you entertain towards me. To say the truth, you certainly have had sufficient cause; but in thus putting your mettle to the test, I will make a proposal which may indemnify you for a good deal of the past. It sometimes happens that, when I have fairly exhausted myself in wild and fantastic tricks, through wood, and field, and mountain, I begin to fancy I should like to attach myself to some quiet family, that I may live for half a year or so, a peaceful orderly life. What do you say to taking me for six months as your servant?”
“It is not right, from people of your sort,” said Constantine, “to pass your jokes on an honest man, who reposes confidence in you.”
“No! No!” replied the other, “there is no joke in it. It is my serious intention. You will find in me a sturdy, active servant; and, as long as I live with you, not a single spirit or spectre will venture to show himself on the Field of Terror, so that you may admit whole herds of cattle to brouse on it.”
“I should like the thing well enough,” rejoined Constantine, “if I were but sure that you would keep your word; and above all, that I were doing right in making the engagement.”
“That must be your own affair,” said the stranger; “but I have never broken my word since these Ogre mountains have stood, and a mere creature of evil and malice I certainly am not. A little merry and wild and mischievous sometimes I own—but that is all!”
“Why I almost believe,” said Constantine, “that you are the celebrated Number-nip.” [Spirit of the Eiger Mountain in Silesia]
“Harkee!” cried the stranger, with a frown, “if that be your opinion, I would also have you to know, that the mighty spirit of the mountains cannot endure that name; and that he calls himself the Lord of the Hills.”
“That would be an odd sort of a servant whom I must call my Lord of the Hills;” said Constantine, in a tone of raillery.
“You may call me Forester then,” rejoined his companion. Constantine looked awhile on the earth, pondering on the course he should adopt, and at length exclaimed:
“Well! Agreed! I can hardly do amiss in accepting your services. I have often seen a poor senseless brute drilled into domestic use, by carrying parcels, turning spits and other household duties—why not a goblin?”
His new servant burst into a hearty laugh at this observation, and said: “I must acknowledge such an estimate was never before made of one of my family. But I am not the less pleased with it, so give me your hand my honoured master.”
Constantine made a further condition, that his new servant was, on no account, to inform Sabina or the children of his connexion with the Field of Terror, or rather of his descent from the caverns and shafts of the Ogre mountains; nor was he, on any occasion, to exhibit any of his fearful goblin tricks about the house or courtyard; and, as Forester promised all that was required of him with every token of good faith, the bargain was soon at an end, and they now proceeded home.
Sabina, after a time, wondered at the increasing prosperity of their domestic economy; and was not wholly free from feelings of secret dread at their swarthy gigantic assistant. At first the children never ventured outside the door, when they perceived him at work in the yard or garden; but, by degrees, his friendly industrious habits gained upon them all; and when he occasionally indulged in a fit of fantastic merriment, by chasing the dog or the poultry round the house, it was considered more amusing than surprising; and a single look from Constantine was, at any time, sufficient to bring him within the proper limits of order.
In full reliance on the promises of the mountain spirit, Constantine applied the slender savings of many years to the purchase of a fresh yoke of oxen; and with his newly amended plough drove to the field in the highest glee. Sabina looked after him with an anxious sorrowful countenance, and with an equally anxious mind awaited his return in the evening, fearing a renewal of the same disaster, the same disappointed hopes, or that his personal injuries, this time, might be more dangerous and alarming than before. But with the sound of the vesper-bell, Constantine came singing through the village, driving his sleek well fed yoke before him, kissed his wife and children in the fulness of his joy, and shook his servant cordially by the hand.
Forester now frequently went to the field alone, while Constantine remained behind working in the yard or garden. A considerable piece of the Field of Terror was cleared for cultivation; and, to the great astonishment of the village neighbors, and the equal discontent and envy of Sabina’s selfish relations, everything assumed an air of prosperity and comfort. It is true, Constantine, when alone, often reflected that all this could be but of short duration, “and Heaven knows” he exclaimed, “how I will manage with the harvest; for Forester’s time will then be out, and the goblin of the field may choose to appear with replenished spirits.”
But he considered that the gathering in of the crop was a labor which, of itself, gave additional vigour to the workman’s arm and heart; and it was possible that Forester, for old acquaintance sake, might keep the land free from guests; as in fact, at times of cheerful relaxation, the latter seemed to imply.
In the course of time, the needful labors of the field were completed. Winter arrived, and Constantine daily drove to the forest for a stock of fuel and wood. On one of these days it so chanced that Sabina was entreated to visit a poor widow in the village, who lay dangerously ill; and whom, as far as their increasing means admitted, Constantine and his wife, had been accustomed to relieve. She was at a loss at what to do with the children during her absence, but Forester offering his services, with whose stories the children were always delighted, and with whom they were ever pleased to remain, she proceeded on her charitable purpose without further hesitation.
About an hour after her departure, Constantine returned from the forest; and having disposed of his waggon in the barn, and prepared the stall for his cattle; he proceeded towards the house to revive his numbed and frozen limbs by the blaze of a cheerful fire. On approaching the door, his ear was saluted by a cry of painful distress from his children. He darted into the house, and, on entering the sitting-room, found the children hidding behind the stove, and crying out for help, while Forester was wildly jumping about the room with shouts of violent laughter, making the most hideous and disgusting faces, and with a crown of sparks and fiery rays playing about his head.
“What is all this?” Constantine said, in a tone of indignant anger, and the supernatural decorations of Forester’s head disappeared; his fantastic merriment instantly ceased, and he began to excuse himself with great humility for thus trying to amuse the children. But the children ran towards their father, complaining that Forester had first of all told them a number of horrific stories, and then he assumed a variety of frightful disguises, sometimes appearing with the head of a ram, sometimes with that of a dog.
“Enough! Enough!” exclaimed Constantine. “Away, sir. Ah! You and I no longer remain under the same roof.” With this he seized Forester by the arm, and shoved him violently out of the house, desiring the children to remain quietly in the room, and to dismiss their fears.
Forester suffered all this without uttering a single word of expostulation; but, as soon as he found himself alone with Constantine in the open court, he said with a smiling countenance: “I hope, master, we will make the matter up. I know I have done a very foolish thing, but I assure you it will never happen again. Somehow or other the old mad fit came on me and I forgot myself.”
“For that very reason, because you can forget yourself,” rejoined Constantine, “we part. You might terrify my children into a frenzy, and, as I have said, our contract here terminates.”
“My time is not up,” said Forester, in a dogged tone. “I will go into the house.”
“Not a step further—at your peril!” cried Constantine. “You have broken the agreement by your cursed goblin tricks, and all that I can do is to pay you your full wages. Here, take it and pack yourself off.”
“My full wages?” said the mountain-spirit, with a sneer of bitter contempt. Have you never seen my stores of gold in the caverns of yonder hills?”
“I do this more on my own account than yours,” said Constantine. “No man will call me his debtor.” And so saying, he forced the money into his servant’s pocket.
“And what is to be done with the Field of Terror?” enquired Forester, in a solemn but almost ireful tone.
“That which it may please God,” rejoined Constantine. “Twenty fields of terror are of no importance to me in comparison with the safety of a single hair of my poor children’s heads. Take yourself away, or I will give you that, you will long have cause to remember!”
“Gently!” cried the mountain-spirit. “Gently! My friend. When any of my family condescend to assume a human form, they choose one of rather stern materials. You might chance to get an under birth in this same fray, and in that case Heaven be merciful unto you!”
“That it has ever been,” said Constantine, “and has also given me a frame of no slender power. Away to your mountains, disgusting monster! I now warn you for the last time.”
Excited by this reproach to a pitch of violent fury, Forester sprang on Constantine, and an obstinate fight ensued. They struggled about the yard for a considerable time, each using every means in his power to overthrow his adversary, without victory declaring herself upon either side; till at length Constantine, by his superior skill in wrestling, managed to bring his opponent to the earth, and having placed his knee on the chest of his fallen foe, began to pummel him most furiously, exclaiming: “I’ll teach you to attack your master, my precious Lord of the Hills.”
The Lord of the Hills, however, laughed so heartily at this address, that Constantine, conceiving his manly efforts to be the subject of derision, only laid on with redoubled vigour, till at length the former exclaimed: “For God’s sake, hold! I am not laughing at you, I am laughing at myself and I humbly beg your pardon!”
“That is another sort of affair,” said Constantine, as he rose up and assisted his conquered adversary to regain his legs.
“I have now learned what human life is, from the very foundation upwards,” said the latter, still continuing his noisy laughter. “I doubt if any of my kindred have ever pursued the study so profoundly. But harkee! My good fellow, you must admit that I carried on the war in an honorable way. For as you will see yourself, I might with ease have called in half a dozen mountain-spirits to my assistance, though amidst all this laughter, I know not how I should have set about it.”
Constantine with a serious air, now looked at the still laughing Number-nip, and said: “It is clear you must entertain a grudge against me, and this will not only be repaid me at the Field of Terror, but in many an evil chance elsewhere; still I cannot repent of what I have done. I have only exercised a paternal duty on behalf of my children, and were the thing to do over again, I should, on mature reflection, repeat it.”
“No, no!” said Number-nip laughingly, don’t make yourself uneasy. I have had quite enough for once. Cultivate the Field of Terror from year to year, at your own will and pleasure. I here pass my word that no fearful phantom will be seen on it from this day forwards, as long as the Ogre mountains stand. And so fare ye well, my honest, but rigid master!”
With this he gave a friendly nod of adieu, and disappeared; nor was he ever more seen by Constantine. But Number-nip kept his word, and even more. An unusual degree of prosperity attended all the labours of his former employer, and Constantine soon became the richest farmer in the village. And when his children were permitted to play in the “Field of Terror”—a spot which both they and Sabina now visited without the slightest dread, they sometimes related in the evening that Forester had come to see them, and told them some of his former amusing stories. On such occasions they generally found their pockets filled with either comfits, [Sugar-coated nuts and seeds] toys, or pieces of shiny money.


#AndrewBarger #FieldofTerror #LandHorror #LandEvil #LaMotteFouquaeHorror

Saturday, May 28, 2022

"Lady Eleanor's Mantle" by Hawthorne, a tightly-woven scary short story of pestilence

Nathaniel Hawthorne

Nathaniel Hawthorne was no stranger when it came to telling a scary ghost story. His "Legends of the Province House" was mentioned as being exemplary by H.P. Lovecraft and his 1835 story titled "Graves and Goblins" is quite good. But this post is about Lady Eleanor's Mantle, and one of the scary ghost stories for the first half of the nineteenth century. "Lady Eleanor's Mantle" is a tightly-woven scary short story of pestilence and because of that it draws certain parallels to Edgar Allan Poe's "Mask of the Red Death," which is included in my book: The Best Ghost Stories 1800-1849: A Classic Ghost Anthology.


Now, a little background about the story. Samuel Shute was the Royal Governor of Massachusetts for seven years, from 1716 to 1723. Without giving away too much, the horror story contains an insane person and there was an outbreak of smallpox in Boston during the winter of 1721-1722. Over 800 people died in the outbreak.  

LADY ELEANORE'S MANTLE

LADY ELEANORE ROCHCLIFFE, being orphaned, was admitted to the family of her distant relative, Governor Shute, of Massachusetts Bay, and came to America to take her home with him. She arrived at the gates of Province House, in Boston, in the governor's splendid coach, with outriders and guards, and as the governor went to receive her, a pale young man, with tangled hair, sprang from the crowd and fell in the dust at her feet, offering himself as a footstool for her to tread upon. Her proud face lighted with a smile of scorn, and she put out her hand to stay the governor, who was in the act of striking the fellow with his cane.

"Do not strike him," she said. "When men seek to be trampled, it is a favor they deserve."

For a moment she bore her weight on the prostrate form, "emblem of aristocracy trampling on human sympathies and the kindred of nature," and as she stood there the bell on South Church began to toll for a funeral that was passing at the moment. The crowd started; some looked annoyed; Lady Eleanore remained calm and walked in stately fashion up the passage on the arm of His Excellency. "Who was that insolent fellow?" was asked of Dr. Clarke, the governor's physician.

"Gervase Helwyse," replied the doctor; "a youth of no fortune, but of good mind until he met this lady in London, when he fell in love with her, and her pride and scorn have crazed him."

A few nights after a ball was given in honor of the governor's ward, and Province House was filled with the elect of the city. Commanding in figure, beautiful in face, richly dressed and jewelled, the Lady Eleanore was the admired of the whole assembly, and the women were especially curious to see her mantle, for a rumor went out that it had been made by a dying girl, and had the magic power of giving new beauty to the wearer every time it was put on. While the guests were taking refreshment, a young man stole into the room with a silver goblet, and this he offered on his knee to Lady Eleanore. As she looked down she recognized the face of Helwyse.

"Drink of this sacramental wine," he said, eagerly, "and pass it among the guests."

"Perhaps it is poisoned," whispered a man, and in another moment the liquor was overturned, and Helwyse was roughly dragged away.

"Pray, gentlemen, do not hurt my poor admirer," said the lady, in a tone of languor and condescension that was unusual to her. Breaking from his captives, Helwyse ran back and begged her to cast her mantle into the fire. She replied by throwing a fold of it above her head and smiling as she said, "Farewell. Remember me as you see me now."

Helwyse shook his head sadly and submitted to be led away. The weariness in Eleanore's manner increased; a flush was burning on her cheek; her laugh had grown infrequent. Dr. Clarke whispered something in the governor's ear that made that gentleman start and look alarmed. It was announced that an unforeseen circumstance made it necessary to close the festival at once, and the company went home. A few days after the city was thrown into a panic by an outbreak of small-pox, a disease that in those times could not be prevented nor often cured, and that gathered its victims by thousands. Graves were dug in rows, and every night the earth was piled hastily on fresh corpses. Before all infected houses hung a red flag of warning, and Province House was the first to show it, for the plague had come to town in Lady Eleanore's mantle. The people cursed her pride and pointed to the flags as her triumphal banners. The pestilence was at its height when Gervase Helwyse appeared in Province House. There were none to stay him now, and he climbed the stairs, peering from room to room, until he entered a darkened chamber, where something stirred feebly under a silken coverlet and a faint voice begged for water. Helwyse tore apart the curtains and exclaimed, "Fie! What does such a thing as you in Lady Eleanore's apartment?"

The figure on the bed tried to hide its hideous face. "Do not look on me," it cried. "I am cursed for my pride that I wrapped about me as a mantle. You are avenged. I am Eleanore Rochcliffe." 

The lunatic stared for a moment, then the house echoed with his laughter. The deadly mantle lay on a chair. He snatched it up, and waving also the red flag of the pestilence ran into the street. In a short time an effigy wrapped in the mantle was borne to Province House and set on fire by a mob. From that hour the pest abated and soon disappeared, though graves and scars made a bitter memory of it for many a year. Unhappiest of all was the disfigured creature who wandered amid the shadows of Province House, never showing her face, unloved, avoided, lonely.


#NathanielHawthorneHorrorStory #HawthorneHorrorStory #HawthorneHorrorTale #LadyEleanorsMantle

Thursday, May 19, 2022

Top ten List of the Best Ghost Short Stories for the First Half of the Nineteenth Century by Andrew Barger

 Top 10 Ghost Stories for the First Half of the 19th Century.

10. The Ghostly Visiter; or, The Mysterious Invalid (1833)

This anonymous ghost story was published in a "penny dreadful" magazine in 1833. It is one of the most chilling ghost stories in relation to an incapacitated person for this fifty year period in review.

9. The Tapestried Chamber (1827)

Sir Walter Scott was a leading proponent of supernatural tales in Europe. The Tapestried Chamber is the second oldest scary story on this countdown and contains moments of sheer terror.

8. Adventure of the German Student (1831)

Washington Irving is best known for "The Legend of Sleepy Hollow," but the "Adventure of the German Student" is as compact a fright as one will find in a little ghost story.

7. The Old Maid in the Winding Sheet (1837)

Nathaniel Hawthorne makes his only appearance in the Top 10 with a horror tale that is superbly written. It was also an Edgar Allan Poe favorite.

6. The Spectral Ship (1828)

Wilhelm Hauff died in his mid-twenties, yet still showed early promise that he could have been one of the all time great supernatural writers. "The Spectral Ship" leaves an indelible tang of horror.

5. A Night in a Haunted House (1848)

This anonymous ghost story is the longest of the Top 10 and will make a person think twice when they hear a thump coming up the stairs.

4. The Mask of the Red Death (1842)

"The Mask of the Red Death" is perhaps Edgar Allan Poe's finest ghost story. The writing and symbolism are unparalleled for this period in question.

3. A Chapter in the History of a Tyrone Family (1839)

Joseph Sheridan le Fanu was the early king of the short ghost story. He would later go on to publish "Green Tea" and other ghostly classics.

2. The Deaf and Dumb Girl (1839)

This is the third anonymous story in the Top 10 and the very best of the lot. It will make you think twice when you see a quiet girl with ashen skin sit next to you on a train.

1. The Legend of Sleepy Hollow (1819)

Washington Irving's most popular ghost story--and perhaps the most popular ghost short story of all time (assuming Dickens's "A Christmas Carole" is a novella)--is "The Legend of Sleepy Hollow." Although typically disfavored in a scary ghost story, it is one of the first to do it without losing the element of terror and it is the oldest in the Top 10, which gives the story high marks for originality and creativity. 

The Best Ghost Stories 1800-1849: A Classic Ghost Anthology includes story introductions, author photos, annotations and a list of ghost stories read. Buy it tonight!

The Best Ghost Stories at Google Books

The Best Ghost Stories at Barnes & Noble


#bestghoststories #bestghoststoryanthology #bestghostshortstoires #bestghostshortstorybook #bestghostshortstoryanthology

Friday, April 15, 2022

Where are J.D. Salinger's New Books - Novels - Stories?

 

What's in Salinger's Closet (Year 12)

J.D. Salinger—The Great Uncommunicator. The only thing more frustrating than the self-imposed seclusion of one of America’s greatest writers has been the intolerable silence of Salinger’s estate in the years following his death. During this time there has been no words, no sentences, paragraphs, short stories, novellas, or novels—about the works left by Salinger after his death. Keep in mind he was writing for half a century in seclusion. Oddly, we have learned that a few of his words scrawled on a note were offered for $50,000, but nothing from his relatives as to what literary works he gifted the world at his death. We have read article upon article of his toilet being offered for $1 million, yet where are his unpublished manuscripts?

Is Salinger's son up to the job? “[My father] wanted me to pull it together, and because of the scope of the job, he knew it would take a long time,” Matt Salinger says. “This was somebody who was writing for 50 years without publishing, so that’s a lot of material. ... [But] there’s not a reluctance or a protectiveness: When it’s ready, we’re going to share it.”

The world is waiting. The world wants to know. To the day, it has been a dozen long silent years since his death on January 27, 2010. That’s 4,457 days of stillness and longing from a literary world adrift in mediocrity; 106,968 hours and 6,418,080 minutes of hope and emptiness.

Salinger had a wealth of literary gifts at his disposal, perhaps more than some of the greatest writers that ever lived. He decided to only let us open a few of those gifts, the largest of which he called The Catcher in the Rye. The others he kept us from opening. That was his choice as artist and literary gift giver. In reference to his privacy Salinger wrote: “It is my rather subversive opinion that a writer’s feelings of anonymity-obscurity are the second most valuable property on loan to him during his working years.” (“People,” Time, 1961-08-04) In a 1974 interview he confessed: “There is a marvelous peace in not publishing .... I love to write. But I write just for myself and my own pleasure.” (“JD Salinger Speaks About His Silence,” Lacey Fosburgh, The New York Times, 11-03-1974)

Did Salinger actually write after his final publication of “Hapworth 16, 1924” in The New Yorker on June 19, 1965? Fortunately, thankfully, what scant historical record we have to date tells us he did. Ray Bradbury stated in Zen in the Art of Writing that “You must stay drunk on writing so reality cannot destroy you.” Salinger knew this better than anyone. He continued to write so the world would not destroy him. What evidence we have regarding his continued writing habits is telling. The most direct comes from Salinger himself. In a 1994 letter addressed to Michael Mitchell, the dust jacket artist for the first edition of The Catcher in the Rye, Salinger revealed that he continued to “work on” in a methodical fashion where he kept the “[s]ame old hours, pretty much.” His confession that he kept writing some thirty years after the publication of “Hapworth 16, 1924” gives us bright hope that a treasure trove of manuscripts was found upon his death.

Salinger’s only daughter, Margaret, presented further evidence in her memoir of not only manuscripts, but a color-coded system for future publication: “A red mark meant, if I die before I finish my work, publish this ‘as is,’ blue meant publish but edit first, and so on.” (Dream Catcher: A Memoir, Margaret Salinger, 2000) Then there is Joyce Maynard who lived with Salinger for 10 months while she was 18 and he was 53. She recounted that he continued to write each morning and that by 1972 he had completed two new novels. (At Home in the WorldJoyce Maynard, 1998)

And let’s not overlook Salinger’s protective neighbors in Cornish. One stated that Salinger told him he had written 15 unpublished novels. (“JD Salinger’s Death Sparks Speculation Over Unpublished Manuscripts,” The Telegraph, 01-29-2010) If thoughts of having a new Salinger novel published each of the next 15 years doesn’t send literary chills down your spine, your back is broke.

On September 15, 1961, Time magazine featured Salinger on its cover and reported that he intended to write a Glass trilogy. (“Sonny: An Introduction,” Time, John Skow, 09-15-1961)  “Hapworth 16, 1924”, a long letter from his character Seymour Glass while at summer camp, was the only novella from the trilogy published. It is clear Salinger continued to write all these years in his remote cinderblock bunker with its fireplace and writing desk and filing cabinet and packed lunch.  (“Sonny: An Introduction,” Time, John Skow, 09-15-1961,) This leaves five possible scenarios for his unpublished manuscripts.

Suppose they were destroyed. This may have happened before his death by his own hand in a fit of public defiance. Salinger did state that he wrote for his own pleasure. Yet he had tagged various manuscripts for publishing, making destruction by his own devices unlikely. Perhaps the 1992 fire where “damage to the house was extensive” torched them. (“Fire Fails to Shake Salinger’s Seclusion,” New York Times, 10-24-1992) There is no evidence this occurred and it would have been contrary to observances by Margaret Salinger and statements to his neighbor that the manuscripts were piling up. In Salinger’s 1994 letter to Michael Mitchell, dated nearly two years post-fire, he stated he continued to write each morning in his normal fashion. It is also reported that Salinger’s writing studio was removed from the hilltop house perched on the 90 acre compound, which likely preserved his manuscripts when the 1992 fire occurred.

There is the possibility that his manuscripts were stolen, yet there is no evidence of a break-in while Salinger was alive or after his death. This is one of the most unlikely scenarios.

A more plausible explanation for the silence (Excuse me. I once again meant to say “intolerable silence.”) and muted responses of his agent and family is that his will gave pointed instructions not to publish his manuscripts for a certain period of time. Perhaps Salinger went so far as to demand that no word be spoken to the public about what writings he left for three or five or ten years. If breached, all heirs would be cut off from the will and the certain high royalty stream the new novels would bring. Or suppose his manuscripts are in no shape for public consumption and not to be published. That would be quite extraordinary, Nabokov-esq even.  

This leaves us with the most hopeful postulation for lovers of all things Salinger—The Great Uncommunicator has left too many manuscripts for his estate to shift through in two years. What if there are squabbling over which book should be published first and in what order? The literary world is holding its collective breath that is the case. It is in the realm of possibility that inner-circle squabbles could have erupted between his children and wife over which novel to publish first. Matt Salinger publicly disagreed with some of the childhood accounts Margaret wrote about in Dream Catcher: A Memoir. Salinger left a tabbed system of publication, right? Can’t everyone just get along for literature’s sake? Puh-leeese!

To date the media has made Salinger out to be a one-hit wonder who, unable to pen another work of prominence, slunk into a life of seclusion as a bitter and frustrated artist. Nothing is further from the truth. Salinger published two novellas, over thirty short stories (some residing in the Princeton and University of Texas libraries). He accomplished all this some fifty years ago and has been writing ever since. Imagine what he has accomplished over the last half century with modern word processors. Imagine what they found Salinger’s closet.

Salinger was anything but a literary hack. He may be the finest example of the opposite. Salinger wrote for the pure love it; not for the supposed glory of publication. He practiced at the very highest level that any true artist can obtain, one without interference from outside influence; and as Holden would put it—far removed from a bunch of morons who sought to destroy him.

In truth, J.D. Salinger never needed the world. It’s always been the world that has needed J.D. Salinger.

And perhaps now is when the world needs him most.


Andrew Barger
4-15-2022
AndrewBarger.com

#JDSalinger #SalingerDeath #NewSalingerNovels #NewSalingerWorks #NewSalingerStories #JDSalingerNewNovels #JDSalingerNewStories #NewSalingerBooks #JDSalingerNewBooks

Saturday, April 9, 2022

Did Poe Write a Werewolf Story? by Andrew Barger

 

Edgar Allan Poe (1809-1849) wrote scary stories in a number of supernatural genres. He did not invent the horror short story, but he took it to unbelievable heights. Poe penned ghost stories. He was the first to invent a closed room murder mystery (The Murders in the Rue Morgue of 1841) and a founding father of science fiction short stories. Poe also was the first to take us inside the head of a crazy man in The Tell-Tale Heart of 1843.

Yet Edgar Allan Poe failed to cover a few crucial genres in his short stories. For instance, he did not write a vampire or monster story. I have blogged on the former in the past. That is unfortunate as I am convinced that no one could have written a vampire story like Poe. What's more, zombie's had not been created in Poe's time. Unfortunately, Poe also did not write a werewolf story. If Poe did, it would certainly have risen to the level of one of the best werewolf short stories in the first half of the nineteenth century.

Below is a list of werewolf stories originally published in the English language during Poe's lifetime, which he may have read. They are found in the were anthology I edited: Transformation: The Best Werewolf Short Stories 1800-1849:

1831 The Man-Wolf by Leitch Ritche (1800-1865)
1846 A Story of a Weir-Wolf by Catherine Crowe (1790-1872)
1828 The Wehr-Wolf: A Legend of the Limousin by Richard Thomson (1794-1865)
1839 The White Wolf of the Hartz Mountains by Captain Frederick Marryat (1792-1848)
1838 Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages by Sutherland Menzies [Mrs. Elizabeth Stone] (1806-1883)

#WerewolfStories #BestWerewolfStories #ClassicWerewolfTales #BestTransformationStories #Werewolves #LycanStories #WerewolfTales

Friday, April 1, 2022

Madame Crowl's Ghost by Joseph Le Fanu - Full Text

  

Joseph Sheridan Le Fanu
(1814-1873)

For lovers of a good scary short story, let’s all tip our top hats to Charles Dickens, the author of "A Christmas Carol." He was so fixated with ghost stories that he wrote nearly twenty of them among his short stories and novels. His “No. 1 Branch Line, The Signal Man” of 1866 rises to the level of the Top Ten stories found in Best Ghost Short Stories 1850-1899: A Phantasmal Ghost Anthology. As if his many ghost stories weren’t enough for the genre, Dickens fostered the literary careers of many talented supernatural authors by publishing them in his weekly magazine—All the Year Round, including supernatural authors Wilkie Collins, Edward Bulwer-Lytton and Elizabeth Gaskell.

The best ghost story writer Dickens took under his wing, however, was Joseph Le Fanu. To say that Le Fanu was a fantastic ghost story writer is an understatement. No author had a bigger impact during the middle part of the 19th century on supernatural fiction than Irishman Joseph Thomas Sheridan Le Fanu. His female vampire story “Carmilla” (1872) highly influenced Bram Stoker when chiseling the foundations of Dracula and it is still a literary force to be reckoned with today.

His ghost stories influenced M. R. James who unabashedly placed Le Fanu “in the first rank as a writer of ghost stories.” James acknowledged how well Le Fanu set the scene of the story, which is a key component of any frightening ghost story. Montague Summers called Le Fanu “the supreme master of the supernatural.”

He was such an excellent supernatural story writer that Le Fanu is the only author to have stories in four of the best supernatural collections during the nineteenth century: A “Strange Event in the Life of Schalken the Painter” (1839) in BlooDeath: The Best Vampire Short Stories 1800-1849,  “Green Tea” (1872) in Best Horror Short Stories 1850-1899: A 6a66le Horror Anthology,  “Camilla” (1872), and “The Familiar” (1872) in Best Ghost Short Stories 1850-1899: A Phantasmal Ghost Anthology. Although the latter is his best ghost story, "Madame Crowl's Ghost" is, perhaps, his second best due to its chilling narrative and characters.

Dickens published it anonymously on New Year's Eve, 1870 in All the Year Round. He certainly knew it was another excellent scary story by Le Fanu. Enjoy!



Madame Crowl's Ghost
1870

Twenty years have passed since you last saw Mrs. Jolliffe's tall slim figure. She is now past seventy, and can't have many mile-stones more to count on the journey that will bring her to her long home. The hair has grown white as snow, that is parted under her cap, over her shrewd, but kindly face. But her figure is still straight, and her step light and active.

She has taken of late years to the care of adult invalids, having surrendered to younger hands the little people who inhabit cradles, and crawl on all-fours. Those who remember that good-natured face among the earliest that emerge from the darkness of non-entity, and who owe to their first lessons in the accomplishment of walking, and a delighted appreciation of their first babblings and earliest teeth, have "spired up" into tall lads and lasses, now. Some of them shew streaks of white by this time, in brown locks, "the bonny gouden" hair, that she was so proud to brush and shew to admiring mothers, who are seen no more on the green of Golden Friars, and whose names are traced now on the flat grey stones in the church-yard.

So the time is ripening some, and searing others; and the saddening and tender sunset hour has come; and it is evening with the kind old north-country dame, who nursed pretty Laura Mildmay, who now stepping into the room, smiles so gladly, and throws her arms round the old woman's neck, and kisses her twice.

"Now, this is so lucky!" said Mrs. Jenner, "you have just come in time to hear a story."

"Really! That's delightful."

"Na, na, od wite it! no story, ouer true for that, I sid it a wi my aan eyen. But the barn here, would not like, at these hours, just goin' to her bed, to hear tell of freets and boggarts."

"Ghosts? The very thing of all others I should most likely to hear of."

"Well, dear," said Mrs. Jenner, "if you are not afraid, sit ye down here, with us."

"She was just going to tell me all about her first engagement to attend a dying old woman," says Mrs. Jenner, "and of the ghost she saw there. Now, Mrs. Jolliffe, make your tea first, and then begin."

The good woman obeyed, and having prepared a cup of that companionable nectar, she sipped a little, drew her brows slightly together to collect her thoughts, and then looked up with a wondrous solemn face to begin.

Good Mrs. Jenner, and the pretty girl, each gazed with eyes of solemn expectation in the face of the old woman, who seemed to gather awe from the recollections she was summoning.

The old room was a good scene for such a narrative, with the oak-wainscoting, quaint, and clumsy furniture, the heavy beams that crossed its ceiling, and the tall four-post bed, with dark curtains, within which you might imagine what shadows you please.

Mrs. Jolliffe cleared her voice, rolled her eyes slowly round, and began her tale in these words:--

MADAM CROWL'S GHOST

"I'm an ald woman now, and I was but thirteen, my last birthday, the night I came to Applewale House. My aunt was the housekeeper there, and a sort o' one-horse carriage was down at Lexhoe waitin' to take me and my box up to Applewale.

"I was a bit frightened by the time I got to Lexhoe, and when I saw the carriage and horse, I wished myself back again with my mother at Hazelden. I was crying when I got into the 'shay'--that's what we used to call it--and old John Mulbery that drove it, and was a good-natured fellow, bought me a handful of apples at the Golden Lion to cheer me up a bit; and he told me that there was a currant-cake, and tea, and pork-chops, waiting for me, all hot, in my aunt's room at the great house. It was a fine moonlight night, and I eat the apples, lookin' out o' the shay winda.

"It's a shame for gentlemen to frighten a poor foolish child like I was. I sometimes think it might be tricks. There was two on 'em on the tap o' the coach beside me. And they began to question me after nightfall, when the moon rose, where I was going to. Well, I told them it was to wait on Dame Arabella Crowl, of Applewale House, near by Lexhoe.

"'Ho, then,' says one of them, 'you'll not be long there!'

"And I looked at him as much as to say 'Why not?' for I had spoken out when I told them where I was goin', as if 'twas something clever I hed to say.

"'Because,' says he, 'and don't you for your life tell no one, only watch her and see--she's possessed by the devil, and more an half a ghost. Have you got a Bible?'

"'Yes, sir,' says I. For my mother put my little Bible in my box, and I knew it was there: and by the same token, though the print's too small for my ald eyes, I have it in my press to this hour.

"As I looked up at him saying 'Yes, sir,' I thought I saw him winkin' at his friend; but I could not be sure.

"'Well,' says he, 'be sure you put it under your bolster every night, it will keep the ald girl's claws aff ye.'

"And I got such a fright when he said that, you wouldn't fancy! And I'd a liked to ask him a lot about the ald lady, but I was too shy, and he and his friend began talkin' together about their own consarns, and dowly enough I got down, as I told ye, at Lexhoe. My heart sank as I drove into the dark avenue. The trees stand very thick and big, as ald as the ald house almost, and four people, with their arms out and finger-tips touchin', barely girds round some of them.

"Well my neck was stretched out o' the winda, looking for the first view o' the great house; and all at once we pulled up in front of it.

"A great white-and-black house it is, wi' great black beams across and right up it, and gables lookin' out, as white as a sheet, to the moon, and the shadows o' the trees, two or three up and down in front, you could count the leaves on them, and all the little diamond-shaped winda-panes, glimmering on the great hall winda, and great shutters, in the old fashion, hinged on the wall outside, boulted across all the rest o' the windas in front, for there was but three or four servants, and the old lady in the house, and most o' t' rooms was locked up.

"My heart was in my mouth when I sid the journey was over, and this the great house afoore me, and I sa near my aunt that I never sid till noo, and Dame Crowl, that I was come to wait upon, and was afeard on already.

"My aunt kissed me in the hall, and brought me to her room. She was tall and thin, wi' a pale face and black eyes, and long thin hands wi' black mittins on. She was past fifty, and her word was short; but her word was law. I hev no complaints to make of her; but she was a hard woman, and I think she would hev bin kinder to me if I had bin her sister's child in place of her brother's. But all that's o' no consequence noo.

"The squire--his name was Mr. Chevenix Crowl, he was Dame Crowl's grandson--came down there, by way of seeing that the old lady was well treated, about twice or thrice in the year. I sid him but twice all the time I was at Applewale House.

"I can't say but she was well taken care of, notwithstanding; but that was because my aunt and Meg Wyvern, that was her maid, had a conscience, and did their duty by her.

"Mrs. Wyvern--Meg Wyvern my aunt called her to herself, and Mrs. Wyvern to me--was a fat, jolly lass of fifty, a good height and a good breadth, always good-humoured and walked slow. She had fine wages, but she was a bit stingy, and kept all her fine clothes under lock and key, and wore, mostly, a twilled chocolate cotton, wi' red, and yellow, and green sprigs and balls on it, and it lasted wonderful.

"She never gave me nout, not the vally o' a brass thimble, all the time I was there; but she was good-humoured, and always laughin', and she talked no end o' proas over her tea; and, seeing me sa sackless and dowly, she roused me up wi' her laughin' and stories; and I think I liked her better than my aunt--children is so taken wi' a bit o' fun or a story--though my aunt was very good to me, but a hard woman about some things, and silent always.

"My aunt took me into her bed-chamber, that I might rest myself a bit while she was settin' the tea in her room. But first, she patted me on the shouther, and said I was a tall lass o' my years, and had spired up well, and asked me if I could do plain work and stitchin'; and she looked in my face, and said I was like my father, her brother, that was dead and gone, and she hoped I was a better Christian, and wad na du a' that lids (would not do anything of that sort).

"It was a hard sayin' the first time I set foot in her room, I thought.

"When I went into the next room, the housekeeper's room--very comfortable, yak (oak) all round--there was a fine fire blazin' away, wi' coal, and peat, and wood, all in a low together, and tea on the table, and hot cake, and smokin' meat; and there was Mrs. Wyvern, fat, jolly, and talkin' away, more in an hour than my aunt would in a year.

"While I was still at my tea my aunt went up-stairs to see Madam Crowl.

"'She's agone up to see that old Judith Squailes is awake,' says Mrs. Wyvern. 'Judith sits with Madam Crowl when me and Mrs. Shutters'--that was my aunt's name--'is away. She's a troublesome old lady. Ye'll hev to be sharp wi' her, or she'll be into the fire, or out o' t' winda. She goes on wires, she does, old though she be.'

"'How old, ma'am?' says I.

"'Ninety-three her last birthday, and that's eight months gone,' says she; and she laughed. 'And don't be askin' questions about her before your aunt--mind, I tell ye; just take her as you find her, and that's all.'

"'And what's to be my business about her, please, ma'am?' says I.

"'About the old lady? Well,' says she, 'your aunt, Mrs. Shutters, will tell you that; but I suppose you'll hev to sit in the room with your work, and see she's at no mischief, and let her amuse herself with her things on the table, and get her her food or drink as she calls for it, and keep her out o' mischief, and ring the bell hard if she's troublesome.'

"'Is she deaf, ma'am?'

"'No, nor blind,' says she; 'as sharp as a needle, but she's gone quite aupy, and can't remember nout rightly; and Jack the Giant Killer, or Goody Twoshoes will please her as well as the king's court, or the affairs of the nation.'

"'And what did the little girl go away for, ma'am, that went on Friday last? My aunt wrote to my mother she was to go.'

"'Yes; she's gone.'

"'What for?' says I again.

"'She didn't answer Mrs. Shutters, I do suppose,' says she. 'I don't know. Don't be talkin'; your aunt can't abide a talkin' child.'

"'And please, ma'am, is the old lady well in health?' says I.

"'It ain't no harm to ask that,' says she. 'She's torflin a bit lately, but better this week past, and I dare say she'll last out her hundred years yet. Hish! Here's your aunt coming down the passage.'

"In comes my aunt, and begins talkin' to Mrs. Wyvern, and I, beginnin' to feel more comfortable and at home like, was walkin' about the room lookin' at this thing and at that. There was pretty old china things on the cupboard, and pictures again the wall; and there was a door open in the wainscot, and I sees a queer old leathern jacket, wi' straps and buckles to it, and sleeves as long as the bed-post hangin' up inside.

"'What's that you're at, child?' says my aunt, sharp enough, turning about when I thought she least minded. 'What's that in your hand?'

"'This, ma'am?' says I, turning about with the leathern jacket. 'I don't know what it is, ma'am.'

"Pale as she was, the red came up in her cheeks, and her eyes flashed wi' anger, and I think only she had half a dozen steps to take, between her and me, she'd a gev me a sizzup. But she did gie me a shake by the shouther, and she plucked the thing out o' my hand, and says she, 'While ever you stay here, don't ye meddle wi' nout that don't belong to ye', and she hung it up on the pin that was there, and shut the door wi' a bang and locked it fast.

"Mrs. Wyvern was liftin' up her hands and laughin' all this time, quietly, in her chair, rolling herself a bit in it, as she used when she was kinkin'.

"The tears was in my eyes, and she winked at my aunt, and says she, dryin' her own eyes that was wet wi' the laughin', 'Tut, the child meant no harm--come here to me, child. It's only a pair o' crutches for lame ducks, and ask us no questions mind, and we'll tell ye no lies; and come here and sit down, and drink a mug o' beer before ye go to your bed.'

"My room, mind ye, was upstairs, next to the old lady's, and Mrs. Wyvern's bed was near hers in her room, and I was to be ready at call, if need should be.

"The old lady was in one of her tantrums that night and part of the day before. She used to take fits o' the sulks. Sometimes she would not let them dress her, and at other times she would not let them take her clothes off. She was a great beauty, they said, in her day. But there was no one about Applewale that remembered her in her prime. And she was dreadful fond o' dress, and had thick silks, and stiff satins, and velvets, and laces, and all sorts, enough to set up seven shops at the least. All her dresses was old-fashioned and queer, but worth a fortune.

"Well, I went to my bed. I lay for a while awake; for a' things was new to me; and I think the tea was in my nerves, too, for I wasn't used to it, except now and then on a holiday, or the like. And I heard Mrs. Wyvern talkin', and I listened with my hand to my ear; but I could not hear Mrs. Crowl, and I don't think she said a word.

"There was great care took of her. The people at Applewale knew that when she died they would every one get the sack; and their situations was well paid and easy.

"The doctor came twice a week to see the old lady, and you may be sure they all did as he bid them. One thing was the same every time; they were never to cross or frump her, any way, but to humour and please her in everything.

"So she lay in her clothes all that night, and next day, not a word she said, and I was at my needlework all that day, in my own room, except when I went down to my dinner.

"I would a liked to see the ald lady, and even to hear her speak. But she might as well a' bin in Lunnon a' the time for me.

"When I had my dinner my aunt sent me out for a walk for an hour. I was glad when I came back, the trees was so big, and the place so dark and lonesome, and 'twas a cloudy day, and I cried a deal, thinkin' of home, while I was walkin' alone there. That evening, the candles bein' alight, I was sittin' in my room, and the door was open into Madam Crowl's chamber, where my aunt was. It was, then, for the first time I heard what I suppose was the ald lady talking.

"It was a queer noise like, I couldn't well say which, a bird, or a beast, only it had a bleatin' sound in it, and was very small.

"I pricked my ears to hear all I could. But I could not make out one word she said. And my aunt answered:

"'The evil one can't hurt no one, ma'am, bout the Lord permits.'

"Then the same queer voice from the bed says something more that I couldn't make head nor tail on.

"And my aunt med answer again: 'Let them pull faces, ma'am, and say what they will; if the Lord be for us, who can be against us?'

"I kept listenin' with my ear turned to the door, holdin' my breath, but not another word or sound came in from the room. In about twenty minutes, as I was sittin' by the table, lookin' at the pictures in the old Aesop's Fables, I was aware o' something moving at the door, and lookin' up I sid my aunt's face lookin' in at the door, and her hand raised.

"'Hish!' says she, very soft, and comes over to me on tiptoe, and she says in a whisper: 'Thank God, she's asleep at last, and don't ye make no noise till I come back, for I'm goin' down to take my cup o' tea, and I'll be back i' noo--me and Mrs. Wyvern, and she'll be sleepin' in the room, and you can run down when we come up, and Judith will gie ye yaur supper in my room.'

"And with that she goes.

"I kep' looking at the picture-book, as before, listenin' every noo and then, but there was no sound, not a breath, that I could hear; an' I began whisperin' to the pictures and talkin' to myself to keep my heart up, for I was growin' feared in that big room.

"And at last up I got, and began walkin' about the room, lookin' at this and peepin' at that, to amuse my mind, ye'll understand. And at last what sud I do but peeps into Madam Crowl's bedchamber.

"A grand chamber it was, wi' a great four-poster, wi' flowered silk curtains as tall as the ceilin', and foldin' down on the floor, and drawn close all round. There was a lookin'-glass, the biggest I ever sid before, and the room was a blaze o' light. I counted twenty-two wax candles, all alight. Such was her fancy, and no one dared say her nay.

"I listened at the door, and gaped and wondered all round. When I heard there was not a breath, and did not see so much as a stir in the curtains, I took heart, and walked into the room on tiptoe, and looked round again. Then I takes a keek at myself in the big glass; and at last it came in my head, 'Why couldn't I ha' a keek at the ald lady herself in the bed?

"Ye'd think me a fule if ye knew half how I longed to see Dame Crowl, and I thought to myself if I didn't peep now I might wait many a day before I got so gude a chance again.

"Well, my dear, I came to the side o' the bed, the curtains bein' close, and my heart a'most failed me. But I took courage, and I slips my finger in between the thick curtains, and then my hand. So I waits a bit, but all was still as death. So, softly, softly I draws the curtain, and there, sure enough, I sid before me, stretched out like the painted lady on the tomb-stean in Lexhoe Church, the famous Dame Crowl, of Applewale House. There she was, dressed out. You never sid the like in they days. Satin and silk, and scarlet and green, and gold and pint lace; by Jen! 'twas a sight! A big powdered wig, half as high as herself, was a-top o' her head, and, wow!--was ever such wrinkles?--and her old baggy throat all powdered white, and her cheeks rouged, and mouse-skin eyebrows, that Mrs. Wyvern used to stick on, and there she lay proud and stark, wi' a pair o' clocked silk hose on, and heels to her shoon as tall as nine-pins. Lawk! But her nose was crooked and thin, and half the whites o' her eyes was open. She used to stand, dressed as she was, gigglin' and dribblin' before the lookin'-glass, wi' a fan in her hand and a big nosegay in her bodice. Her wrinkled little hands was stretched down by her sides, and such long nails, all cut into points, I never sid in my days. Could it even a bin the fashion for grit fowk to wear their fingernails so?

"Well, I think ye'd a-bin frightened yourself if ye'd a sid such a sight. I couldn't let go the curtain, nor move an inch, nor take my eyes off her; my very heart stood still. And in an instant she opens her eyes and up she sits, and spins herself round, and down wi' her, wi' a clack on her two tall heels on the floor, facin' me, ogglin' in my face wi' her two great glassy eyes, and a wicked simper wi' her wrinkled lips, and lang fause teeth.

"Well, a corpse is a natural thing; but this was the dreadfullest sight I ever sid. She had her fingers straight out pointin' at me, and her back was crooked, round again wi' age. Says she:

"'Ye little limb! what for did ye say I killed the boy? I'll tickle ye till ye're stiff!'

"If I'd a thought an instant, I'd a turned about and run. But I couldn't take my eyes off her, and I backed from her as soon as I could; and she came clatterin' after like a thing on wires, with her fingers pointing to my throat, and she makin' all the time a sound with her tongue like zizz-zizz-zizz.

"I kept backin' and backin' as quick as I could, and her fingers was only a few inches away from my throat, and I felt I'd lose my wits if she touched me.

"I went back this way, right into the corner, and I gev a yellock, ye'd think saul and body was partin', and that minute my aunt, from the door, calls out wi' a blare, and the ald lady turns round on her, and I turns about, and ran through my room, and down the stairs, as hard as my legs could carry me.

"I cried hearty, I can tell you, when I got down to the housekeeper's room. Mrs. Wyvern laughed a deal when I told her what happened. But she changed her key when she heard the ald lady's words.

"'Say them again,' says she.

"So I told her.

"'Ye little limb! What for did ye say I killed the boy? I'll tickle ye till ye're stiff.'

"'And did ye say she killed a boy?' says she.

"'Not I, ma'am,' says I.

"Judith was always up with me, after that, when the two elder women was away from her. I would a jumped out at winda, rather than stay alone in the same room wi' her.

"It was about a week after, as well as I can remember, Mrs. Wyvern, one day when me and her was alone, told me a thing about Madam Crowl that I did not know before.

"She being young and a great beauty, full seventy year before, had married Squire Crowl, of Applewale. But he was a widower, and had a son about nine years old.

"There never was tale or tidings of this boy after one mornin'. No one could say where he went to. He was allowed too much liberty, and used to be off in the morning, one day, to the keeper's cottage and breakfast wi' him, and away to the warren, and not home, mayhap, till evening; and another time down to the lake, and bathe there, and spend the day fishin' there, or paddlin' about in the boat. Well, no one could say what was gone wi' him; only this, that his hat was found by the lake, under a haathorn that grows thar to this day, and 'twas thought he was drowned bathin'. And the squire's son, by his second marriage, with this Madam Crowl that lived sa dreadful lang, came in far the estates. It was his son, the ald lady's grandson, Squire Chevenix Crowl, that owned the estates at the time I came to Applewale.

"There was a deal o' talk lang before my aunt's time about it; and 'twas said the step-mother knew more than she was like to let out. And she managed her husband, the ald squire, wi' her white-heft and flatteries. And as the boy was never seen more, in course of time the thing died out of fowks' minds.

"I'm goin' to tell ye noo about what I sid wi' my own een.

"I was not there six months, and it was winter time, when the ald lady took her last sickness.

"The doctor was afeard she might a took a fit o' madness, as she did fifteen years befoore, and was buckled up, many a time, in a strait-waistcoat, which was the very leathern jerkin I sid in the closet, off my aunt's room.

"Well, she didn't. She pined, and windered, and went off, torflin', torflin', quiet enough, till a day or two before her flittin', and then she took to rabblin', and sometimes skirlin' in the bed, ye'd think a robber had a knife to her throat, and she used to work out o' the bed, and not being strong enough, then, to walk or stand, she'd fall on the flure, wi' her ald wizened hands stretched before her face, and skirlin' still for mercy.

"Ye may guess I didn't go into the room, and I used to be shiverin' in my bed wi' fear, at her skirlin' and scrafflin' on the flure, and blarin' out words that id make your skin turn blue.

"My aunt, and Mrs. Wyvern, and Judith Squailes, and a woman from Lexhoe, was always about her. At last she took fits, and they wore her out.

"T' sir was there, and prayed for her; but she was past praying with. I suppose it was right, but none could think there was much good in it, and sa at lang last she made her flittin', and a' was over, and old Dame Crowl was shrouded and coffined, and Squire Chevenix was wrote for. But he was away in France, and the delay was sa lang, that t' sir and doctor both agreed it would not du to keep her langer out o' her place, and no one cared but just them two, and my aunt and the rest o' us, from Applewale, to go to the buryin'. So the old lady of Applewale was laid in the vault under Lexhoe Church; and we lived up at the great house till such time as the squire should come to tell his will about us, and pay off such as he chose to discharge.

"I was put into another room, two doors away from what was Dame Crowl's chamber, after her death, and this thing happened the night before Squire Chevenix came to Applewale.

"The room I was in now was a large square chamber, covered wi' yak pannels, but unfurnished except for my bed, which had no curtains to it, and a chair and a table, or so, that looked nothing at all in such a big room. And the big looking-glass, that the old lady used to keek into and admire herself from head to heel, now that there was na mair o' that wark, was put out of the way, and stood against the wall in my room, for there was shiftin' o' many things in her chamber ye may suppose, when she came to be coffined.

"The news had come that day that the squire was to be down next morning at Applewale; and not sorry was I, for I thought I was sure to be sent home again to my mother. And right glad was I, and I was thinkin' of a' at hame, and my sister Janet, and the kitten and the pymag, and Trimmer the tike, and all the rest, and I got sa fidgetty, I couldn't sleep, and the clock struck twelve, and me wide awake, and the room as dark as pick. My back was turned to the door, and my eyes toward the wall opposite.

"Well, it could na be a full quarter past twelve, when I sees a lightin' on the wall befoore me, as if something took fire behind, and the shadas o' the bed, and the chair, and my gown, that was hangin' from the wall, was dancin' up and down on the ceilin' beams and the yak pannels; and I turns my head ower my shouther quick, thinkin' something must a gone a' fire.

"And what sud I see, by Jen! but the likeness o' the ald beldame, bedizened out in her satins and velvets, on her dead body, simperin', wi' her eyes as wide as saucers, and her face like the fiend himself. 'Twas a red light that rose about her in a fuffin low, as if her dress round her feet was blazin'. She was drivin' on right for me, wi' her ald shrivelled hands crooked as if she was goin' to claw me. I could not stir, but she passed me straight by, wi' a blast o' cald air, and I sid her, at the wall, in the alcove as my aunt used to call it, which was a recess where the state bed used to stand in ald times wi' a door open wide, and her hands gropin' in at somethin' was there. I never sid that door befoore. And she turned round to me, like a thing on a pivot, flyrin', and all at once the room was dark, and I standin' at the far side o' the bed; I don't know how I got there, and I found my tongue at last, and if I did na blare a yellock, rennin' down the gallery and almost pulled Mrs. Wyvern's door off t' hooks, and frighted her half out o' wits.

"Ye may guess I did na sleep that night; and wi' the first light, down wi' me to my aunt, as fast as my two legs cud carry me.

"Well my aunt did na frump or flite me, as I thought she would, but she held me by the hand, and looked hard in my face all the time. And she telt me not to be feared; and says she:

"'Hed the appearance a key in its hand?'

"'Yes,' says I, bringin' it to mind, 'a big key in a queer brass handle.'

"'Stop a bit,' says she, lettin' go ma hand, and openin' the cupboard-door. 'Was it like this?' says she, takin' one out in her fingers, and showing it to me, with a dark look in my face.

"'That was it,' says I, quick enough.

"'Are ye sure?' she says, turnin' it round.

"'Sart,' says I, and I felt like I was gain' to faint when I sid it.

"'Well, that will do, child,' says she, saftly thinkin', and she locked it up again.

"'The squire himself will be here today, before twelve o'clock, and ye must tell him all about it,' says she, thinkin', 'and I suppose I'll be leavin' soon, and so the best thing for the present is, that ye should go home this afternoon, and I'll look out another place for you when I can.'

"Fain was I, ye may guess, at that word.

"My aunt packed up my things for me, and the three pounds that was due to me, to bring home, and Squire Crowl himself came down to Applewale that day, a handsome man, about thirty years ald. It was the second time I sid him. But this was the first time he spoke to me.

"My aunt talked wi' him in the housekeeper's room, and I don't know what they said. I was a bit feared on the squire, he bein' a great gentleman down in Lexhoe, and I darn't go near till I was called. And says he, smilin':

"'What's a' this ye a sen, child? it mun be a dream, for ye know there's na sic a thing as a bo or a freet in a' the world. But whatever it was, ma little maid, sit ye down and tell all about it from first to last.'

"Well, so soon as I made an end, he thought a bit, and says he to my aunt:

"'I mind the place well. In old Sir Olivur's time lame Wyndel told me there was a door in that recess, to the left, where the lassie dreamed she saw my grandmother open it. He was past eighty when he told me that, and I but a boy. It's twenty year sen. The plate and jewels used to be kept there, long ago, before the iron closet was made in the arras chamber, and he told me the key had a brass handle, and this ye say was found in the bottom o' the kist where she kept her old fans. Now, would not it be a queer thing if we found some spoons or diamonds forgot there? Ye mun come up wi' us, lassie, and point to the very spot.'

"Loth was I, and my heart in my mouth, and fast I held by my aunt's hand as I stept into that awsome room, and showed them both how she came and passed me by, and the spot where she stood, and where the door seemed to open.

"There was an ald empty press against the wall then, and shoving it aside, sure enough there was the tracing of a door in the wainscot, and a keyhole stopped with wood, and planed across as smooth as the rest, and the joining of the door all stopped wi' putty the colour o' yak, and, but for the hinges that showed a bit when the press was shoved aside, ye would not consayt there was a door there at all.

"'Ha!' says he, wi' a queer smile, 'this looks like it.'

"It took some minutes wi' a small chisel and hammer to pick the bit o' wood out o' the keyhole. The key fitted, sure enough, and, wi' a strang twist and a lang skreak, the boult went back and he pulled the door open.

"There was another door inside, stranger than the first, but the lacks was gone, and it opened easy. Inside was a narrow floor and walls and vault o' brick; we could not see what was in it, for 'twas dark as pick.

"When my aunt had lighted the candle, the squire held it up and stept in.

"My aunt stood on tiptoe tryin' to look over his shouther, and I did na see nout.

"'Ha! ha!' says the squire, steppin' backward. 'What's that? Gi' ma the poker--quick!' says he to my aunt. And as she went to the hearth I peeps beside his arm, and I sid squat down in the far corner a monkey or a flayin' on the chest, or else the maist shrivelled up, wizzened ald wife that ever was sen on yearth.

"'By Jen!' says my aunt, as puttin' the poker in his hand, she keeked by his shouther, and sid the ill-favoured thing, 'hae a care, sir, what ye're doin'. Back wi' ye, and shut to the door!'

"But in place o' that he steps in saftly, wi' the poker pointed like a swoord, and he gies it a poke, and down it a' tumbles together, head and a', in a heap o' bayans and dust, little meyar an' a hatful.

"'Twas the bayans o' a child; a' the rest went to dust at a touch. They said nout for a while, but he turns round the skull, as it lay on the floor.

"Young as I was, I consayted I knew well enough what they was thinkin' on.

"'A dead cat!' says he, pushin' back and blowin' out the can'le, and shuttin' to the door. 'We'll come back, you and me, Mrs. Shutters, and look on the shelves by-and-bye. I've other matters first to speak to ye about; and this little girl's goin' hame, ye say. She has her wages, and I mun mak' her a present,' says he, pattin' my shouther wi' his hand.

"And he did gimma a goud pound and I went aff to Lexhoe about an hour after, and sa hame by the stage-coach, and fain was I to be at hame again; and I never sid Dame Crowl o' Applewale, God be thanked, either in appearance or in dream, at-efter. But when I was grown to be a woman, my aunt spent a day and night wi' me at Littleham, and she telt me there was no doubt it was the poor little boy that was missing sa lang sen, that was shut up to die thar in the dark by that wicked beldame, whar his skirls, or his prayers, or his thumpin' cud na be heard, and his hat was left by the water's edge, whoever did it, to mak' belief he was drowned. The clothes, at the first touch, a' ran into a snuff o' dust in the cell whar the bayans was found. But there was a handful o' jet buttons, and a knife with a green heft, together wi' a couple o' pennies the poor little fella had in his pocket, I suppose, when he was decoyed in thar, and sid his last o' the light. And there was, amang the squire's papers, a copy o' the notice that was prented after he was lost, when the ald squire thought he might 'a run away, or bin took by gipsies, and it said he had a green-hefted knife wi' him, and that his buttons were o' cut jet. Sa that is a' I hev to say consarnin' ald Dame Crowl, o' Applewale House."




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